{"title":"Strings","description":null,"products":[{"product_id":"arto-lindsay-cuidado-madame","title":"Arto Lindsay - Cuidado Madame","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2674611517\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/artolindsay.bandcamp.com\/album\/cuidado-madame\"\u003eCuidado Madame by Arto lindsay\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• The album is titled after an infamous 1970 Julio Bressane film about oppressed housemaids revolting against and brutally murdering their mistresses. The literal translation is “Careful, Madame.”\u003c\/p\u003e\n\u003cp\u003e• The album is produced by Lindsay. It features Melvin Gibbs, Paul Wilson, Kassa Overall, Patrick Higgins, Ryu Takahashi and Thiago Nassif.\u003c\/p\u003e\n\u003cp\u003e• Candomblé (spiritual rhythms revolving around possession and trance) served as the foundation for the record. The process began with recordings of atabaques in Brazil. Lindsay wrote melodies and lyrics over the rhythms in the studio in Brooklyn.\u003c\/p\u003e\n\u003cp\u003e• The album is an exploration of the cultural nexus of Afro-Brazilian spirituality and western modernity.\u003c\/p\u003e\n\u003cp\u003eWhen people talk about Arto Lindsay’s body of work, they often project a reductive dichotomy. There is Scary Arto and Sexy Arto.\u003c\/p\u003e\n\u003cp\u003eScary Arto’s music is stormy and serrated and ruthless and almost deranged; evoking perhaps the glare and noise of New York City. Sexy Arto’s music is seductive and warm and textured and ethereal; evoking perhaps the dappled sunlight of Brazil. Both musics seem dreamlike. In the sense that there are many kinds of dreams.\u003c\/p\u003e\n\u003cp\u003eIn 2014, Northern Spy issued a unique and conceptually provocative double-disc anthology of Arto’s solo work, called Encyclopedia Of Arto. Disc 1 was a “best of Arto LIndsay” survey of his solo albums. Disc 2 was something much more unusual: many of the same songs from disc one, performed live with Arto's signature haywire noise guitar (Scary Arto) juxtaposed against his lilting, slyly erotic, post-Caetano vocal style (Sexy Arto).\u003c\/p\u003e\n\u003cp\u003eThe choice to marry Sexy and Scary into a single performance was striking and bold. I cannot speak for Arto, but my read of the statement was that it rebuked the notion that his vision is somehow binary. It felt like fresh terrain.\u003c\/p\u003e\n\u003cp\u003eThis brings us to Cuidado Madame, the long awaited new album, where Arto’s mastery is in full bloom. Though the album certainly favors Sexy Arto, its fearlessness makes us let go of our boring, dichotomous ideas. On offer is the full, inimitable Arto Lindsay range of texture, noise, technology, ensemble playing, melody and poetry, sensuality and intellect.\u003c\/p\u003e\n\u003cp\u003eYou will find that you stop analyzing and parsing. You will find that you surrender.\u003c\/p\u003e\n\u003cp\u003eIn the sense that there are many kinds of dreams.\u003c\/p\u003e\n\u003cp\u003e- Chad Clark\u003cbr\u003eBeauty Pill \/ Washington, DC \/ Spring 2017\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154858207,"sku":"LP-NS-090","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667154923743,"sku":"CD-NS-090","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667154956511,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154890975,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1543875685_10.jpg?v=1703788648"},{"product_id":"string-noise-covers","title":"String Noise - Covers","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=475469194\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stringnoise.bandcamp.com\/album\/covers\"\u003eCovers by String Noise\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDeerhoof drummer Greg Saunier recorded and produced String Noise (Conrad Harris and Pauline Kim Harris) in his closet and the results couldn’t be more wondrous! This beautiful homemade lathe cut 7″ record includes four new arrangements by Eric Lyon of The Germs, Minutemen, Brahms and Deerhoof (featuring Greg on percussion). Cover artwork is by none other than Jad Fair. String Noise, New York’s most daring violin duo has built a reputation as relentless contemporary music advocates with a propensity for the most intense and advanced classical music of today. As performers they have championed the work of extreme contemporary composers such as Bernhard Lang, Eric Lyon, and John Zorn. Their first feature album “The Book of Strange Positions” was released on NORTHERN SPY RECORDS in November 2015. Tiny Mix Tapes describes this collection of original works and arrangements by Eric Lyon of Bad Brains, Violent Femmes, Deerhoof, Radiohead, and Black Flag as a “mix of classic punk covers and ZERO APOLOGIES.”\u003c\/p\u003e\n\u003cp\u003eside A\u003cbr\u003e\nLexicon Devil 2:02\u003cbr\u003e\nPanda, Panda, Panda 2:46\u003cbr\u003e\n(featuring Greg Saunier, percussion)\u003c\/p\u003e\n\u003cp\u003eside B\u003cbr\u003e\nWie Melodien zieht es mir 1:36\u003cbr\u003e\nLittle Man With A Gun In His Hand 3:20\u003c\/p\u003e\n\u003cp\u003earrangements by Eric Lyon\u003c\/p\u003e\n\u003cp\u003ecomposers:\u003cbr\u003e\nThe Germs, Deerhoof, Johannes Brahms and Minutemen\u003c\/p\u003e\n\u003cp\u003erecorded and produced by Greg Saunier in his closet in Brooklyn, NY\u003c\/p\u003e\n\u003cp\u003ecover art by Jad Fair\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Lathe Cut Single + Digital","offer_id":44667156103391,"sku":"LP-NS-076","price":14.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156136159,"sku":null,"price":4.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156070623,"sku":"","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-06-at-8.20.23-PM.png?v=1703788716"},{"product_id":"ravi-shankar-in-hollywood-1971","title":"Ravi Shankar - In Hollywood, 1971","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092736005\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ravishankar.bandcamp.com\/album\/in-hollywood-1971-2\"\u003eIn Hollywood, 1971 by Ravi Shankar\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePARTICIPANTS: Ravi Shankar (Sitar), Alla Rakha (Tabla), Kamala Chakravarty (Tanpura)\u003c\/p\u003e\n\u003cp\u003eRecorded live June 12, 1971 in Hollywood, California. Private concert at the home of Ravi Shankar on Highland Avenue.\u003c\/p\u003e\n\u003cp\u003eMusic Producer: Shyama Priya\u003cbr\u003e\nExecutive Producer: Shyama Priya, Cat Celebrezze\u003cbr\u003e\nCover Photograph: Claudia Andujar\u003cbr\u003e\nInside Photographs: Henry Diltz\u003c\/p\u003e\n\u003cp\u003eLINER NOTES:\u003cbr\u003e\nWritten by Sukanya Shankar, 2015\u003c\/p\u003e\n\u003cp\u003eThis is a treasure of a recording as it is not only a live recording of a rare morning concert but it was also an “at home” performance Raviji did for some special friends at his residence on Highland Avenue in Hollywood, California in 1971. It was during this gathering that he spoke about his distress over the plight of the people of East Pakistan (later known as Bangla Desh) in the aftermath of Cyclone Bhola. Being Bengali himself, he talked about wanting to do something to alleviate the suffering. George Harrison, in attendance that day, listened and from those conversations the seed was sown for what would later become the Concert for Bangladesh.\u003c\/p\u003e\n\u003cp\u003eI telephoned Kamala Chakravarty in India, whom you hear on the recording playing tanpura (also Raviji’s one-time partner of twenty-five years) to find out details of the day, what the atmosphere was like. She is eighty-six now and she couldn’t remember in detail – there were so many musical nights! – but said that, at that time, it was not uncommon for Raviji to invite friends over and then all the four Beatles and people like Marlon Brando, Zubin Mehta, and Peter Sellers would to drop by!\u003c\/p\u003e\n\u003cp\u003eThis concert recording is unique musically as it is historically. The first piece is a beautiful raga composed by Raviji called Parameshwari. It opens with a little Aochar and a slow Gat in Teen taal of 16 beats and a fast gat in Ek Taal of 12 beats. The inspiration for this Raga goes back to Chengali, a little village near Kolkata. During the filming of his autobiographical film Raga, Raviji traveled to Chengali in the morning sometime in March 1968. While riding in the car, he conceived the nucleus of a melodic form that he later developed and called Kameshwari. By using the old Murchana (scale-wise progression) and Swara Bheda system (getting different ragas by changing the Sa or Do), he discovered three more ragas at the heart of Kameshwari, and Parameshwari was one of them. The other two are Gangeshwari and Rangeshwari. Parameshwari has flashes of known ragas Bageshri, Bhairavi and Bilaskhani Todi but it is pure Raviji.\u003c\/p\u003e\n\u003cp\u003eLet us delve a little into what Raviji achieved when he created his ragas. A raga is not merely a cluster of notes with a theme or a motif. It is bound by some strict principles of its Arohana (ascending) and Avarohana (descending) characteristics. It usually has 5, 6 or 7 notes and sometimes permutations and combinations of these. It should have a Vadi, which is the most important note, and a Sam Vadi, which is usually the 4th or the 5th and note and secondary. What is core to the raga is its Prana or life and its power to be heard and to be propagated, to instill its emotional message in the heart of as many musicians and listeners as possible. Time will tell the validity of a new raga creation, by its acceptance, popularity and longevity. No matter how beautiful the raga, if you are the only one who can perform it, it is not considered to be of any consequence. Raviji’s ragas can be found in many artist repertoires – that tells you the intensity and emotional effect of his music and his creations.\u003c\/p\u003e\n\u003cp\u003eAlso playing brilliantly on this recording is Ustad Alla Rakha or Abbaji, as he was affectionately addressed, Raviji’s tabla accompanist of twenty-five years. You can hear Raviji’s appreciation and excitement for Abbaji’s improvisations during the performance. On Dhun you hear pure Raviji in all his sensuality and mastery! Raviji dedicated Dhun to Bangla Desh, again, telling you what was on his mind and weighing on his heart at the time. The final piece is Sindhi Bhairavi in Thumri (meaning “light classical style”). Raviji’s hands are flying in the fast Drut composition, but at he loses not one bit of musicality. Towards the end, the musical conversation between sitar and tabla is incredible. Hearing Raviji’s inimitable laughter at the conclusion broke my heart. Oh I miss him so much…but am so grateful we can share his music with you.\u003c\/p\u003e\n\u003cp\u003e– Sukanya Shankar, 2015\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Double LP + Digital","offer_id":44667156168927,"sku":"LP-NS-073","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Double CD + Digital","offer_id":44667156234463,"sku":"CD-NS-073","price":21.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156201695,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156267231,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Ravi-Shankar-In-Hollywood-Cover_web-e1646851928473.jpg?v=1703788727"},{"product_id":"cloud-becomes-your-hand-rest-in-fleas","title":"Cloud Becomes Your Hand - Rest In Fleas","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2880046892\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cloudbecomesyourhand.bandcamp.com\/album\/rest-in-fleas\"\u003eRest In Fleas by cloud becomes your hand\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eLike visions from a 3D comic book, color fantasies explode in vivid new sound-­tones on Cloud Becomes Your Hand’s Rest in Fleas. The band’s second album for Northern Spy establishes the Brooklyn sextet as purveyors of googley­-eyed psych-­pop of the highest order, delivered in a kinetically singular dialect of the musical language of fun. Over eight tracks, Cloud Becomes Your Hand affirm their position in the secret lineage that links the pingings of the BBC Radiophonics Workshop to the happy goofing of Syd-­era Pink Floyd (like if the busted gearwork at the end of “Bike” started its own band?), a line that connects the energy dome power of Devo to the collage-­happy Frosted Ambassador wing of the Elephant 6 Recording Company. Feed your head, right? But while the collective destination might be the sweet innocence of marmalade skies, the Cloud irregulars are hardly musical naifs, executing dazzling conceptual and compositional turns that puts them just as much in the family of New York’s uncompromising experimental music scene.\u003c\/p\u003e\n\u003cp\u003eLed by multi­-instrumentalist and composer Stephe (the ph is hard) Cooper, Cloud Becomes Your Hand’s complex art-­pop bursts into being from fragments and scraps, collaboratively sewn together into benevolent smoke­spewing contraptions that spin around drumming drummer Booker Stardrum and Sam Sowyrda’s MIDI-­triggered malletKAT percussion. Along with Hunter Jack (violin) and Weston Minissali (synth\/vocals) comes the addition of bassist Simon Hanes­­–formerly of comrade DIY brain­-exploders Guerilla Toss–whereby the Cloud gang gains some new rhythmo-­melodic heft on their journey to the centre of our mind. Lyrics come courtesy of ongoing collaborations between Cooper, his friends, and some anarcho muse guiding the whole cotton candy ship, and Rest in Fleas sets down on our planet with enough bouncing choruses and surprise left-­turn hooks for the whole happy mutant family.\u003c\/p\u003e\n\u003cp\u003eMuch like Cooper’s songs, Cloud Becomes Your Hand has multiple origins. One is a theatrical stage experiment produced by Cooper and Cloud malletKATer Sam Sowyrda called Living Things-­currently neither active nor disbanded–­­which yielded the stage instruction from which the Cooper drew the Cloud Becomes name. Another origin are Cooper’s subsequent home recording endeavors released on cassette under the Cloud Becomes moniker, including Cloud Becomes Your Hand (2010) and Doggy Paddle (2011) before drafting an ensemble into service for live work. “Like punk rock coming out of a music box,” Stereogum described one such performance. “A joyful journey through a strange land,” said the New Yorker. Rocks or Cakes, the band’s 2014 Northern Spy debut “thrills, buzzes, dives, \u003cand\u003e surprises,” wrote Relix.\u003c\/and\u003e\u003c\/p\u003e\n\u003cp\u003eJust at home at hanging out at Brooklyn avant­-garde institutions like Roulette as on homemade stages in over­-enthusiastic loft installations, Cloud Becomes Your Hand are ready to find the doorway to elsewhere in any environment. Rest in Fleas functions much the same, using sleight of hand and pure charm to lash open a portal to the giddy surreal by any means necessary, from learned technique to spontaneous creation. Along with fellow travelers on the kosmik-­noisenik highway like aggro­-eclectic Northern Spy labelmates Dva and Horse Lords, Cloud Becomes Your Hand continue to fight the good fight by not fighting at all, just emitting only the most colorful of vibrations and letting the air and all available ears do the rest.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667156365535,"sku":"LP-NS-074","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667156431071,"sku":"CD-NS-074","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667156398303,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156463839,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0738448119_10.jpg?v=1703788738"},{"product_id":"string-noise-the-book-of-strange-positions","title":"String Noise - The Book of Strange Positions","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=175422397\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stringnoise.bandcamp.com\/album\/the-book-of-strange-positions\"\u003eThe Book of Strange Positions by String Noise\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eConrad Harris and Pauline Kim Harris, the husband\/wife violin duo comprising String Noise, have built a reputation as relentless contemporary music advocates with a propensity for the most intense and advanced classical music of today. As performers they have championed the work of extreme contemporary composers such as Bernhard Lang, Eric Lyon, and John Zorn.\u003c\/p\u003e\n\u003cp\u003eThis release goes back to the roots of String Noise. Between 2009-2011, Eric Lyon composed Noise Triptych, the first work written for the as-yet-unnamed duo. Lyon then provided the moniker String Noise, and the duo made their debut at the 2011 Ostrava New Music Days festival. This release presents Noise Triptych, and its follow-up composition, The Book of Strange Positions. Accompanying these works is a set of arrangements of punk rock songs created by Lyon between 2011- 2015.\u003c\/p\u003e\n\u003cp\u003eThe combination of classical music and punk rock might seem surprising, but here it makes sense. Lyon’s recent music has been built on the technique of “articulated noise,” in which most creative decisions are made at random, and the composition process is largely about managing serendipity. While this may seem abstruse, Lyon’s music itself tends to be driving, intense, and immediate, with strong ties to a punk rock sensibility. This pairing presents Lyon’s music in the context of some of its own musical affinities, while presenting familiar punk rock songs from a fresh viewpoint.\u003c\/p\u003e\n\u003cp\u003e“Trailblazing duo…” – Time Out New York\u003c\/p\u003e\n\u003cp\u003e“Formidable display of virtuosity…” – New Music Box\u003c\/p\u003e\n\u003cp\u003e“Lightning fast reflexes and warmly matched sounds….” – New York Times\u003c\/p\u003e\n\u003cp\u003e“They were greeted with a thundering ovation more common for American Idols…” – The Huffington Post\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667156627679,"sku":"CS-NS-072","price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156693215,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156660447,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/StringNoise_square_cover-e1646851916746.jpg?v=1703788749"},{"product_id":"zs-score","title":"Zs - Score","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2374516240\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zstheband.bandcamp.com\/album\/score-the-complete-sextet-works-2002-2007\"\u003eScore - The Complete Sextet Works: 2002 - 2007 by Zs\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Complete Sextet Works: 2002-2007\u003c\/p\u003e\n\u003cp\u003eSeptember 2012 New York City band Zs celebrates 10 years of being a band with the release of Score – The Complete Sextet Works: 2002-2007. Zs has been described with a dizzying array of musical vocabularies, and has performed alongside an equally dizzying complement of colleagues and collaborators ranging fromThrobbing Gristle’s Genesis P. Orridge, to Roscoe Mitchell, toChristian Wolf, not to mention hundreds of comrades from the Brooklyn DIY scene, that has been home to Zs’ myriad incarnations and musical and artistic tangents. Belonging nowhere and everywhere, Zs has absorbed the editorial space of Howard Stern andAlex Ross alike. In 10 years of activity, the band has changed in countless ways without ever changing a fierce commitment to inscrutable aesthetics and execution crafted to provoke reflection and challenge assumption in the consumption of music.\u003c\/p\u003e\n\u003cp\u003eWhen Zs first formed the sextet, the band operated as a composers collective who played their own compositions. All members of the band huddled over sheet music on music stands illuminated by floodlights. The band was known for ensemble style rather than individual styles of the players, and developed a particular reputation for a near pathological commitment to unison execution of counter intuitive rhythms at an ear splitting volume, or at a virtually inaudible volume. Additionally, the band wore uniforms, a way of drawing attention away from the people playing in the band, and toward the group responsible for the monolithic rhythms and harmonies Zs spun out relentlessly at early shows. This stands in stark contrast to the emphasis on individual style found in Zs’ recent work. That said, this music is important in the development of Zs as it articulates the formation of the aesthetic and formal vocabulary that would form the underpinning for all future journeys the band would take.\u003c\/p\u003e\n\u003cp\u003eAt present Zs remains committed to constant change in method and stasis in intention – different means, people, and aesthetics, always meant to instigate questioning and challenge preconception. The band is working on writing their 3rd full length record and an EP, both due out in 2013. In the mean season, dive into the early world of Zs with Score – The Complete Sextet Works: 2002-2007.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667167211743,"sku":"CD-NS-027","price":24.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667167146207,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667167178975,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/homepage_large.bf2ea24a.jpg?v=1703789111"},{"product_id":"dan-melchior-the-backward-path","title":"Dan Melchior - The Backward Path","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=987243628\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/danmelchior1.bandcamp.com\/album\/the-backward-path-2\"\u003eThe Backward Path by Dan Melchior\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Backward Path marks a departure for Dan Melchior in a number of ways. It is his first album to feature other musicians since his time with the Broke Revue, and it also marks a change in his songwriting methods, with more heartfelt sentiments being expressed rather than the usual flood of snide non sequiturs. It is also a quieter album, without much of the “did he mean it to sound like that?” sonic onslaught of Catbirds and Cardinals.\u003c\/p\u003e\n\u003cp\u003eDan’s wife Letha Rodman Melchior was diagnosed with cancer in late 2010, and since then the couple has been on something of an emotional roller coaster. This comes through in the lyrics of the songs on The Backward Path and is augmented beautifully by the contributions of C. Spencer Yeh (violin), Haley L. Fohr (vocals), Anthony Allman (keyboards), Ela Orleans (vocals, keyboards and guitar), and Sam Hillmer (Saxophone).\u003c\/p\u003e\n\u003cp\u003eThe vocal pieces are broken up with instrumentals that are nearest in tone to the “songs” on Dan’s acclaimed LP on Kye, Excerpts and Half Speeds, giving some room for the vocal pieces to sink in. The final result has more in common with Sister Lovers than Guitar Wolf, and we hope you will find this decidedly adventurous, but emotionally engaging music as satisfying as Dan found it to make.\u003c\/p\u003e\n\u003cp\u003eAnthony Allman – keyboards, Haley L. Fohr – vocals, Sam Hillmer – saxophone, Ela Orleans – vocals, keyboards, guitar, C Spencer Yeh – Violin, All other instruments – Dan Melchior\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667167244511,"sku":"LP-NS-028","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667167310047,"sku":"CD-NS-028","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667167277279,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667167342815,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0406136949_10.jpg?v=1703789122"},{"product_id":"starring-abcdefg-hijklmnop-qrstuv-wxyz","title":"Starring - ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3332059164\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/starringmusic.bandcamp.com\/album\/abcdefg-hijklmnop-qrstuv-wxyz-2\"\u003eABCDEFG-HIJKLMNOP-QRSTUV-WXYZ by Starring\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eStarring’s ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ combines minimalist musical patterns with dreamy poetry to create a new style front-woman Clara Hunter likes to call “sparkle prog.” It captures the frenetic energy of the band’s live show, but here it is overlain with a new palate of synthesizers, delay effects, drum processing, aux percussion, and vocals that create delicate, but sometimes radical juxtapositions between the lyrical and the experimental. Though songs like “the best” and “aphonia” channel the loud, raw, and repetitive “circus punk” of Starring’s early releases, much of this record speaks with a broader sense of expressive depth.\u003c\/p\u003e\n\u003cp\u003eOver the course of the album’s six cuts, choruses soar at monstrous heights framed by mechanical and occult trances. Dead jazz turns up with fuzzy 8-bit solos, whistling synths pipe beneath ghostly choral arrangements, viola lines in Turkish modes swoop into ornamented curls and loops, and singer Clara Hunter’s girlish vocals whisper the record’s secrets with surreal, woozy melodies. Concretely, the album reflects an aesthetic that recalls the classic sounds of European prog rock (Magma, Faust, Neu!), the unhinged grit of 1970’s New York no wave artists like Suicide, the earliest cuts from minimalists like Terry Riley and Philip Glass, and even a dose of post-rock’s strung-out improvisations.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667167867103,"sku":"LP-NS-024","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667167932639,"sku":"","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667167899871,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667167965407,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Starring-ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ.jpg?v=1703789158"},{"product_id":"colin-l-orchestra-infinite-ease-good-god","title":"Colin L. Orchestra - Infinite Ease \/ Good God","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051093777\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/colinlangenus.bandcamp.com\/album\/infinite-ease-good-god\"\u003eInfinite Ease\/Good God by Colin Langenus\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eIn the tradition of long strange trips across wide open spaces, the Colin L. Orchestra arrived at the offices of Northern-Spy Records via Colin Langenus’ previous project, USAISAMONSTER. He’s exchanged his previous duo for a full-scale rock orchestra of his bestest buds on multiple guitars, drums, violins, keyboards. Their first project, \u003cem\u003eInfinite Ease\/Good God\u003c\/em\u003e, is full-scale indeed, available as a double-CD or a deluxe fully re-mastered for vinyl version of \u003cem\u003eInfinite Ease\u003c\/em\u003e with a digital download of \u003cem\u003eGood God\u003c\/em\u003e. Though three years in the making, they flow as smoothly as an inner tube on a lazy stream on a summer’s afternoon. Three years setting schemes and arranging sleeping dreams have culminated in two lush, flowing albums full of anthems and wee small moments. From the supple bass line that opens, “You Need Sleep,” to crunches of guitar shred melting into velvet strings on their way to a country ditty that would do Graham Parsons proud. Here is a double-pleasure that re-envisions the “jam band” and, at the same time, “indie rock,” meshing together minimalistic repetitive jams, bright melodies, and loose, easy-going vocals all in the sole service of aiding your bliss.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667171832031,"sku":"LP-NS-005","price":18.99,"currency_code":"USD","in_stock":true},{"title":"Double CD + Digital","offer_id":44667171864799,"sku":"CD-NS-005","price":16.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667171799263,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667171897567,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/colinl.jpg?v=1703789309"},{"product_id":"chasing-an-illusion","title":"Larkin Grimm - Chasing An Illusion","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1101430676\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/larkingrimm.bandcamp.com\/album\/chasing-an-illusion-2\"\u003eChasing an Illusion by Larkin Grimm\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs on Larkin Grimm’s previous records, Chasing an Illusion pivots around the Harlem singer’s commanding voice, a bloody howl that is fierce enough to gobble people whole and spit out their souls. But the music here is freer than in her past work. Often, the playing veers into territory suggesting adventurous corners of jazz. Combined with Grimm’s vocal heft and hippie underpinnings, the subsequent work frequently brings to mind Astral Weeks (an album that Grimm, naturally, has never heard). Meanwhile, her songwriting remains potent and considered. Lyrics are more direct than on past records, particularly those addressing motherhood—the album’s recurring, if not quite dominant, theme. These songs dig deep, exploring an emotional openness that can feel unusually raw, vulnerable, and, at times, ferocious.\u003c\/p\u003e\n\u003cp\u003eARTIST STATEMENT:\u003c\/p\u003e\n\u003cp\u003eI offer up to you my latest attempt at creating utopia through sound. It is called Chasing an Illusion, and it was recorded in a dank, moldy cave in Gowanus, Brooklyn by Martin Bisi, using a decade old vintage version of Pro Tools on a long obsolete computer, and the same dusty, unlabeled mixing board used for David Bowie's Young Americans. The band was made up of generally all my true loves at once. This is an album about higher love, and truth. Truth in sound, accomplished by recording live, keeping the vocals raw, hearing the actual sound of the room, and letting the out of tune and out of time parts celebrate our humanity and imperfection. That is the beauty of this album, as we honor the perfection of the divine energy that we invoke through the ritual trance of this music.\u003c\/p\u003e\n\u003cp\u003eIn the private viewing room at Riverside Church I was standing in awe above Ornette Coleman's body. I think he was wearing a purple suit. In death, his body looked like a wax idol. His energy was thick and mellow in the room. As I touched the side of his casket, I heard the words, \"The music is yours. This energy is for you. You can use it to make something.\" Holding my little jewel of Ornette's energy in my heart I walked into the main church to listen to the eulogies. Yoko Ono held a white scarf she had knitted with her precious artist's hands for Ornette to keep him warm. I thought about the musical collaborators I have loved, and the small ways I honor them with my time. I wanted to gather them all together and record immediately. On my way outside the church, I ran into Ravi Coltrane.\u003c\/p\u003e\n\u003cp\u003e\"I think I'm going to make a harp record, in honor of your mom,\" I said. \"Her music has been getting me through the worst year of my life.\" \"Is it a jazz record?\" He asked. \"Maybe it's a jazz record.\" \"Aren't you a folk singer?\" someone said. \"Maybe you should leave jazz to the people who have studied it for years,\" said a guitarist. \"Study? I never even practice,\" said Ravi Coltrane. \"I just play.\"\u003c\/p\u003e\n\u003cp\u003eI turned around and Pharaoh Sanders was standing right behind me. My face turned white. I was starstruck. \"Your playing is magic. It makes me cry. Thank you so much,\" I said. Pharaoh Sanders, in a long blue robe and a short blue cap, took hold of both of my arms and looked me square in the face, saying nothing. He gave me a somber, stoic hug while one of Ornette's friends took a picture of us. Two Aliens at a funeral. Smiling with tears in our eyes. And that is the moment in which this record was conceived.\u003c\/p\u003e\n\u003cp\u003eThrough this music I strive to be free. Free from suffering, free from shame, free from inhibitions, free from language, free from hatred, free from oppression, free from gender, free from race, free from expectations.\u003c\/p\u003e\n\u003cp\u003eIn my spiritual practice, when a student is ready to humble themselves and transform, they strip naked and prostrate themselves at the feet of their teacher. This gesture of humility and openness is extended to you, the listener, as I kneel before you on the cover of this album. Ornette Coleman believed that every listener is equal, and no particular education is required to understand the language of the heart. I hope that this album will heal your pain as it has healed mine. I hope it will bring you closer to the divine.\u003c\/p\u003e\n\u003cp\u003eLove,\u003cbr\u003eLarkin Grimm\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667172978911,"sku":"LP-NS-088","price":18.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667173044447,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667173011679,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/front-cover-Larkin-web-e1646851149491.jpg?v=1703789370"},{"product_id":"inverted-jenny","title":"Ross Goldstein - Inverted Jenny","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2947042657\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rossgoldstein.bandcamp.com\/album\/inverted-jenny\"\u003eInverted Jenny by Ross Goldstein\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe transformative cross country road trip, the devastating break up, the mind-melting all night mushrooms experience-- these are the types of main events that have inspired lots of great art, but what happens in the interim? What does it feel like as life moves through these chapters and has to bounce around the echoes they leave behind? With his second solo album Inverted Jenny, Ross Goldstein patiently ponders this theme as he travels through a glowing internal world, observing moments of both stillness and the sublime from a distance. There’s a sheen of loneliness that runs throughout, but never a bitterness. The record opens with a trifecta of Van Dyke Parks-tinged open road songs, but even in the joyful discovery of these songs there’s the sense that they’re viewed from a loner’s perspective. This feeling only grows as things shift from roadside distractions to the plush instrumentals and gentle vibes that make up the record’s second half. Gorgeous arrangements set up a playful conversation between warm synths, stoned guitar leads, meticulously placed touches of chamber pop orchestration and even sounds of the natural world from Ross’ own field recordings, always buzzing with life. The question never overtly asked but always in the air on Inverted Jenny is “what happens after the big thing happens?”\u003c\/p\u003e\n\u003cp\u003eAs a photographer, visual artist and musician (member of the cosmic brain bending trio Devin Gary \u0026amp; Ross, among other projects) Ross has built a layered catalog of softly psychedelic artistic output, but last showed up in rare solo form on Trail Songs, a quietly-released 2007 collection of more Americana-leaning songcraft. A decade later, he picks up on threads started on that debut, but continues in a far more inward direction.\u003c\/p\u003e\n\u003cp\u003eWritten and recorded in fits and starts over the course of two years in Ross’ home in the Catskill Mountains, there are audible traces of solitude and stillness everywhere on the record. An incredibly personal product of a sole creator, even when guest players came by to record additional parts, they would confer with Ross and overdub their parts in hushed one-on-one sessions, rather than more collaboratively-minded large ensemble sessions. This chapter of the already isolated process furthered the strange intimacy of the album.\u003c\/p\u003e\n\u003cp\u003eLyrics and vocal parts were written for most of the songs, but as the recording continued, some songs seemed to say more as instrumentals, lyrics feeling overwrought or even redundant. Possibly informed by his work collecting field recordings, Ross made the deliberate decision to scrap vocals from a good number of the tracks, offering them up as scenes without dialogue, every bit as important to the bigger picture as their sung counterparts. By the end of the album we’ve walked alongside for a while, watching the songs navigate their lonesome internal landscape like a late night passing blissfully into morning. At the end of this night (and every other night, really) there’s no answer to be found, no great revelation besides wandering along into another beautiful morning.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667173273823,"sku":"LP-NS-091","price":19.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667173306591,"sku":"CD-NS-091","price":13.99,"currency_code":"USD","in_stock":true},{"title":"WAV Download","offer_id":44667173372127,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667173339359,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS_091_cover-1-e1646850994632.jpg?v=1703789389"},{"product_id":"terry-riley-in-c","title":"Brooklyn Raga Massive - Terry Riley In C","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3593172528\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bkragamassive.bandcamp.com\/album\/terry-riley-in-c-2\"\u003eTerry Riley In C by Brooklyn Raga Massive\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBrooklyn Raga Massive (BRM), a collective of forward thinking musicians rooted in Indian classical music, release Terry Riley In C recorded live in concert with 18 musicians at Joe’s Pub on January 11, 2017. Indian classical music is often a lonely affair involving 3 or 4 musicians at most. Sitarist Neel Murgai identified the canonic minimalist masterpiece as an accessible way for a critical mass of BRM musicians to play together. Terry Riley himself, after listening to an early performance recording, suggested they “use the basic In C form but open it up to solos...based on some of the patterns.” BRM’s arrangement of In C incorporates raga, Indian ornamentation, driving tabla rhythms, improvised solos and an instrumentation of sitar, sarod, bansuri, vocals, tabla, hammered dulcimer, oud, violin, cello, upright bass, dragon mouth trumpet, guitar, cajon, riq and frame drum.\u003c\/p\u003e\n\u003cp\u003eTerry Riley composed In C in 1964, but this release marks the first time it has been performed and recorded by a group featuring so many Indian classical musicians and raga elements. The piece’s basic structure consists of 53 cells of music for any instrumentation, short fragments that each performer repeats, displaces and moves through at their own will. Terry Riley is a long time practitioner of Indian classical vocal music, having studied with Pandit Pran Nath, but he confirmed that “I have never heard an ensemble like this playing In C.” BRM brings the composition full circle with this unique rendition.\u003c\/p\u003e\n\u003cp\u003eBRM performs and presents over 70 concerts annually including an ongoing weekly concert and jam session at venues including Kennedy Center, Lincoln Center, Celebrate Brooklyn, Pioneer Works, MOMA, Rubin Museum and more.Their extensive repertoire includes Terry Riley’s In C, a Coltrane Raga Tribute, Indian classical and original works by various members of the collective. BRM is a 501 c3 Non-profit run by musicians for musicians dedicated to spreading raga inspired music across the globe. This is BRM’s first release with Northern Spy Records, and the first time the group’s work will be available on CD.\u003c\/p\u003e\n\u003cp\u003eProduced by Neel Murgai and Brooklyn Raga Massive\u003cbr\u003e\n\"In C\" Composed by Terry Riley\u003cbr\u003e\nMusic Direction by Neel Murgai\u003c\/p\u003e\n\u003cp\u003eRecorded Live at Joe's Pub at the Public\u003cbr\u003e\nJanuary 11, 2017\u003c\/p\u003e\n\u003cp\u003eMixing and Mastering - Kane Mathis\u003cbr\u003e\nRecording Technician - Milton Ruiz\u003cbr\u003e\nSound Engineer - Jon Shriver\u003c\/p\u003e\n\u003cp\u003ePEOPLE\u003c\/p\u003e\n\u003cp\u003eNeel Murgai - Sitar \u0026amp; Vocal\u003cbr\u003e\nArun Ramamurthy - Violin\u003cbr\u003e\nAndrew Shantz - Vocal\u003cbr\u003e\nJosh Geisler - Bansuri\u003cbr\u003e\nSameer Gupta - Tabla\u003cbr\u003e\nRoshni Samlal - Tabla\u003cbr\u003e\nEric Fraser - Bansuri\u003cbr\u003e\nTimothy Hill - Vocal\u003cbr\u003e\nTrina Basu - Violin\u003cbr\u003e\nKen Shoji - Violin\u003cbr\u003e\nKane Mathis - Oud\u003cbr\u003e\nAdam Malouf - Cello\u003cbr\u003e\nMichael Gam - Bass\u003cbr\u003e\nLauren Crump - Cajon\u003cbr\u003e\nDavid Ellenbogen - Guitar\u003cbr\u003e\nMaz ZT - Hammered Dulcimer\u003cbr\u003e\nVin Scialla - Riq \u0026amp; Frame Drum\u003cbr\u003e\nAaron Shragge - Dragon Mouth Trumpet\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667173667039,"sku":"CD-NS-094","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667173634271,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667173699807,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/BRM-InC-cover-e1646850803826.jpg?v=1703789411"},{"product_id":"old-rockhounds-never-die","title":"Odetta Hartman - Old Rockhounds Never Die","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2143246411\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/odettahartman.bandcamp.com\/album\/old-rockhounds-never-die\"\u003eOld Rockhounds Never Die by Odetta Hartman\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOdetta Hartman’s second album Old Rockhounds Never Die is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.\u003c\/p\u003e\n\u003cp\u003eDrawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company (“Cowboy Song”), to experiencing the intense natural beauty of Icelandic waterfalls (“Dettifoss”), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.\u003c\/p\u003e\n\u003cp\u003eRaised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colorful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax.\u003c\/p\u003e\n\u003cp\u003eLomax is writ large on Old Rockhounds... at least in spirit anyway. Odetta plays all the instruments on this and her debut 222, which made problematic the changeovers between songs when playing live. Field recordings the singer had collected on her travels were utilized to make such transitions seamless, and so successful was that intermingling of songs and soundscapes that they’ve transitioned into the recording process. It makes for a strangely intimate listen: tingly and a little tipsy: an album for twilight, sitting within the nocturnal hinterland between dusk and somnambulance - candlelit and confidential - a time for stories and secrets.\u003c\/p\u003e\n\u003cp\u003eSo far, so old skool. And yet, Old Rockhounds Never Die also embraces modernity without ever sounding incongruous. The mix of manipulated 21st century beats and the musical traditions of centuries meet at a crossroads and consummate their curiosity without inhibition. It’ll probably not surprise anyone listening to the album then that its a co-production. Odetta writes and performs all the songs while her partner Jack Inslee is in the background bringing the digital dark arts. Experimenting with found sounds \u0026amp; foley, the two have developed a sonic vernacular built around playing around with a-typical instruments. Hartman explains: “Many of the beats on the album were recorded in the kitchen: the snare sound is actually a running faucet, or if you hear these glockenspiel bells that's actually a set of kitchen bowls. Other percussive elements include scissors, a pepper grinder and keys on the radiator.”\u003c\/p\u003e\n\u003cp\u003eHartman was performing in a 10-piece band when she met Jack, who then challenged her to strip everything back and explore her own singular talent. The first fruits of this experiment were borne on the aforementioned, critically acclaimed 222. In 2015, Stereogum said: “Her impulse to mix elements of folk, bluegrass, and Americana with experimental or warped psychedelia is bridged by her strength as a lyricist, and the strength of the record’s producer Jack Inslee.” Old Rockhounds... takes the blueprint and improves upon it, with songs yet more vivid, sensual and cinematic. “Widow’s Peak” in particular is peak Hartman, a spooky tale that came to her like a bolt of lightning one day. It’s a gorgeous lullaby that builds stealthily, then - like a levee of violins rather than water - it bursts forth. That special moment was actually originally a mistake in the studio.\u003c\/p\u003e\n\u003cp\u003e“It was a happy accident,” says Odetta. “We played back all of the test takes together by mistake and fell in love with the wall of sound. I love mistakes in songwriting or recording, because they so often lead to something greater.” The title track, meanwhile, came as a moment of inspiration that seemed to also come from another place. If the singer was the vessel, then luckily Jack was on hand with the tape rolling. Odetta explains:\u003c\/p\u003e\n\u003cp\u003e“Jack and I were working on something else; it was pretty late at night, a couple of whiskey's in, and I was strumming this shitty backpacker guitar. Thankfully Jack ran the tape, because that track is completely improvised; it just came off the bat. You can even hear me laughing at the end! I think the melody is really catchy and I was doing something with my voice that I'd never done before - kind of jumping up the octave in that old country yodelling style.\u003c\/p\u003e\n\u003cp\u003e“I re-tracked with a real guitar, wrote different lyrics that were a little more clever, but ultimately you just lose the magic when you try to recreate something so raw like that. Maybe most artists wouldn't start their record with a scratch take of a demo, but for me it just emphasizes that I never take myself too seriously and I always try to have fun.”\u003c\/p\u003e\n\u003cp\u003eIf fun is the operative word, then it should also be noted that Old Rockhounds Never Die is an album featuring a dust-bowl murder ballad called \"Misery\" replete with gunshots. With Odetta Hartman it's always about those beautiful contradictions.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Blue Vinyl + Digital","offer_id":44667175633119,"sku":"LP-NS-100C","price":19.99,"currency_code":"USD","in_stock":true},{"title":"Standard Black Vinyl + Digital","offer_id":44667175665887,"sku":"LP-NS-100","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667175698655,"sku":"CD-NS-100","price":13.99,"currency_code":"USD","in_stock":true},{"title":"WAV Download","offer_id":44667175764191,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667175731423,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a4027255447_10.jpg?v=1703789492"},{"product_id":"future-phase","title":"PC Worship - Future Phase","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1426614785\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=2628907009\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/pcworship.bandcamp.com\/album\/future-phase\"\u003eFuture Phase by PC Worship\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFuture Phase is a collection of new music recorded throughout 2018 by Justin Frye, with contributions from Jess Paps and Mike Etten. The material is mostly unrelated and aesthetically diverse and was compiled as a mixtape to release in tandem with Issue 60 of Monster Children Magazine, which also features cover art and other visual contributions by Justin Frye.\u003c\/p\u003e\n\u003cp\u003eFuture Phase begins with “Tides II” a wordless, vocal-driven, instrumental track that weaves in and out of a saturated sonic environment created by a warped rock band instrumentation paired with homemade instruments, upright bass, fretless guitar, viola and tapes. As “Tides II” dissipates into a lonesome, fractured guitar solo, “Shell Shower” enters through a haze of tape loops into it’s drum machine centered pseudo-kraut trance, closing side A.\u003c\/p\u003e\n\u003cp\u003eSide B opens with “Former Feedback”, a self-explanatory composition that melts into Future Phase’s namesake and first track with lyrics, driven by chorus-free prose vocals, tape echo and a pummeling monochord dirge that’s meant to evoke a meditative hypnosis. Side B continues with “C. Lawless \/ Melted Life, Long Decay”, two tracks in one; both improvised and layered experiments in process and texture that morph together and set the stage... more\u003cbr\u003e\ncredits\u003c\/p\u003e\n\u003cp\u003eAll music written, recorded \u0026amp; performed by Justin Frye\u003cbr\u003e\nVocals on \"Tides II\" by Jess Paps\u003cbr\u003e\nLead guitar licks sprinkled throughout \"Future Phase,\" \u0026amp; \"C. Lawless \/ Melted Life, Long Decay,\" by Mike Etten\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667177533663,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667177500895,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1532324576_10.jpg?v=1703789557"},{"product_id":"elephantine","title":"Maurice Louca - Elephantine","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4202692857\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/mauricelouca.bandcamp.com\/album\/elephantine\"\u003eElephantine by Maurice Louca\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOn Elephantine, his new Northern Spy album, Cairo-based Maurice Louca guides a 12-piece ensemble through a 38-minute masterwork that might best be described as panoramic. Elements of free improvisation, Sun Ra’s cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup. \u003c\/p\u003e\n\u003cp\u003eSimply put, Elephantine—which Louca calls “by far my most ambitious work”—would stand as a grand achievement for any musician, of any background. But for an artist hailing from Egypt, where the history of expression has been equally brilliant and daunting, the album is astounding. \u003c\/p\u003e\n\u003cp\u003eIn recent years, Louca has become something of an ambassador for his nation’s thriving experimental music scene, via two previous solo records and an evolving lineup of genre-defying collaborations. The Wire called his 2014 sophomore effort, Salute the Parrot, “remarkable music—dense, driven and splashed with colour.” In 2017, the self-titled debut by Lekhfa, the trio of Louca and vocalists Maryam Saleh and Tamer Abu Ghazaleh, was praised as an “edgy triumph” in The Guardian. This past July, Louca appeared again in The Wire, in a cover story on “Cairo’s new wave” that featured his solo work as well as the Dwarfs of East Agouza, his mesmeric unit with Sam Shalabi and Sun City Girls’ Alan Bishop. \u003c\/p\u003e\n\u003cp\u003eLouca’s narrative begins with music we all know, albeit in circumstances that most of us can’t imagine. Born in Cairo in 1982, he started on guitar at age 12, and became immersed in the music of the MTV era, as well as such 60s psychedelic mainstays as Pink Floyd, Hendrix, and the Doors. These were pre-Internet years in a country with state-run media, so access was scarce; tapes were dubbed and traded at school, along with bits and pieces of information. By the mid-to-late-’90s, spurred on by a media panic that connected metal fans to Satanic ritual, the state had essentially outlawed live rock music. Louca, just in his early teens, was able to rehearse with his bands and explore his burgeoning interest in songwriting. But booking gigs was almost impossible, and he witnessed older generations playing rock and metal become targets of the authorities. “It was a very, very depressing time to be a musician,” he reflects. \u003c\/p\u003e\n\u003cp\u003eAs the ’90s became the aughts, the reins were loosened on live music, and Louca’s tastes eventually expanded into classical and contemporary Arabic music, especially the street-level pop called shaabi, as well as the avant-garde and electronic music. Accordingly, his toolbox grew to include the synthesizer, laptop, sampler and drum machine. Following the Arab Spring protests of 2011, a galvanized DIY scene developed in Cairo, building upon the passion and elbow grease of the music and arts community that’d been gathering steam in Egypt throughout the prior decade. Artists, promoters and fans could suddenly operate without police oversight, and the results were remarkable, with shows attracting large numbers of concertgoers. \u003c\/p\u003e\n\u003cp\u003eSadly, as new leadership has taken hold in Egypt, and as those leaders have been alarmed by the sight of tens of thousands of spirited young people joining together, performance opportunities have regressed. A system of dedicated promoters and artists has been replaced by what preceded it, namely embassies and institutions with the funds to throw events in an economically distressed nation. A mind-boggling 14 governmental permits are required to throw the average gig, in addition to other requisite bribes and payoffs. Not surprisingly, the lack of operational spaces is dismaying. “When you have millions of people and around 10 venues,” Louca says, “there’s something wrong.” Despite these challenges, Egypt continues to provide fertile ground for Louca and his peers, like the celebrated Egyptian visual artist Maha Maamoun, who contributes the album’s cover art. Today, the Egyptian scene is a familiar feature of contemporary art and experimental music festivals across Europe. \u003c\/p\u003e\n\u003cp\u003eCertain components of Elephantine, especially Louca’s use of avant-jazz-style improv, a developing fascination, required the composer to go outside Egypt’s rich talent pool and tap players from Italy, Iraq, Sweden, Turkey and Denmark. The sessions, however, held in 2017 in Stockholm, made these efforts worthwhile. “There was a blessed thing about the process of making this record,” he says. “The dynamic between us musically but also as people … it was a very exciting time.” \u003c\/p\u003e\n\u003cp\u003eTommaso Cappellato (Drums\/Percussions)\u003cbr\u003e\nOzun Usta (Drums\/Percussions)\u003cbr\u003e\nElsa Bergman (Bass)\u003cbr\u003e\nPasquale Mirra (Vibraphone)\u003cbr\u003e\nPiero Bittolo (Baritone Sax\/Alto Sax\/Bass Flute)\u003cbr\u003e\nAnna Högberg (Alto Sax)\u003cbr\u003e\nRasmus Kjærgård Lund (Tuba)\u003cbr\u003e\nIsak Hedtjärn (Clarinet\/Bass Clarinet)\u003cbr\u003e\nNadah El Shazly (Vocals)\u003cbr\u003e\nNatik Awayez (Oud)\u003cbr\u003e\nAyman Asfour (Violin)\u003cbr\u003e\nMaurice Louca (Guitar\/Piano) \u003c\/p\u003e\n\u003cp\u003eRecorded by: Ronny Lahti\u003cbr\u003e\n(In the Palm of a Ghost) recorded by: Adham Zidan\u003cbr\u003e\nMixed by: Adham Zidan\u003cbr\u003e\nMastered by: Heba Kadry\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667178582239,"sku":"CD-NS-111","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667178647775,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667178615007,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Elephantine_cover-e1646850308704.jpg?v=1703789584"},{"product_id":"barn-songs","title":"Fay Victor - Barn Songs","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4278874906\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fayvictor.bandcamp.com\/album\/barn-songs\"\u003eBarn Songs by Fay Victor\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhen Fay Victor found herself struggling to break into New York City’s jazz scene in the ‘90s, the singer and composer took a gamble on moving to Amsterdam to hone her voice and develop her improvisational instincts—a move that transformed Victor from a straight ahead jazz singer into a daring vocal improviser. Over 20 years later, Victor has revisited these Amsterdam compositions for Barn Songs, her tenth album as a bandleader. Recording alongside cellist Marika Hughes and alto saxophonist Darius Jones, the experimental project came to fruition in a tumble-down barn co-owned by Marika Hughes and Tanya Kalmanovitch in the northern foothills of the bucolic Catskills Mountains. The trio turned the building into an organic recording compound for three days, complete with passings birds and squirrels adding naturalistic ambience to the mix. Remarkably, the songs Victor wrote while living another life in another country reveal themselves to be prescient commentary on the modern way we live today.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667183136991,"sku":"CD-NS-121","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667183202527,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667183169759,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/ns121cover-e1646424577820.jpg?v=1703789687"},{"product_id":"the-weather-up-there","title":"Jeremy Cunningham - The Weather Up There","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2015962542\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jeremycunningham.bandcamp.com\/album\/the-weather-up-there\"\u003eThe Weather Up There by Jeremy Cunningham\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eChicago drummer and composer Jeremy Cunningham wrote The Weather Up There in response to the loss of his brother Andrew, who died in a home invasion robbery in 2008. Co-produced by Jeff Parker and Paul Bryan, and engineered by Paul Bryan and John McEntire, this new work confronts the tragedy of violence and examines the acute ripple effect on several people's lives through the lens of memory, response, and collage. Further deepening the textural and emotive impact, Cunningham formed a “drum choir” for these recordings, comprised of close mentors and colleagues Mike Reed, Makaya McCraven, and Mikel Patrick Avery. Cunningham also taps regular collaborators Ben LaMar Gay, Jaimie Branch, Tomeka Reid, Dustin Laurenzi, Matt Ulery, and Josh Johnson.\u003c\/p\u003e\n\u003cp\u003e“Jeremy is a rare drummer who possesses both insane skills and immaculate taste.\u003cbr\u003eHis tunes have that same sensibility— they are layered and sophisticated while\u003cbr\u003eremaining visceral and hummable.” -Yoni Wolf (Why?)\u003c\/p\u003e\n\u003cp\u003e“Jeremy Cunningham’s upcoming record is a testament to his commitment to sound,\u003cbr\u003efeel and creativity that sets him apart from other drummers. I am inspired by his\u003cbr\u003evulnerable and honest approach to music both as a drummer and composer.” -Makaya McCraven\u003c\/p\u003e\n\u003cp\u003e\"I've had the pleasure of watching Jeremy grow into one of the most visionary\u003cbr\u003ecomposer\/bandleaders on the scene today. It was truly an honor for me to work with\u003cbr\u003ehim on 'The Weather Up There'.\" –Jeff Parker\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Tranparent Orange Vinyl + Digital","offer_id":44667183268063,"sku":"LP-NS-122LE3","price":19.99,"currency_code":"USD","in_stock":false},{"title":"Limited Edition Hazy Sky Vinyl + Digital","offer_id":44667183300831,"sku":"LP-NS-122LE2","price":19.99,"currency_code":"USD","in_stock":false},{"title":"Standard Black Vinyl + Digital","offer_id":44667183333599,"sku":"LP-NS-122","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667183366367,"sku":"CD-NS-122","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667183431903,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667183399135,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Jeremy-Cunningham-digital-art-e1646419242572.jpg?v=1703789701"},{"product_id":"bath","title":"Cuddle Magic - Bath","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3830129376\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cuddlemagic.bandcamp.com\/album\/bath\"\u003eBath by Cuddle Magic\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eCuddle Magic recorded their newest album in a bathroom. What you hear is six people performing together (without headphones, amplification, or overdubs) nestled amidst 23 microphones in a bathroom.\u003c\/p\u003e\n\u003cp\u003eWhy the bathroom?\u003c\/p\u003e\n\u003cp\u003eIn the winter of 2013, Cuddle Magic spent three months camped out at the same address. They wired up the entire place. They explored every trick of modern recording on the way to a beautiful and idiosyncratic set of richly orchestrated tracks. But none of it felt quite right.\u003c\/p\u003e\n\u003cp\u003e… except for one recording, of one song, the product of one fortuitous afternoon spent crowding around a pump organ, huddled in the bathroom. \u003c\/p\u003e\n\u003cp\u003eThat project was set aside. The band took some time to reflect, and then they made Ashes\/Axis, an album full of swirling, gritty electronic sounds.\u003c\/p\u003e\n\u003cp\u003eBut, that singularly successful bathroom recording was never forgotten, and became the inspiration for Cuddle Magic’s sixth album, Bath. \u003c\/p\u003e\n\u003cp\u003eThe bathroom transforms the music. It contributes an incredible natural reverb - a few different ones, in fact, with various microphones hidden in far reaches. (It’s a cliche and true: everyone does sound better singing in the shower!) And because the quietest sounds resonate, and because the musicians are packed so closely together, every sound is in every microphone. There’s no hiding mistakes, no way to fix them. Every note is played, and every word sung, with absolute commitment.\u003c\/p\u003e\n\u003cp\u003eBath is a document of Cuddle Magic playing a lot like they did when they started out. They re-invent tropes of 21st-century pop song structure with the quietest acoustic sounds. It is a distillation of 15 years of mutual experience and experimentation. It's six talented musicians (all individually prolific as solo artists, producers, and in-demand collaborators) casually in agreement about a shared unique musical language, and so many very specific aesthetic judgements. It's music that is relaxed, free, and unconcerned. \u003c\/p\u003e\n\u003cp\u003eThis album is also, simply put, the sound of six people in the same room breathing and listening together. The band (Alec, Ben, Christopher, Cole, Dave and Kristin) wishes everyone safety \u0026amp; health, and looks forward to the day when we can all, once again, be in such close proximity to the people we love.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667184120031,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667184087263,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Bath-digi-art-1400-e1646418620853.jpg?v=1703789747"},{"product_id":"thejoysofforgetting","title":"Allegra Krieger - The Joys Of Forgetting","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3118288187\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/allegrakrieger.bandcamp.com\/album\/the-joys-of-forgetting\"\u003eThe Joys Of Forgetting by Allegra Krieger\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMost often, forgetting can feel like a failure—a missed birthday or a neglected anniversary. But forgetting can also mean freedom, an unburdening from past twinges of pain. On her debut album, The Joys of Forgetting, Allegra Krieger embraces the idea of forgetting as relief.\u003c\/p\u003e\n\u003cp\u003eGrowing up in suburban Florida, Krieger was raised staunchly Catholic. Much of her childhood was spent in a church, where she also studied classical piano and sang in the choir. Although she was encouraged to pursue a consecrated life, she chose a different path, dissociating from religion. The following years brought continual transitions of personhood and place. From housekeeping at a Death Valley motel, to tree-planting in Georgia, she explored different sides of herself, chasing ideals yet avoiding certain truths. As she reckoned with her own malleability, she came to understand the value of leaving something behind. The solitude and disenchantment that accompanied this lifestyle gave way to introspection, yielding the songs that became the Joys of Forgetting. \u003c\/p\u003e\n\u003cp\u003eLike memory itself, Krieger’s personal growth ebbs and flows across The Joys of Forgetting. She makes for an inviting companion as she connects the nonlinear dots on her journey. She lays her feelings and desires plain as she unfolds them: to find someone to confide in, to talk on the telephone, to catch up with a friend. She learns to seek comfort in patience, finding that affection is easy, but loving takes time. Her arrangements are elegant and unobtrusive, skirting her crystalline voice with acoustic guitar, curling strings, and percussion that gently tumbles. And though Krieger makes a strong case with her Joys of Forgetting, her songs leave a lasting imprint that’s a pleasure to recall over and over again.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition \"Black \u0026amp; Blue\" Vinyl + Digital","offer_id":44667184218335,"sku":"LP-NS-125D2F","price":20.99,"currency_code":"USD","in_stock":false},{"title":"Standard Black Vinyl + Digital","offer_id":44667184251103,"sku":"LP-NS-125","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667184283871,"sku":"CD-NS-125","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667184349407,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667184316639,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Allegra-Krieger-digital-art-scaled-e1646418582180.jpg?v=1703789757"},{"product_id":"you-and-me-and-everything","title":"Tōth - You And Me And Everything","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=409057993\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/tothtunes.bandcamp.com\/album\/you-and-me-and-everything\"\u003eYou And Me And Everything by Tōth\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen Alex Toth wrote his debut solo album, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u0026amp; Seek Professional Help When Necessary\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he was recovering from a broken foot and a broken heart. Toth was stuck in his apartment and struggling to process the end of a nearly 12-year-long romantic partnership with his Rubblebucket bandmate Kalmia Traver, so he did what he normally does to process his thoughts: write music. Taking the advice of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eto heart, he enrolled in his fourth silent meditation retreat in three years and began to accept the open-endedness of love. Toth wound up writing over 100 songs in that period, chronicling a path to healing from grief and addiction and learning what it means to share yourself with someone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThat exercise opened the floodgates. Toth fell in love anew, wrote the mantra song “You And Me And Everything,” and went for a bike ride while it played on repeat in his head. The next thing he knew, his chronic anxiety melted into bittersweet melancholy and he was crying at the sight of a flock of birds flying out of a tree. If indulging the human instinct to pair bond seemed risky, then at least it came with the perspective to see life as an expansive wealth of experiences, big and small.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, his second solo album as Tōth, he dives headfirst into what it means to accept things beyond your control, especially when feeling stuck in a place of heartache and sorrow. Across these 12 songs, Tōth turns to Buddhism as refuge. The sense of calm it brings him sounds like an infinite indie rock landscape, stretching from bossa nova guitar riffs to cushioned horn swells and earnest piano runs, each one bleeding into the other naturally while maintaining an overarching sense of clarity. Mixed by Grammy-winning producer Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003erecalls the fluid technical prowess of Chet Baker \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eor Alice Coltrane\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, all open-ended verses with woozy improvisation and palpable heart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTōth divides his talent across guitar, piano, synths, trumpet, and drum machine, but arguably his biggest musical strength is his voice. With a gentle delivery, subtle rasp, and surprisingly vast range, his distinct singing style recalls that of Arthur Russell. It allows Tōth to traverse through vulnerabilities with a mix of honesty and curiosity. When he depicts the knotted tangle of falling in love, experiencing suicidal ideation, coming face-to-face with cancer, and healing through grief at the core of these songs, he does so with a ray of sunshine tucked in his pocket. Even the saddest tracks offer a reason to carry on. Perhaps it’s because of Tōth’s conversational lyrics (“Thank you for making everything totally meaningless, beautiful narcissus\/ I too am just a daffodil \/Slave to the breezes blow me to pieces till I am nothing,” he sings on “Daffadowndilly”) which create an atmosphere of camaraderie between him and the listener.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInspired by the creative energy of friends and collaborators like Kimbra and Adrienne Lenker, Tōth gets to showcase his strengths as a singer-songwriter in new ways on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn “Turnaround (Cocaine Song),” a recounting of one of the lowest points of his life, he fashions detailed snapshots of funerals and alcoholism into motivation for self-improvement. Later, the enormous “I Might Be” hits like an uptempo Bon Iver remix, complete with stacked vocal coos and a buoyant bass line that begs you to dance. Then there’s “Butterflies,” a bite-sized ode to chronic anxiety as the ying to joyful vibration’s yang, a sentiment he mirrors with crashing symbols and an exaggerated vocal slide. Throughout it all, Tōth never loses sight of his sense of humor. On “Guitars Are Better Than Synthesizers For Writing Through Hard Times,” he uses it to balance out an otherwise bleak moment. “My ex just broke up with the person they broke up with me for\/ Three years later and at the same time as I’m falling in love,” he sings. “The breakup album I made about her isn’t even out yet.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ewas created during a period of deep transformation and self-discovery for Tōth. He finally understood on a deeper level that in order to share yourself with someone else—with some modicum of happiness—you have to learn how to love yourself. The album sees him embrace relationships as an experiential journey in real time, even if they have the potential to result in dissolution or depression. To paraphrase “I Might Be,” if love is impossible to define, then you might as well dance together until the music stops. Tōth not only figured that out, but he brought that truth to life through song, too — and with \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he’s inviting you to join him on that unpredictable, fulfilling ride. \u003c\/span\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Butterfly Effect LP + Digital","offer_id":44667186479327,"sku":"MLP-NS-138","price":21.99,"currency_code":"USD","in_stock":true},{"title":"Standard Black Vinyl + Digital","offer_id":44667186512095,"sku":"LP-NS-138","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667186544863,"sku":"CD-NS-138","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667186577631,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667186610399,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS138-To_CC_84th-cover-e1612209882327.jpg?v=1703789840"},{"product_id":"saet-el-hazz-the-luck-hour","title":"Maurice Louca - Saet El Hazz (The Luck Hour)","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1749431209\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mauricelouca.bandcamp.com\/album\/saet-el-hazz-the-luck-hour\"\u003eSaet El Hazz (The Luck Hour) by Maurice Louca\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eMaurice Louca, one of the most gifted musicians and composers on Egypt's thriving underground music scene, announces his new album \u003cem\u003eSaet El-Hazz (The Luck Hour)\u003c\/em\u003e, to be released September 24, 2021 via Northern Spy and Sub Rosa.\u003c\/p\u003e\n\u003cp\u003eThe forthcoming full-length album draws voraciously on Arabic music, psychedelic folk, and free improv and the lead single “Bidayat (Holocene)” mesmerises with a feral groove centered around percussion, guitar, and violin.\u003c\/p\u003e\n\u003cp\u003eThe title \"Saet el Hazz\" is a coded saying in Egypt to refer to a good time and usually implies a great deal of debauchery. “When you mention to someone that you’ve had a saet hazz, there are no questions asked. It is what it is.”\u003c\/p\u003e\n\u003cp\u003eThe initial spark for \u003cem\u003eSaet El-Hazz (The Luck Hour)\u003c\/em\u003e was Louca’s desire to collaborate with “A” Trio, the Lebanese improvisational group featuring Mazen Kerbaj on prepared trumpet, Sharif Sehnaoui on prepared guitar, and Raed Yassin on prepared double bass. “When the three of them come together they create a sonic cosmos entirely their own. I started by composing music that I wanted to have exist within this sonic world— at times in harmony, or clashing with it, and all the emotional ranges in between.”\u003c\/p\u003e\n\u003cp\u003eJust as “A” Trio served as the spark, a commission from Mophradat, an arts organization based out of Brussels, was the tinder. The commission was for a new composition to be performed using instruments that Louca would modify to play microtonally. This led him to Turkey and Indonesia. In Istanbul, he worked with a Lutheran to custom-make a guitar. In Surakarta, he ended up with an instrument maker tuning a Serang—referred to as the Indonesian xylophone, part of the family of Gamelan tuned percussion instruments.\u003c\/p\u003e\n\u003cp\u003eThese new modified instruments opened up the compositions to new tonal possibilities which drove Louca to expand his line up to include Khaled Yassine, a longtime collaborator and versatile percussionist and drummer, Christine Kazaryan, a dynamic harpist whom he met via Praed Orchestra, and Anthea Caddy, a cellist who came highly recommended from the Berlin free improv scene.\u003c\/p\u003e\n\u003cp\u003e“There is something about linking luck to decadence that resonates with me, and even if I can't fully articulate it in words, the drive behind the music of this album and how it came to be, and the energy between us at the studio rehearsing and recording it, was in a lot of ways for me a saet hazz.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaet El Hazz (The Luck Hour)\u003c\/em\u003e is a long form composition of six movements, recorded over the course of a week in August 2019 at A\/B studios in Brussels.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667187462367,"sku":"CD-NS-143","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667187495135,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667187527903,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS143_cover-1-scaled-e1646413878562.jpg?v=1703789888"},{"product_id":"instant-night","title":"Beauty Pill - Instant Night","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2496786268\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/beautypill.bandcamp.com\/album\/instant-night\"\u003eInstant Night by Beauty Pill\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe title track to Beauty Pill's new EP, \u003ca href=\"https:\/\/www.youtube.com\/watch?v=73LJV8CBdM0\"\u003e\"Instant Night,\"\u003c\/a\u003e was originally written by bandleader Chad Clark in 2015 after he watched Ann Coulter, as a guest on Real Time with Bill Maher, predict that Donald Trump would win the 2016 US presidential election. The Washington, D.C. based artist recorded and surprise-released the single in October 2020 out of urgency to inspire people to vote in the presidential election. Because the song was being recorded during the pandemic, and because Clark has an artificial heart that puts him at high risk for COVID-19, it was recorded on a rooftop, with meticulously planned social distancing.\u003c\/p\u003e\n\u003cp\u003e\"Instant Night\" is Beauty Pill's first single without drums, and it is also the first Beauty Pill song to conspicuously highlight the band's woodwind quartet. The single was released alongside a music video featuring time-lapse footage of Trump, Lindsey Graham, and Mitch McConnell being drawn and depicted as monsters. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=73LJV8CBdM0\"\u003eThe video\u003c\/a\u003e was created and directed by the artist \u003cex-beauty\u003e Ryan Nelson.\u003c\/ex-beauty\u003e\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003eOf \"Instant Night,\" Beauty Pill's Chad Clark says:\u003c\/p\u003e\n\u003cp\u003eLast year I came to my band with a song called “Instant Night.”  I was nervous about presenting it to them.\u003c\/p\u003e\n\u003cp\u003e“This one is unusual.  There are no drums and it kinda sounds like Philip Glass music.  I don’t know where it came from exactly.  I wrote it a few years ago, but I think we should do it now. I think it’s kind of urgent, actually.”\u003c\/p\u003e\n\u003cp\u003eBeauty Pill is not a dictatorship.  The people in my band are all strong-willed artists themselves and they don’t just agree to do whatever I tell them.  Not every idea gets ratified, trust me.\u003c\/p\u003e\n\u003cp\u003eBut they seemed to quickly understand the song and understand the reason why I wanted to do it.  Remarkably, it took us only a few hours to develop and learn the arrangement that you hear now.  It came together almost magically.  And it felt natural.\u003c\/p\u003e\n\u003cp\u003eThe next step was convincing our label Northern Spy to rush-release the song before the election of 2020.  The label staff had a full docket of planned releases with other artists at that point. This was certainly an unwelcome request.\u003c\/p\u003e\n\u003cp\u003eI’m sure the label was privately exasperated with this request, but they understood why it was an important song for that moment.  “Instant Night” was released digitally a couple weeks before the November election.  It was a complete surprise to Beauty Pill fans.\u003c\/p\u003e\n\u003cp\u003eListen, I operate under no delusions that my little arty DC post-punk band brought about the downfall of Donald Trump.  But I do think we contributed in a tiny, granular way.\u003c\/p\u003e\n\u003cp\u003eThe last words of the song are “Scared is alright” and I think everyone who heard it, felt it.  I do think that America was teetering on the edge of a very frightening plunge into the obliteration of pure fascism and bigotry at that moment.  And I think voters narrowly averted that crisis.\u003c\/p\u003e\n\u003cp\u003eThe lyrics of “Instant Night” are insinuating and allusive, not topical. It’s only a political song in the way that Dylan’s “A Hard Rain’s Gonna Fall” or Public Enemy’s “Fight The Power” are political songs. People call them “protest songs,” but neither of those songs is as specific as people think.  Go back and listen again.  They’re pretty abstract!  They are more poetic than polemic.  I see “Instant Night” as existing within that spectrum too.\u003c\/p\u003e\n\u003cp\u003eAnd I think it will last.\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003eOf the EP's send single, \u003ca href=\"https:\/\/music.beautypill.com\/bettermind\"\u003e\"You Need A Better Mind,\"\u003c\/a\u003e Clark says:\u003c\/p\u003e\n\u003cp\u003eThe Roland TB-303 is an old Japanese synthesizer that was designed to convincingly mimic the sound of a bass guitar.  It was introduced in 1981, it sounded like a toy and failed miserably, and it was ultimately discontinued in 1984.\u003c\/p\u003e\n\u003cp\u003eIt makes freaky, wiggly, cartoony sounds.  It sounds fuck-all like a bass guitar.\u003c\/p\u003e\n\u003cp\u003eWhy am I telling you this?  One ended up in my hands for a week.\u003c\/p\u003e\n\u003cp\u003eI did a lot of silly stuff with it.  I did come up with this one worthwhile riff, which I built a song around.  The song is called \u003ca href=\"https:\/\/www.youtube.com\/watch?v=z6Ulig_f7IQ\"\u003e\"You Need A Better Mind.\"\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eIt was recorded with my band in a single take at the end of a recording session for another song. We were tired. None of us cared that much if we failed. The fun spirit you hear in this song is mostly exhaustion… that kind of punchy exhaustion you get late at night when you’ll laugh at anything.\u003c\/p\u003e\n\u003cp\u003eThe lyrics were inspired by the spooky\/funny 10-minute movie \u003ca href=\"https:\/\/vimeo.com\/341842996\"\u003e“Rachel.”\u003c\/a\u003e  The song is about the scourge of American loneliness.\u003c\/p\u003e\n\u003cp\u003eIt is by far the fastest, easiest song Beauty Pill has ever created.\u003c\/p\u003e\n\u003cp\u003eWe hope you like it.\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeauty Pill - 'Instant Night'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Brown Eno\u003cbr\u003e\nRecorded in Kimani Clark's rooftop apartment, Washington DC\u003cbr\u003e\nand Magpie Cage Studios, Baltimore\u003cbr\u003e\nMastered by Heba Kadry\u003cbr\u003e\nDesigned by Nora McKelvey\u003c\/p\u003e\n\u003cp\u003eBeauty Pill is\u003cbr\u003e\nBasla Andolsun: bass\u003cbr\u003e\nChad Clark: voice, guitar\u003cbr\u003e\nDrew Doucette: guitar\u003cbr\u003e\nErin Nelson: voice\u003cbr\u003e\nDevin Ocampo: drums, guitar\u003cbr\u003e\nwith\u003cbr\u003e\nVictoria Banos: trumpet\u003cbr\u003e\nAaron Harman: bassoon\u003cbr\u003e\nSarah Hughes: saxophone\u003cbr\u003e\nDon Godwin: tenor horn\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Transparent Vinyl + Digital","offer_id":44667188805855,"sku":"LP-NS-137C","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Limited Edition Transparent CD + Digital","offer_id":44667188838623,"sku":"CD-NS-137","price":11.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667188871391,"sku":"","price":4.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667188904159,"sku":"","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/BP-Instant-Night-digital-2-1-e1646413671934.jpg?v=1703789919"},{"product_id":"picnic-in-the-dark","title":"Renata Zeiguer - Picnic in the Dark","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3188689337\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/renatazeiguer.bandcamp.com\/album\/picnic-in-the-dark\"\u003ePicnic in the Dark by Renata Zeiguer\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e'Picnic in the Dark' is the enchanting new album from Renata Zeiguer, her second full length release for Northern Spy. The album follows Zeiguer through a dreamworld of magical realism as she navigates her memories and seeks to confront inherited dysfunctional patterns head-on. As Zeiguer reconciles her childhood and her adult lives with careful compassion, 'Picnic in the Dark' reveals itself as an album not only of transformation, but of healing and self-actualization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eZeiguer takes us by the hand and leads us into her surreal storybook realm by way of lead single “Sunset Boulevard”. We are guided through the metamorphosis of a caterpillar, a kaleidoscopic metaphor for the process of letting go of the seemingly safe and familiar in pursuit of a healthier and freer life. Throughout the album, Zeiguer’s free-associative approach transports the listener from sylvan reverie in “Evergreen” into disturbing fever dreams in “Burning Castle”. Her intuitive gift for storytelling, through both her words and music, is rare: narrative journeys seem to unfold spontaneously over the length of her songs. For instance, “Whack-a-mole”, a restless hunt for her innermost grief, slowly blossoms from a menacing nocturnal spy chase into a celestial wash of shimmering guitars and synths that shine like fireflies in an evening mist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn collaboration with co-producer and old friend Sam Griffin Owens (Sam Evian), Zeiguer sonically invokes the meeting point of memories and dreams, calling to mind Broadcast, Cindy Lee, or David Lynch’s multidisciplinary ventures. With generous splashes of spring reverb, ghostly vocal harmonies, antique drum machines, cinematic strings, and the comforting warbles of synthesized organ, all bolstered by a tight indie rock sensibility, the sonic palette of 'Picnic in the Dark' is magically anachronistic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFittingly, Zeiguer incorporates the sounds of her childhood—from jazz standards to classical music—but most notably the bossa nova greats such as João Gilberto, who married musical playfulness with lyrical poignancy. She shares Gilberto’s subtlety and intention of approach in every aspect of her music-making, from her hushed, deliberate vocals to her gorgeously understated arrangements and fine-tuned vintage guitar sounds. Most remarkably of all, Zeiguer has a masterful command of the harmonic and rhythmic language of bossa nova, fully capturing its romantic spirit. This is showcased in the impishly shifting ditty “Mark the Date”, a delirious dance through memory and time, and the yearning chromaticism of “Carmen”, an achingly beautiful plea for honesty. The album’s tranquil epilogue, “Primavera”, a direct homage to Gilberto’s heartfelt intimacy, brings Zeiguer’s journey full circle, passing through seasons of life and death and returning to the rebirth of spring at last.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 'Picnic in the Dark', Zeiguer has lovingly crafted a volume of fairy tales, torchlight glowing through its golden leaves. The image conjured by that very title reveals its essence and purpose: to allow the artist, like a child lost in the pages of a story, to safely venture into the shadowy, painful corners of her psyche with a lightness of spirit and fantastical whimsy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Limited Edition Postcard Pack [of 12]","offer_id":44667189559519,"sku":"LP-NS-152-PC","price":21.99,"currency_code":"USD","in_stock":false},{"title":"LP + Digital","offer_id":44667189526751,"sku":"LP-NS-152","price":21.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667189592287,"sku":"CD-NS-152","price":14.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667189625055,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667189657823,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/RZ-PITD-FINALCOVER-copy-e1646412032989.jpg?v=1703789970"},{"product_id":"big-time-things","title":"Office Culture - Big Time Things","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4141175327\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/officeculture.bandcamp.com\/album\/big-time-things\"\u003eBig Time Things by Office Culture\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eBig Time Things is a story of crossed wires and missed connections, sleepless nights and scrapped plans. On the third album from Office Culture, the Brooklyn-based band led by pianist-songwriter Winston Cook-Wilson, the magic is in how every element of their texturally rich, emotionally complex music conjures these same visions. The choruses offer humble pledges (“I only want you to be happy”) and uneasy interruptions (“Stop, I feel nervous”); the band swells and sprawls; the arrangements incorporate strings, horns, and backing vocals, suggesting how each moment casts its own shadow.\u003c\/p\u003e\n\u003cp\u003eOffice Culture’s most ambitious project is also their most intimate and thematically focused. Where previous albums introduced a vast cityscape of scenery and characters, Big Time Things zooms into each lonely window, so close that it can be difficult to know what exactly we’re looking at. In Cook-WIlson’s hands, it’s not always easy to differentiate love songs from breakup songs, moments of connection from total isolation, forward momentum or a quickening spiral.\u003c\/p\u003e\n\u003cp\u003eThe music behind his words suggests the full story lies in the blur. Comprising Cook-Wilson alongside drummer Pat Kelly, bassist Charlie Kaplan, and guitarist Ian Wayne, Office Culture have never sounded so dynamic or alive, their music so full of intricate detail and open air. While you can still hear traces of their longtime staples—Joni Mitchell, the Blue Nile, the ECM catalog—Big Time Things expands into new and adventurous territory. Occasionally, it recalls Herbie Hancock’s Headhunters band backing Scott Walker in the 1980s; other times, it feels like D’Angelo’s Voodoo recast as an opera.\u003c\/p\u003e\n\u003cp\u003eAs Cook-Wilson sings about feelings that transcend language (“A Word”) and moods that shift too quietly to be registered (“Suddenly”), he seeks to break from any songwriting tradition, following his thoughts to their open-ended conclusions. This approach leads the band to uncharacteristic moments of dissonance, as in the skronking tightrope of “Line,” and breakthroughs that glide with newfound grace. In “Elegance,” the band rides a tender, catchy groove, stopping and starting on a dime. As they reach a steady climax, Cook-Wilson looks us in the eyes and offers this wisdom:\u003c\/p\u003e\n\u003cp\u003eEverybody’s got a list to check off but\u003cbr\u003eNobody knows what they wrote it for\u003cbr\u003eWell, you don’t have to be like that with me baby\u003cbr\u003eLists never did me any good before\u003c\/p\u003e\n\u003cp\u003eAnd so, he tears up his lists, looks inward, and follows his heart.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667191656671,"sku":"LP-NS-157","price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667191623903,"sku":"CD-NS-157","price":14.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667191689439,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667191722207,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS157-digital-art.jpg?v=1703790044"},{"product_id":"migrations-in-rust-two-shadows-lp","title":"Migrations In Rust - Two Shadows","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1279443991\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/two-shadows\"\u003e'Two Shadows' by Migrations In Rust\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eMigrations In Rust is Jesse Allen. As a member of the Red Light District collective in Queens, NY (which has included some of the best in modern experimental musicians such as Yellow Tears, Pharmakon, John Mannion, Diaphragm, DJ Dog Dick and a slurry of other side projects, solo projects and collaborations), former member of the Cathode Terror Secretion and current performer in Cowards, in addition to producing and performing under the guise of several other solo projects (Hollow Seed, Goldeater, etc), Jesse has been actively pursuing many diverse avenues for his musical expression. Migrations In Rust, whose original sonic intentions could have at one time been more easily categorized as “ambient” music, has slowly shifted towards the unrecognizable. Migrations In Rust has ascertained as Jesse’s longest running solo endeavor and holds as his most personal, having transformed from merely a study of emotion and a practice of understanding emotions into something altogether more grand and wholly personal. Three years in the making, during which Jesse relocated from New York City to the valley of Western Massachusetts, “Two Shadows” communicates the yolk of this transformation. The elements of interplay between turmoil and tranquility, and the means of composing “organically” to achieve these results, have been filtered through new approaches in an attempt to reach closer to a finer understanding of grace, and towards more precisely using music and sound as a vessel of psychic emotional transmission. Throughout the record, orchestral landscapes blend with rustling concrete textures, settling in a purgatory between melancholy bleakness and slow-burning serenity. Each second is densely packed with incredible detail and carefully-layered instrumentation, crafted with an expansive palette of acoustic, electronic, and naturally-occurring sound sources. Amorphous melodic passages travel with well-paced fluidity from one idea to the next, producing a dream-like narrative. At times placid and evocative, “Two Shadows” also has a tendency to teeter on the edge of powerful ferocity, sometimes brewing with crackling fury while tastefully maintaining the restraint not to explode into outright violence. This shifting temper is constructed with elements of noise, ambient, hip hop, musique concréte, and sci-fi R\u0026amp;B, all finding their place in the innovative tapestry that unfolds across “Two Shadows”. This album showcases the results of discipline, love, and persistence in one’s craft and NNA is honored to finally share this work with the world.\u003c\/p\u003e\n\u003cp\u003eMastered and cut by Lupo at Calyx Mastering in Berlin, Germany.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComes with free mp3 download coupon.\u003c\/em\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567652397279,"sku":"LP-NNA-065","price":22.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567652430047,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567652462815,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA065-COVER-WEB.jpg?v=1714759403"},{"product_id":"tredici-bacci-the-thirteen-kisses-cassetta-c32","title":"Tredici Bacci - The Thirteen Kisses Cassetta","description":"\u003cp\u003eTredici Bacci is 14-piece group of young musicians from Boston, Massachusetts under the impressive orchestral direction of Simon “Luxardo” Hanes, perhaps best known for his madman bass playing in Guerilla Toss. Their debut “cassetta” serves as a celebration of a musical era, fostered by a unique, exciting, and rapidly changing time in history. Tredici Bacci harnesses the essence of classic 1960’s and 1970’s Italian film score music, bathing in the luscious tunes contained within Commedia all’italiana, Giallo slasher, and Spaghetti Western soundtracks. Hanes makes excellent use of traditional orchestration techniques in these pieces, creating a vast sound by employing emotive strings, breezy winds, and an extremely in-the-pocket notated rhythm section. Hanes also beautifully employs the use of the soloist as a thematic melodic voice, with rich, beautiful trumpet playing from Jake Baldwin complimenting the sultry vocals of Sami Stevens. No instrument is ever overpowering and each one plays it’s role perfectly, fitting together seamlessly against the meditative rhythms and varying tempos. There’s a tremendous amount of range in these pieces, from the sensitive and melancholy to the playful and upbeat - at times the music conveys an air of classy sophistication, and at other times it’s drenched in cheap perfume and prurience. This balance of cosmopolitan elegance and steamy funk is what makes “The Thirteen Kisses Cassetta” shine, calling upon all the juiciest elements of orchestral jazz, lounge, pop psychedelia, softcore soundtracks, library music, and the romantic spirit of classic film scores in the vein of Armando Trovaioli, Ennio Morricone, and Bruno Nicolai. A refreshing collection of arrangements in the “pen and sheet music” tradition that defy personal expression and instead favor mood and timelessness.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Default Title","offer_id":45567660654815,"sku":null,"price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA071-COVER-WEB.jpg?v=1714759453"},{"product_id":"patrick-higgins-social-death-mixtape-c63","title":"Patrick Higgins - Social Death Mixtape","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3360206886\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/social-death-mixtape\"\u003e'Social Death Mixtape' by Patrick Higgins\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe use of the word “mixtape” in the title of this release is no coincidence. New York City based composer and performer Patrick Higgins has appointed NNA with a highly original concept in the presentation of New Music – a “mix” or sampling of personal experimentations spanning from 2009 to the present day, intended specifically for the cassette format. Higgins, perhaps best known for his guitar work in avant-garde music group Zs and production work with Future-Past Studios, is able to accurately demonstrate his versatility as both a composer and performer through this diverse collection of recording studies. Very little territory is left uncharted as Higgins makes use of piano, harpsichord, synthesizer, guitar, violin, sampler, computer processing, and even group ensemble to communicate his unique musical vision. Bringing a genuinely modern voice to composition, the artist draws on contemporary pop culture influence (underground art rock, independent pop, noise) along with nods to 60’s minimalism (Riley, Glass, Meredith Monk) and classical Western electro-acoustic composition. The studies on this release range from the highly dissonant to the more consonant as Higgins blends found sound and electro-acoustic texture with harmonic notes, creating further originality by combining elements of improvisation with written score. Pieces like “Pattern Select” blast apart with pointillistic, colorful synth programming that builds its power through the precise use of dissonance, recalling the work of Babbitt, Boulez, and the French pioneers of early musique concrete. The “Curves, Points, Lines” series of tracks demonstrates the inventive studio layering of unorthodox acoustic instrument sounds, as Higgins dissects the intricacies of the various sounds made by the violin and rearranges them into something completely new. “Live At Oberlin” brings the music outside of the studio into the arena of performance, as Higgins lends his abilities to a group improvisation setting, using guitar and laptop to build new sonic worlds together with the Mivos Quartet on string instruments. “Social Death Mixtape” succeeds at showcasing Higgins’ prowess not only as a musician, but as a generally well-rounded artist, whether its as a composer and arranger, instrumentalist, live performer, electronic producer, or studio engineer. The experience of this release is further enhanced by the originality of creating an “audio sketchbook” for the modern composer by tapping into one of the earliest and most classical essences of the cassette tape medium - the “mix.”\u003c\/p\u003e\n\u003cp\u003eComes with free mp3 download coupon.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567662457055,"sku":"CS-NNA-083","price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567662489823,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567662522591,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA083-COVER-WEB.jpg?v=1714759553"},{"product_id":"tredici-bacci-amore-per-tutti","title":"Tredici Bacci - Amore Per Tutti","description":"\u003cp\u003eOver the last few years, the young musician and composer Simon Hanes has worked tirelessly to channel his deep love and infatuation with 1960’s\/1970’s soundtrack music into his own personal vision and homage to the style through dedicated songwriting, and the integration of the totality of his musical influences. After graduating from New England Conservatory and spending time playing bass in the then-Boston-based No(ise) Wave unit Guerilla Toss, Hanes adopted the “Luxardo” persona as an arranger, composer, conductor, and guitarist, and went on to assemble a band of epic orchestral proportions. Consisting of close friends and fellow classically-trained musicians, the resulting band is the ambitiously sizeable 14-piece Tredici Bacci. NNA Tapes now has the distinct honor of presenting their first full-length album “Amore Per Tutti” to the world.\u003c\/p\u003e\n\u003cp\u003eTredici Bacci’s 2014 recorded debut EP “The Thirteen Kisses Cassetta” on NNA introduced the masses to the Luxardo sound world, ripe with the sounds of a past era of time. Now, after nearly two years of diligent work and craftsmanship, Hanes has created an album that presents the next logical step in the band’s development. Retaining the same sonic influences that they wear proudly on their sleeves - classical Italian and French soundtrack music of the Sixties and Seventies, Spaghetti Westerns, big band jazz, lounge, and showtunes to name a few - Tredici Bacci introduces the element of artistic collaboration to bring the band to the next level and give way to a modernization that creates a unique sound like no other. United not by style, genre, or approach, but rather by a mutual love for these classic sounds, Hanes has assembled an incredibly diverse cast of guest musicians to work side by side with his band, ranging from obscure Italian virtuosos, to modern underground heroes, to well-known and established musicians from all backgrounds. This collaborative element forms an unexpected cohesion through Hanes’ talents as a visionary arranger with supreme orchestral chops.\u003c\/p\u003e\n\u003cp\u003eTracks like “Give Him The Gun”, featuring the vocals of JG Thirwell (Foetus), snarl forth with the pissed off drawl of a grizzled cop, sweating through his wool suit on humid summer day in the dirty city, dodging trash cans through back alleys while in hot pursuit of an evil outlaw. Complete with a grunge-like chorus, the band whales with a funky elegance featuring plenty of raspy horns and adventurous strings. “Vendetta Del Toro”, featuring Charlie Looker (collaborator of Zs and The Dirty Projectors) on vocals, weaves a Western tale of classic revenge as our gunslinging hero reveals his savage plans for ultimate vengeance through a plodding march of triumphant proportions. On “Modern Man”, written and sung by NNA artist Ryan Power, beautifully fluid female vocals accompany Power’s signature smooth croon through a loungey 6\/8 shuffle filled with reflections of romance and it’s inherent climaxes and pitfalls. “Slusher”, featuring Vermont’s own Ruth Garbus, finds the band in a Seventies soft fusion setting, rapidly darting around unexpected melodic shifts and robust harmonies, with lush strings interlacing through speedy Bossa rhythms and Garbus’ dynamic vocals. “Drowned”, featuring Jennifer Charles (of Elysian Fields and Lovage; collaborator of John Zorn) is perhaps the most sultry cut on the album. Driven by Luxardo’s deeply twangy electric guitar, it invokes the essence of a dimly lit Parisian café at nightfall, with an air of noir and mystery permeating through Charles’ steamy, forlorn vocal delivery. The album’s closer, “Nessun Dorma”, brings Luxardo’s dreams to life as he joins forces with eccentric Italian multi-instrumentalist and composer Vincenzo Vasi to reinvent this classic Puccini operatic aria. Vasi’s exuberant singing and Italian lyrics would feel right at home with motorbikes zipping by through a narrow cobblestone Roman street, while the band’s accordion and piano lines dance perfectly in stride with the mid-tempo percussion and flawless brass punctuation.\u003c\/p\u003e\n\u003cp\u003eThe Bacci band shines brilliantly on every track, reminding us of the exceptional tightness of Hanes’ writing and arrangement with every moment. Each instrument is crucial and prominent, with equal emphasis on every musician’s role in creating an encompassing orchestral whole. The instrumental tracks dispersed throughout the album act as segues between the guest collaborators, while also standing out on their own as gorgeous and elegant tunes, from the upbeat openers “Columbo” and “Ca C’est Cantare” to the Western-style foreshadowing of “Avante”, to the delicately heartbreaking allure of the slow dance “Souvenir De Beaucoup D’Amor”. Tredici Bacci prove themselves to be masters of harnessing the power of mood, capable of captivating the listener through music and transporting them to different worlds in the mind. These musician’s talent and finesse with their respective instrument becomes more and more apparent with each listen.\u003c\/p\u003e\n\u003cp\u003eWhen all is said and done, “Amore Per Tutti” is the perfect statement of the goals and aims of Luxardo and Tredici Bacci. It is a record of colorful pop explorations that are rooted in musical timelessness, but are also steeped in modernity through the spirit of collaboration, checking all pigeon-holes and categorizations at the door. Hanes’ depth of knowledge of music is made apparent through the wide variety of styles, techniques and moods that he is capable of utilizing alongside his highly talented band, together showcasing true, unbounded musicianship. In an age of information overload and compartmentalization, contemporary dilemmas such as genre or trend can end up imposing limits on creativity. The music of Tredici Bacci, however, seems to transcend these hurdles by celebrating the inherent beauty and love in all music.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe title of this album, “Amore Per Tutti” (Love For Everybody) is a hint as to the inspiration which led to its conception, as well as a thinly veiled reference to a film by Federico Fellini.\u003cbr\u003eOver the last few years, I have had the pleasure of crossing paths with many musicians and artists who, like me, draw a great deal of influence from the musical conventions of an era distinctly different than our own.\u003cbr\u003eBy collaborating with musicians who draw inspiration from the same influences as myself, I hope to celebrate the fact that every creative act of music is reliant on direct human relationships - relationships that are, when you get right down to it, responsible for the creation of something distinct and uniquely beautiful.\u003cbr\u003eEvery singer, songwriter, lyricist, producer, composer, arranger, and musician on this record is celebrating their shared love for the infinity of possibilities that are encompassed by the act of making music; you’ll hear Morricone, Bacharach, Gainsbourg, the mid-1960s, the early 70s - the rain-soaked streets of Paris, the open plains of the Wild West, the crime-ridden streets of downtown LA - pleasure, pain, sex, hate, fear, anger, blood, sweat and tears; but most importantly, I guarantee you’ll hear love for everybody. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Simon “Luxardo” Hanes\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567664554207,"sku":"LP-NNA-095","price":18.5,"currency_code":"USD","in_stock":true},{"title":"Cassette (With Digital Download)","offer_id":45567664586975,"sku":"CS-NNA-095","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA095-cover.jpg?v=1714759694"},{"product_id":"lea-bertucci","title":"Lea Bertucci - All That Is Solid Melts Into Air","description":"\u003cp\u003e‘All That Is Solid Melts Into Air’ is a collection of new compositions from New York City-based sound artist, performer, and composer Lea Bertucci. As a performer, Bertucci has worked primarily with amplified woodwind instruments, creating enigmatic electro-acoustic interventions of the bass clarinet and saxophone in conjunction with tape collage and electronics. Her latest release on NNA, however, explores her work as a composer, which investigates extended acoustic resonance on classical instruments and their potential to powerfully occupy physical space. The two sides of this cassette contain two different pieces that exist around a common concept – the live performance of extended technique on stringed instruments, and the otherworldly way that the resulting sound exists in the space in which it is created.\u003c\/p\u003e\n\u003cp\u003eThe first piece, “The Cepheid Variations”, is a recent piece for viola, cello, and magnetic tape collage, premiered in January 2015 as the first performance of Bertucci’s 2015 ISSUE Project Room Residency. Born out of an interest in the timbral and acoustic possibilities of harmonics, these pieces combine extended techniques for cello (performed by Leila Bordreuil), viola (performed by Jeanann Dara), combined with live concrete sound generated from magnetic tape, performed by Bertucci herself. Drawing upon the natural acoustics of ISSUE’s 22 Boerum Place theater, “The Cepheid Variations” examines the movement of sound in space through the use of dissonance, wide dynamic fluctuations, and particular sonic textures. Beginning with a pensive, ghostly landscape, the viola and cello explore glassy, fragile frequencies to their most powerful capability. A variety of bowing techniques are utilized by the performers, from slow, meandering pulses to frenetic scraping. Each subtlety in the physical manipulation of the instrument reveals new variations to the overall tension of the piece. The introduction of tape collage expands and adds dimension, introducing new frequencies into the sound field that cleverly juxtaposes the live instrumentation with pre-recorded sonic material.\u003c\/p\u003e\n\u003cp\u003eThe second piece, “Double Bass Crossfade”, positions two double bassists (James Ilgenfritz and Sean Ali) at opposite corners of the Knockdown Center’s 50,000 square foot main room. The instruments are wirelessly amplified, allowing the performers to slowly move across the room over the course of 40 minutes, meeting in the center and then crossing to each other’s original starting positions. Using a custom installed 10-channel sound system, the sounds of the performer’s instruments are dynamically routed from speaker to speaker according to their physical position, creating in their wake a mutable, engulfing sound field. The piece begins with the hypnotic, gentle bowing of the bass in its upper registers, but gains intensity as the piece progresses, finding its most powerful moments with a loud, rumbling low end that showcases the incredible acoustic power of the double bass. Tremendous depth is achieved through the layering of contrasting harmonics from each player, as the two performers engage with each other in focused technique, listening intently and creating a symbiosis through sound. Condensed from the original 10-channels to the stereo field for the purposes of this release, duality is the emphasis of this piece – in the musicians, their physical positioning, and their location in the stereo field. But as they eventually reach the lower ends of the register, the sounds they produce blend and fuse together into one raucous, engulfing whole.\u003c\/p\u003e\n\u003cp\u003eThe two pieces on this cassette demonstrate the incredible amount of dynamic diversity that can be achieved by the phenomenon of vibrating metallic strings. Resonance and frequency are thoroughly explored with thought, care, and dedication. These works reveal a fresh voice in new music, while also championing the pioneers of the 20th century avant-garde – recalling the tonal curiosity of Ligeti, the emotional power and sensitivity of Arvo Part, the strident minimalism of Tony Conrad, and the unflinching violence of George Crumb. Bertucci exhibits a keen and perceptive ear for nuanced acoustic sound, and a passion for focused musical investigation is made evident through her compositions. Stepping aside from the role of performer, ‘All That Is Solid Melts Into Air’ shows us a different side of Bertucci’s repertoire – that of the writer and composer. This album reinforces her talents not only as a player, but as an imaginative explorer of music’s more cerebral and metaphysical outer limits.\u003c\/p\u003e\n\u003cp\u003eCassette comes packaged with digital download coupon.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Bertucci’s compositions are stark, resonant, and certainly something to behold” – Ad Hoc\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Bertucci uses strings (and tape\/amplification) to mirror the vibrations of breath, making near-hypnotic rhythms that seem circular even as they are continuously changing” – Tiny Mix Tapes\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“One gets the sense that Bertucci arrives at her work not with an idea to impose, but a question to develop.” – Pitchfork\u003c\/em\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567665307871,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567665275103,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567665340639,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA097-HiRes.jpg?v=1714759732"},{"product_id":"wren-kitz-dancing-on-soda-lake","title":"Wren Kitz - Dancing On Soda Lake","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1670801090\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wrenkitz.bandcamp.com\/album\/dancing-on-soda-lake-2\"\u003eDancing On Soda Lake by Wren Kitz\u003c\/a\u003e\u003c\/iframe\u003e\u003cp class=\"p1\"\u003eNNA Tapes is very pleased to present the latest full-length recording from Burlington, Vermont artist Wren Kitz. Following up his debut album “For Evelyn” back in 2015, “Dancing On Soda Lake” continues confidently in the unique and personal style of music that Wren has carved out for himself over the years. By blending traditional guitar-and-voice songwriting with field recording and tape collage experimentation, Kitz has developed a ghostly and contemplative form of musical expression all his own that breaks down walls between genre categorizations. Together with a newly-assembled band consisting of percussion and strings, “Dancing On Soda Lake” is Kitz’s most fully-realized and captivating effort to date.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith a recurring aqueous motif both lyrically and sonically, “Dancing On Soda Lake” captures this essence elegantly throughout the gentle impermanence of it’s luminous song cycle, flowing freely back and forth between beauty and mystery, not unlike our own plasmic origins. Wren’s sensitive vocal delivery drifts carefully between loose, rhythmic tempos and plucks of the guitar, punctuated by swells of percussion and heart-wrenching harmonies from the bass, cello, and violin. The oblique lyrics hint at a narrative, though never fully disclose their true intentions, utilizing abstractions in language to shroud meaning, the way that dusk envelops a landscape. Themes of confusion, isolation, and existentialism indicate that there is a distinct darkness buried in these songs… though it is not articulated through sonic aggression, but rather through mood by way of wistful melancholia and bittersweet recollection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe most intriguing aspect of Kitz’s compositions is his ardent dedication to magnetic tape, unlocking its tangible and nostalgic qualities not only through recording, but through instrumental utilization as well. A dedicated field recorder, Wren’s travels with his tape recorder yield a trove of extracted sonic memories that he is able to access in his songs through manipulation and collage. Wren captures literal moments from his life and recontextualizes them as musical elements, building textures and atmospheres from a faded reality, from subtle rustlings to roaring oceanic vastness. This blending of fidelities creates a very dynamic listen by constructing a hypnagogic tension between traditional songwriting and avant-garde experimentation. Through Wren’s distinctive musical vision and his tasteful mastery of his materials, “Dancing On Soda Lake” manifests as an intimate yet mystifying album, like viewing a sparkling body of water through a distorted lens.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCassette comes packaged with digital download coupon.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"It’s a gorgeous and discomfiting tribute to the frustrating limits of the physical form, while still able to recall the ethereal bitcrush of forgotten, secret worlds.\"\u003cb\u003e–SPIN Magazine\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“It’s an underwater dance that is portrayed in the album, made of muffled sounds and slow movings, leaving the listener as fluctuating in the still aquatic reservoir watching the sunlight filtering through the transparent substance.\"\u003cbr\u003e–\u003cb\u003eGuia Cortassa, Gold Flake Paint\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“Dancing On Soda Lake, building off of the stylistic world he created with For Evelyn, is an initially approachable dream\/soundscape that pays dividends in transcendent, previously hidden harmonies, newly perceptible bits of texture, and buried snippets of field recordings revealing more of themselves with each repeat play.”\u003cbr\u003e–\u003cb\u003eElisabeth Fuchsia, POST-TRASH\u003c\/b\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567665438943,"sku":"CS-NNA-098","price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567665504479,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567665471711,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA098-cover.jpg?v=1714759742"},{"product_id":"patrick-higgins-josh-modney-evrly-mvsic","title":"Patrick Higgins \u0026 Josh Modney","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1787015233\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/evrly-mvsic\"\u003e'EVRLY MVSIC' by Patrick Higgins \u0026amp; Josh Modney\u003c\/a\u003e\u003c\/iframe\u003e\u003cp class=\"p1\"\u003eWe’re very proud to have the innovative composer and performer Patrick Higgins return to NNA Tapes, this time in a duo format with acclaimed violinist Josh Modney. On 2015’s ‘Social Death Mixtape,’ we witnessed Higgins’ talents as a composer, creating intricate electroacoustic compositions with a variety of performers. On ‘EVRLY MVSIC’ however, we hear Higgins as a skilled performer on his primary instrument, the guitar. Josh Modney comes from a similar background, having established himself as a prominent figure in New York City’s New Music circuit, with work ranging from the chamber music group International Contemporary Ensemble (ICE), to composer-performer collective Wet Ink Ensemble. Having shared the stage together for the past 5 years both as improvisers and as chamber musicians, the foundation of ’EVRLY MVSIC’ is built on a long term musical connection between Modney and Higgins, a bond that is made evident throughout these recordings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn ‘EVRLY MVSIC,’ the two performers have taken the concept of “Early Music” \u003cspan class=\"s1\"\u003eas a stimulus to inspire performances of acoustic improvisation that aim at a compositional tightness, creating a musical framework based more around the feeling, rather than the sound, of Medieval struggle. Tightly coiled around highly virtuosic and austere interactions, Higgins and Modney harness the essence of Early Music both in sentiment as well as gesture, using guitar and violin in unorthodox ways that sometimes recall the sounds of early stringed instruments such as the oud and viol. Each instrument inherently carries the capacity for both classical beauty and textural violence, both of which are employed with tasteful skill and execution. Improvisation in this project is neither free nor, strictly speaking, structured. Instead, it is aimed at an emergent form in the instant, looking toward song structure in the most novel and ancient sense. Noise and extended technique are used to create a lyrical aching quality, while melody is used to create unsettling noise. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThroughout the album, EVRLY MVSIC displays a linear progression of material, building over the course of three \"Partitas.” The first two utilize an arcane, sparse musical language of plucked sounds strangely reminiscent of Renaissance lute music, advancing to a lushly harmonized set of microtonal, cantabile pieces that explore the full expressive range of violin and acoustic guitar. What furthermore adds to the uniqueness of this album, however, is the third Partita, which introduces electric guitar and real-time electronic processing on both instruments to culminate in an expansive, relentlessly energetic display of refreshing new sounds. The original acoustic palette of guitar and violin is retained, but vastly expanded upon, injecting a dense, unpredictable modern edge into the archaic atmosphere. ‘EVRLY MVSIC’ presents an incredibly original fusion between ancient European musical history and distinctly American experimentalism, hinged on the nexus between improvisation and chamber music, and fueled by a deeply personal musical alliance.\u003c\/span\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567666421983,"sku":"CS-NNA-103","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567666487519,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567666454751,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA103.jpg?v=1714759820"},{"product_id":"leya-the-fool","title":"LEYA - The Fool","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=620090240\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leya.bandcamp.com\/album\/the-fool\"\u003eThe Fool by LEYA\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNNA is honored to present ‘\u003cstrong\u003eThe Fool\u003c\/strong\u003e,’ the debut album from NYC-based duo \u003cstrong\u003eLEYA\u003c\/strong\u003e. Violinist \u003cstrong\u003eAdam Markiewicz\u003c\/strong\u003e (The Dreebs) and harpist \u003cstrong\u003eMarilu Donovan\u003c\/strong\u003e have succeeded in creating an incredibly original sound for their project. They combine modernity and antiquity with their chosen instruments by taking ideas from contemporary pop and experimental music, and seamlessly integrating them into classical instrumentation and moods. Utilizing a combination of normal and detuned intervals together with ethereal layered vocals, the resulting sound of LEYA is unmistakable and haunting. It is both ancient and singular in tone, but remains open to the influences and ideas of the modern day underground in it’s structural simplicity.\u003c\/p\u003e\n\u003cp\u003eLEYA aims to deconstruct the traditional connotations of the harp and violin by luxuriating in the deviant juxtaposition of ugliness vs. beauty. These two stringed instruments are most commonly associated with classical beauty, but by altering their sound through unorthodox tunings, extended techniques, amplification, and effects, Donovan and Markiewicz are able to mine the depths of their darker, more unsettling capacities. The tuning system created for Donovan’s harp is specific to the project, and was discovered by chance. Rather than being driven by scientific or conceptual intentions, this tuning is chosen based on it’s sound alone, giving LEYA a defined identity that embraces human instinct and imperfection.\u003c\/p\u003e\n\u003cp\u003eThe duo achieves a deeper contrast by seeking to write pop songs with simple, transparent forms. The song structures are left open and sparse in the spirit of creating clear and simple sonic terrain that is meant to grab the listener emotionally, rather than forcing them to analyze the material. The staccato harp pluckings are complemented by long, sustained notes and chords from the violin, creating a dynamic foundation of strings for the vocals to fill in the cracks and crevices. In this sense, the dual vocals are used almost as a textural element or third instrument, where the way the words actually sound takes precedence over the lyrical content. The slow, drawn-out compositional pace of these songs brings them closer to “ambient” territory, enhancing the evocative qualities of the instruments while floating carefully between eerie dissonance and the angelic higher stratospheres of transcendent beauty.\u003c\/p\u003e\n\u003cp\u003eThe latter half of ‘The Fool’ brings in a series of guest collaborators from the modern American experimental underground, showing the range of experience and influence that informs LEYA’s sound. Eartheater, PC Worship, and Sunk Heaven each contribute their own signature style to the tracks, but also adapt remarkably well to LEYA’s sound world, due to the open, yet firmly distinct, sonic identity established by Markiewicz and Donovan. In this sense, the power of ‘The Fool’ lies not only in it’s elegant simplicity, but in it’s ability to employ classically expressive atmosphere to suspend the listener in a blissful state of confusion, where the feeling of sound itself is more important than where it comes from.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by James Plotkin.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIllustration by Jennifer May Reiland.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCassette comes packaged with digital download coupon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567667273951,"sku":"CS-NNA-113","price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":46452044103903,"sku":null,"price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (320 MP3)","offer_id":46452044136671,"sku":null,"price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA113-digital-border-e1648054427926.png?v=1714759909"},{"product_id":"the-cradle-bag-of-holding","title":"The Cradle - Bag Of Holding","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1035580724\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thecradle.bandcamp.com\/album\/bag-of-holding\"\u003eBag of Holding by The Cradle\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNNA is very proud to present new music from \u003cstrong\u003eThe Cradle\u003c\/strong\u003e, the artistic alias of New York City-based musician \u003cstrong\u003ePaco Cathcart\u003c\/strong\u003e. His latest album ‘Bag Of Holding’ presents a more serene version of Cathcart’s guitar-and-voice based songwriting, integrating orchestral arrangements, spirited collaboration, and brilliant production techniques to give way to The Cradle’s most singular and focused work to date. In addition to working as a recording engineer focusing on analog mediums, Cathcart has honed his craft over the years as a member of bands such as \u003cstrong\u003eBig Neck Police, Shimmer and Climax Landers\u003c\/strong\u003e, all the while prolifically crafting nearly 30 personal solo albums and experiments across various labels and self-releases. ‘Bag Of Holding’ takes all of these experiences and uses them thoughtfully to build a masterful, proper full-length album of highly personal and expressive orchestral pop compositions.\u003c\/p\u003e\n\u003cp\u003eWhat makes ‘Bag of Holding’ shine are its incredibly vivid and stunning instrumental arrangements. \u003cstrong\u003eSammy Weissberg\u003c\/strong\u003e, a longtime friend and musical partner of Cathcart, wrote and arranged the bulk of the non-guitar music on the album, with the intent of emphasizing and supporting the drama of the stories being told. The resulting arrangements are overwhelmingly beautiful, bringing in the orchestral grandeur of violin, cello, clarinets, horn, and double bass to add tremendous warmth and color to the recordings. Rarely does symphonic instrumentation find itself paired with the intimacy of Portastudio tape hiss and the physicality of close-mic’d acoustic guitar, but the result adds an amazingly emotional depth to Cathcart’s songs, and truly pushes the limits of home-recorded music. Along with the guest vocal contributions from \u003cstrong\u003ePalberta’s Lily Konigsberg, Nina Ryser, and Anina Ivry-Block\u003c\/strong\u003e (whose albums Cathcart has engineered), the essence of friendship and collaboration is evident in ‘Bag of Holding,’ adding to the album’s unique character and special personality.\u003c\/p\u003e\n\u003cp\u003eLyrically, Cathcart assumes the role of storyteller across the album’s nine tracks, creating a series of vignettes with strong literary and cinematic sentiments and influences (sci-fi novels, Dungeons and Dragons, traveling and imagination). The lyrics are often journalistic in their candid observations on modern living, utilizing the classic foundation of guitar and voice to express thoughts and feelings on topics like romance, anxieties, nostalgia, existentialism, people, places, time, space, and our role in the universe. In this sense, Cathcart’s lyrical sentiments are reflections of the chaotic present day “anything goes” age we live in, with critical sarcasm, technological references, casual profanity, and a do-it-yourself ethos associated with the modern underground. While the accompanying music is undeniably beautiful and serene, the lyrical sentiment can be contemptuous and misanthropic - a classic juxtaposition that harks back to downtown folk and American roots music.\u003c\/p\u003e\n\u003cp\u003eIn ‘Bag of Holding,’ the edgier, sonically experimental details of The Cradle’s previous work have been stripped back, revealing the beautifully powerful songwriting that lies at its core. When combined with Weissberg’s decadent arrangements, the resulting work takes on a new life and places Cathcart’s songs in a fresh context, one that is atypical of the modern American underground sound with which his work is often associated. This is a record that feels like home; one can imagine themselves gazing out their window or sitting on their stoop envisioning fantastical alternative realities, or simply just contemplating the world around them and how it feels to experience life through one’s own personal lens.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567667503327,"sku":"LP-NNA-114","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567667536095,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567667470559,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA114-digital-border-web-e1647031679381.jpg?v=1714759930"},{"product_id":"tredici-bacci-la-fine-del-futuro","title":"Tredici Bacci - La Fine Del Futuro","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/dRncbbh9Log\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eNNA Tapes is ecstatic to present \u003cstrong\u003e‘La Fine Del Futuro,’\u003c\/strong\u003e the brand new full-length album from the dynamic orchestral pop ensemble \u003cstrong\u003eTredici Bacci\u003c\/strong\u003e, directed by maniacal composer, arranger, musician and bandleader \u003cstrong\u003eSimon Hanes\u003c\/strong\u003e. Since their NNA debut EP \u003ca href=\"https:\/\/tredicibacci.bandcamp.com\/album\/the-thirteen-kisses-cassetta\"\u003e‘The Thirteen Kisses Cassetta’\u003c\/a\u003e in 2014, up through the monumental 2016 long-player \u003ca href=\"http:\/\/nnatapes.com\/available-releases\/tredici-bacci-amore-per-tutti\"\u003e‘Amore Per Tutti,’\u003c\/a\u003e we have witnessed Tredici Bacci grow from a musical homage to an obsession (60s\/70s Italian soundtrack music), into the fully mature and one-of-a-kind band that it is today. ‘La Fine Del Futuro’ continues to refine Hanes’ eclectic vision of orchestral splendor, presenting eleven new tracks of original compositions, reimagined classics, and collaborative arrangements that prove to listeners that the timeless formula of pen, sheet music, and talented musicianship can not only withstand the test of time, but can also detach itself from the stodgy pretension of academia, creating a universally fun and exciting music for anyone to enjoy.\u003c\/p\u003e\n\u003cp\u003eThrough diligent practice and dedication, the poignant connection between Hanes’ orchestration chops and the band’s instrumental mastery has developed to the point that they can handle any task, whether its complex musical structures, long-form conducted improvisations, or cover songs hidden within original music. Songs like “In The 1970s,” “Barbarians,” and “Felicity Grows” showcase a powerful new Bacharach-fueled direction, with classic pop essences that would fit comfortably on the hi-fi, the stage, or the silver screen. Instrumental suites such as “Titoli Di Testa,” “Minimalissimo,” and “Ambulette” radiate with cinematic brilliance, each brimming with vibrant horns, playful organ, and illustrious strings that create a tremendous depth of sound - from the lush, tender moments up through the driving, “amped up Fellini” tempos that have become Tredici Bacci’s staple. Vocalist \u003cstrong\u003eSami Stevens\u003c\/strong\u003e shines throughout “La Fine Del Futuro” as the album’s main character, demonstrating her voice’s mesmerizing ability to span a multitude of styles - everything from opera, pop, lounge, jazz, folk, and soul are touched upon through her powerful vocals, fitting perfectly into any musical scenario she is placed in. The spirit of collaboration lives on through tracks like “Emmanuelle,” a deranged, gun-slinging take on a yuletide classic featuring \u003cstrong\u003eJG Thirlwell\u003c\/strong\u003e, as well as on Hanes’ arrangement of “The Cavalry,” the lead single from \u003cstrong\u003eRyan Power\u003c\/strong\u003e’s recent NNA masterwork ‘They Sell Doomsday,’ with Power himself on vocal duties, accompanied by Sami Stevens’ gorgeous harmonies.\u003c\/p\u003e\n\u003cp\u003eIt is often times hard to comprehend the dizzying orchestrations that Hanes is able to concoct for such a massive band - 20 pieces on this album to be exact - the biggest incarnation of the band yet. However, Tredici Bacci pulls it off with grace and finesse, with Hanes’ arranging and composing talents capturing moods, cinematic nostalgia, and stylistic execution that few composers his age are able to pull off. To think that an eccentric millennial can produce such a diverse and intricate body of work is impressive, and frankly, out of the norm. Tredici Bacci are not afraid to be playful and embrace humor, a trait that makes them unique in the oh-so-serious corridors of classical music, and feels particularly important in a time where image, attitude, and trend often seem to take importance over quality in today’s mainstream. It can be said with utmost confidence that there is no band active today that sounds quite like Tredici Bacci - a feat in itself during an age where all of music history is instantly accessible, and technologically employable by the electronically-inclined masses. The band proudly wears their influences on their sleeves as they continue to comb through music’s past in search of ideas and inspirations, but at the same time always looking forward - growing, learning, and adding new flavor to their personalized approach. In Simon’s own words: “Here’s what I’ve realized with crystal clarity - if you’re collaborating with the right people, working hard, staying focused and making sure to have fun, music can flow out of you like a fucking tidal wave!”\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"2x Vinyl Bundle: 'La Fine Del Futuro' + 'Amore Per Tutti' LPs","offer_id":45567668191455,"sku":"","price":30.0,"currency_code":"USD","in_stock":false},{"title":"12\" LP (With Digital Download)","offer_id":45567668125919,"sku":"LP-NNA-117","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD (With Digital Download)","offer_id":45567668158687,"sku":"CD-NNA-117","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA117-digital-border-e1647029986753.png?v=1714759988"},{"product_id":"the-cradle-the-glare-of-success","title":"The Cradle - The Glare Of Success","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345956341\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thecradle.bandcamp.com\/album\/the-glare-of-success\"\u003eThe Glare of Success by The Cradle\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eWe are very happy to present \u003ca href=\"http:\/\/nnatapes.com\/artist\/the-cradle\"\u003e\u003cstrong\u003eThe Cradle\u003c\/strong\u003e\u003c\/a\u003e’s return to NNA Tapes with a brand new album, ‘The Glare Of Success.’ Taking a highly exploratory approach to a follow-up album, New York City-based musician and songwriter \u003cstrong\u003ePaco Cathcart\u003c\/strong\u003e dissects his 2018 NNA debut full-length \u003ca href=\"http:\/\/nnatapes.com\/available-releases\/the-cradle-bag-of-holding\"\u003e\u003cstrong\u003e‘Bag Of Holding,’\u003c\/strong\u003e\u003c\/a\u003e creatively stripping it’s orchestral and vocal components apart and collaging them back together into the building blocks of ten new songs that reflect Cathcart's proclivity for acoustic\/electric sonic contrasts, as well as his abiding interest in reggae rhythms and dub production processes. Cathcart displays his adaptability by pulling a complete musical 180 that retains the brilliant and imaginative atmosphere The Cradle has cultivated, free from the constraints of style or genre.\u003c\/p\u003e\n\u003cp\u003eWhere ‘Bag Of Holding’ favored a delicate, contemplative folk-based atmosphere, ‘The Glare Of Success’ amplifies the energy levels, creating a grooving, highly rhythmic experimental dance counterpart, overall propelled by vibe as opposed to the emotion and sentiment of its predecessor. These new songs continue to showcase Cathcart’s comfort and ingenuity not only in traditional songwriting, but behind the boards as well, by demonstrating his chops in the editing and mixing process. The majority of sounds on ‘The Glare Of Success’ are taken from friend and collaborator Sammy Weissberg’s acoustic instrumental arrangements (violin, viola, cello, clarinet, flute, double bass and horns), as well as the isolated vocal contributions from Palberta (Ani Ivry-Block, Lily Konigsberg, and Nina Ryser), manipulated and recontextualized by Cathcart through a unique form of musical recycling.\u003c\/p\u003e\n\u003cp\u003eSome songs, such as “Day’s End Dub,” retain the pop song structure of The Cradle’s previous work, with the addition of all new vocals and lyrics placed into fresh musical settings. Other songs, such as “Dub Of Holding,” are entirely instrumental, inserting traditional reggae instrumentation such as hi-hats, melodica, kalimba, bells, percussion, and thick electric bass lines. The sound fidelity itself feels genuinely analog and organically hand-played, linking it further to the dub tradition, the influence this album wears on its sleeve. ‘The Glare Of Success’ emphasizes, in equal parts, Cathcart’s musical versatility, limitless imagination, and the tremendous depth of his influences and inspirations. Each new work from The Cradle reveals itself as another piece of a much larger story, and is a shining example of the freedom that Cathcart possesses in the creation of his art.\u003c\/p\u003e\n\u003cp\u003eRecorded Fall 2017 at 107 St. James Place, BK, NY.\u003cbr\u003eSamples culled mostly from the \u003cstrong\u003eWeissberg\u003c\/strong\u003e-arranged instrumental and \u003cstrong\u003ePalberta\u003c\/strong\u003e-vocal contributions to the \u003cem\u003eBag of Holding\u003c\/em\u003e album by Ani, Lily, Nina, Jasper, Kana, Jake, Sammy, and Nathan.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette + Vinyl LP (with Digital Download)","offer_id":45567668519135,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true},{"title":"Cassette (With Digital Download)","offer_id":45567668486367,"sku":"CS-NNA-118","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567668551903,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567668584671,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/The_Cradle_The_Glare_of_Success.jpg?v=1720878125"},{"product_id":"leya","title":"LEYA - Flood Dream","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1936523724\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leya.bandcamp.com\/album\/flood-dream\"\u003eFlood Dream by LEYA\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eFramed within a network of outlying artists whose experiments sketch out far-flung deviations from aboveground movements, the work of New York-based duo \u003cspan class=\"il\"\u003eLEYA\u003c\/span\u003e stands out as an anomaly that exemplifies the idiosyncratic impulses of the avant fringe. Harpist\/vocalist Marilu Donovan and violinist\/vocalist Adam Markiewicz seem from a sidelong perspective to approximate the languages of neo-classical performance and post-minimalist exploration in their austere, meticulously rendered compositions. In truth, the duo’s own self-perception casts their project closer to the axis of noise and punk than conventional refinement.\u003c\/p\u003e\n\u003cp\u003eAs formally educated composers acutely aware of the traditions and conventions into which their instruments fit, Donovan and Markiewicz exploit preconceptions and confound expectations by pursuing the most transportive and emotional means of communication with their audience. Just as their peers warp systems of electronics or tropes from the pop and rock traditions, \u003cspan class=\"il\"\u003eLEYA\u003c\/span\u003e channel the surface signifiers of orchestral music and 20th century classical composition into deeply personal works that encompass bursts of raw dissonance alongside moments of spectral beauty. The duo’s performances shift the spotlight from the authority figure looming over an ensemble of players to those planted in the corner of a dimly lit basement populated with freaks who can’t help but fall into silence when confronted with the duo’s bewildering stimuli.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"il\"\u003eLEYA\u003c\/span\u003e’s album \u003cem\u003eFlood Dream\u003c\/em\u003e follows the acclaimed \u003cem\u003eThe Fool\u003c\/em\u003e (NNA, 2018) and their soundtrack to PornHub-exclusive short film \u003cem\u003eI Love You\u003c\/em\u003e directed by Brooke Candy. \u003cem\u003eThe Fool\u003c\/em\u003e presented the project both in densely plotted duo pieces and joint efforts with New York luminaries like Eartheater, PC Worship, and Sunk Heaven. Though guests from \u003cspan class=\"il\"\u003eLEYA\u003c\/span\u003e’s wide social environment appear on \u003cem\u003eFlood Dream\u003c\/em\u003e, including vocalist\/producer GABI, flautist\/synthesist John Also Bennett of Forma, and bassist Tristan Kasten-Krause, the album pares back the presence of external artists as full co-writing collaborators to highlight the raw core of the duo’s practice. \u003cem\u003eFlood Dream\u003c\/em\u003e plays out as a decadent feast of the senses struck through with the disturbed influence of intrusive thoughts.\u003c\/p\u003e\n\u003cp\u003eThe album’s pieces each follow their own sinuous narrative arc, building from empty expanses of detuned harp arpeggios and languid smears of violin into climaxes draped in Markiewicz's impassioned vocal lines. \u003cspan class=\"il\"\u003eLEYA\u003c\/span\u003e generate tension with their darkly operatic sense of drama, conveyed in weeping melodies and the desolation of solitary notes against blank backdrops, as they dole out fragments of resolution or momentary triumph before sinking back into uncertainty. Their arrangements bridge instances of baroque ornamentation and blocks of harmonic density with stretches of fugue state-inducing confusion built over dreary standing tones and repeated dissonant intervals.\u003c\/p\u003e\n\u003cp\u003eIn an industry obsessed with precise classification, how do we make sense of the ambiguous shadow \u003cspan class=\"il\"\u003eLEYA\u003c\/span\u003e casts over the landscape? The duo reject the tenets of the new music establishment and thrive within a scene of noise transgressors and electronic auteurs. In all of its indulgence and emotional upheaval, their music adapts as easily to the context of arthouse pornography as to a late-night bill populated with no wave acts and performance artists, without ever coming off as a harsh juxtaposition. \u003cspan class=\"il\"\u003eLEYA\u003c\/span\u003e’s music reveals that the boundaries between these disciplines aren’t boundaries at all — that everything pours from the same well into different vessels that might be carried off in opposite directions, but always return to a shared source.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAll songs written and performed by LEYA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRecorded and mixed by Alexis Berthelot at Outlier Inn and Studio G\u003cbr\u003e\n\u003c\/span\u003e\u003cspan class=\"s1\"\u003eGABI’s vocals recorded by Eric Littmann\u003cbr\u003e\n\u003c\/span\u003e\u003cspan class=\"s1\"\u003eMastered by Chris Weiss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eGabrielle Herbst (GABI) sings on Weight\u003cbr\u003e\n\u003c\/span\u003e\u003cspan class=\"s1\"\u003eJohn Also Bennett plays flutes on Mariah and synthesizers on Flow\u003cbr\u003e\n\u003c\/span\u003e\u003cspan class=\"s1\"\u003eTristan Kasten-Krause plays bass on Mariah and First Way\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePhotography by Serge Serum\u003cbr\u003e\n\u003c\/span\u003e\u003cspan class=\"s1\"\u003eCalligraphy by Leo Gutman\u003cbr\u003e\n\u003c\/span\u003e\u003cspan class=\"s1\"\u003eLayout by Matt Mayer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLEYA is Marilu Donovan and Adam Markiewicz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567670452447,"sku":"LP-NNA-122","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD (With Digital Download)","offer_id":45567670485215,"sku":"CD-NNA-122","price":12.99,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567670517983,"sku":null,"price":9.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567670550751,"sku":null,"price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/LEYA_Flood_Dream.jpg?v=1720877592"},{"product_id":"rachika-nayar","title":"Rachika Nayar - Our Hands Against the Dusk","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=282770104\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rachika.bandcamp.com\/album\/our-hands-against-the-dusk\"\u003eOur Hands Against The Dusk by Rachika Nayar\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe debut full-length from Brooklyn-based musician Rachika Nayar, Our Hands Against the Dusk, is animated by the experience of “touch\"—not just caress, but encounters, collisions, and the point of contact between worlds. Nayar composed the album over four years by processing her textured guitar playing with digital means and combining the resulting sounds with shimmering synthesizer crescendos, lyrical piano, and orchestral strings. Via these methods, the album synthesizes a range of genres—ambient, deconstructed electronic, neoclassical, even Midwestern emo and beyond. It's a shifting stylistic bent that reflects a queer life woven between ever-evolving identities, discourses, and spaces.\u003c\/p\u003e\n\u003cp\u003eThe diverse influences are visible on longer tracks such as “Losing Too Is Still Ours,” which extends from rippling guitar figures and keening vocals to methodic, marching strings. Such titles reference a range of personal and cultural images—a Rainer Maria Rilke poem of great personal importance, an Indian mystic at whose Pondicherry ashram a family member had a moment of Hindu \"darshan,\" and other vivid motifs.\u003c\/p\u003e\n\u003cp\u003eFor Nayar, the album’s fluid but always deeply felt form is thus a way of translating that which could never be summed up\u003cspan class=\"bcTruncateMore\"\u003e with static names, words, or feelings. To that end, Our Hands Against the Dusk mines the flux and discontinuity of experience as fertile ground. Nayar’s debut invites us to join alongside it in thinking beyond metanarratives, as musical and emotional histories touch in its twilight space and refract into a multifaceted whole. In that endeavor, Our Hands Against the Dusk is an embrace and a hope.\u003c\/span\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Dusk Red Vinyl  + Digital","offer_id":46252058018015,"sku":"LP-NNA-136","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Cassette (With Digital Download)","offer_id":45567675597023,"sku":"CS-NNA-136","price":9.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567675531487,"sku":null,"price":9.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567675564255,"sku":null,"price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/rachika_-_hands.jpg?v=1720877397"},{"product_id":"dear-laika","title":"Dear Laika - Pluperfect Mind","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3769031664\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dearlaika.bandcamp.com\/album\/pluperfect-mind\"\u003ePluperfect Mind by Dear Laika\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003ePluperfect Mind, the label debut from the 23-year-old UK-based musician Dear Laika (a.k.a. Isabelle “Izzy” Thorn), is an extraordinary creation — a beautiful and singular oddity which exists in the liminal space between dreamworlds and a blurry, watercoloured version of reality. It is a reflection on the past few years of Izzy’s life, during which she sought solitude in the North Wessex Downs while beginning her gender transition.\u003c\/p\u003e\n\u003cp\u003eA consistent theme of the album is isolation, both from other people and from parts of herself, and the intention to overcome anxieties and reconnect. Pluperfect Mind also chronicles aspects of Izzy’s own transgender experience, from the painful tedium of waiting for hormone treatment, to the elation of finally inhabiting a body that feels right. It captures the sense of being cast adrift between an uncomfortable past and an uncertain future, living outside of heteronormativity and caught in “queer time”. Izzy’s mercurial songwriting aims to suspend the perception of time, allowing the listener to inhabit an immersive half-lit world of mystical landscapes, volatile atmospheres and shifting rhythms.\u003c\/p\u003e\n\u003cp\u003eA meditative album that grows richer with multiple listens, lush alien choir voices float in on “Phlebotomy” creating an intoxicating, ethereal sense of calm, while on “Guinefort’s Grave” we hear distant thunderclaps smudged over electronic fuzz and warbling synths. \"Inward Life (We Exist)\" opens with a piano, prepared with screws between its strings, tolling like a church bell, before blossoming into an elegy with yearning violins; elsewhere, descriptions of lilac moons, mouldy air, fauns and smoke-engulfed fields create an atmospheric folk opera. “Black Moon, Lilith” is the emotional zenith of the album, a song about desire, its reckoning and its actualization from a trans lesbian perspective that culminates in the triumphant sound of a string ensemble glittering and warped like holographic foil. Pluperfect Mind builds towards a seraphic finale in the title track, in which a beatific choral tapestry emerges from a sea of whispers and sighs and is finally consumed in a cloud of ecstatic, smouldering drone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up singing in church choirs and listening to classical music, those influences can still be heard in Izzy’s music now. Although she rarely listens to classical music nowadays, the rich harmonies of composers such as Messiaen, Finzi and Ravel have left an indelible mark on her own writing, and she freely mutates samples of Bach and Beethoven beyond recognition. During her transition, having to make the shift from baritone to alto, she was captivated and inspired by the expressive intensity of Kate Bush, Vashti Bunyan and FKA twigs; her own clear, keening vocals soar throughout Pluperfect Mind, breathy and otherworldly. She whispers French poetry and lilts over lines about warped memories, exploring her inner world with gentle ruminations on love, hormone therapy and dreams.\u003c\/p\u003e\n\u003cp\u003ePluperfect Mind is a beguiling collection of vivid lyrics and celestial song, bound together with digital glitch and field recordings. Comparisons can be made to Björk, Tim Hecker or Bat For Lashes, but ultimately, Dear Laika’s exploration of the experimental and the mystical builds something intricate and intimate that is truly original and bewitching.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"'Crimson Cheeks' Vinyl LP [with digital download]","offer_id":45567677890783,"sku":"MLP-NNA-142","price":21.99,"currency_code":"USD","in_stock":false},{"title":"Black Vinyl LP [with digital download]","offer_id":45567677858015,"sku":"LP-NNA-142","price":20.99,"currency_code":"USD","in_stock":false},{"title":"Cassette (With Digital Download)","offer_id":45567677825247,"sku":"CS-NNA-142","price":10.99,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567677792479,"sku":"","price":8.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567677759711,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Dear_Laika_Pluperfect_Mind.jpg?v=1720877172"},{"product_id":"issei-herr","title":"MIZU - Distant Intervals","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2943329005\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/iammizu.bandcamp.com\/album\/distant-intervals\"\u003eDistant Intervals by MIZU\u003c\/a\u003e\u003c\/iframe\u003e\u003cp class=\"tralbumData tralbum-about\"\u003eDistant Intervals, the full-length debut from Brooklyn cellist and composer MIZU (fka Issei Herr), is an exploration of memory, dreams, and the infinite possibilities within imagined worlds. Centered around themes of becoming and transformation, the music encompasses the liminal spaces between our past, present, and future selves - our ever-changing relation to personal memories, the ideals and dreams we have for our futures, and the distance and idealism of these infinite versions of self.\u003c\/p\u003e\n\u003cp\u003eComposed and performed primarily through the vast sound-world of the cello, the album is built through layers of overdubbed improvisations, self-recorded entirely in MIZU’s bedroom closet. There is an element of newfound wonder throughout the album’s nine parts; the sounds of a single cello, an instrument she has known intimately since childhood, are augmented and transformed through the infinite possibilities of digital production and manipulation - layered and processed audio samples, tape loops, and synth ornamentation. Combining up to a hundred layers of overdubbed cello and processed samples, the resulting sound world is lush, vast, and orchestral in scope. A closing feature by rising vocal star Maria BC transforms and elevates Issei’s string-centered sound world into a\u003cspan class=\"bcTruncateEllipsis\"\u003e...\u003c\/span\u003e  \u003ca\u003emore\u003c\/a\u003e\u003c\/p\u003e\n\u003cp id=\"license\" class=\"info license\"\u003e\n\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567680774367,"sku":"CS-NNA-150","price":11.99,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV) + PDF Poster","offer_id":45567680807135,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (mp3) + PDF Poster","offer_id":45567680839903,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/MIZU_Distant_Intervals.jpg?v=1720877021"},{"product_id":"mizu-forest-scenes","title":"MIZU - Forest Scenes","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061572486\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/iammizu.bandcamp.com\/album\/forest-scenes\"\u003eForest Scenes by MIZU\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cspan data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\"\u003e\u003c\/span\u003eThere is a philosophical quality to MIZU’s second full-length, ‘Forest Scenes’. Through layers of gorgeous, yearning cello, pulsating electronics, and hyperreal field recordings, MIZU evokes a sense of depth by interrogating systems and exploring unknown territories both physical and cerebral. By way of its daring experimentalism, ‘Forest Scenes’ is patently modern and brilliantly ontological.\u003c\/p\u003e\n\u003cp\u003eProceeding from Robert Schumann’s ‘Waldszenen’ in name and, to some extent, concept, MIZU began work on ‘Forest Scenes’ immediately after completing ‘Distant Intervals’, conceiving and writing the record over the course of two inspired weeks in São Paulo, Brazil in Summer 2022 and completing it over the following year in New York. While ‘Distant Intervals’ engaged and inverted the classical idioms in which MIZU was reared, ‘Forest Scenes’ lunges even further away from that world. It is in no small way an acknowledgment of transcendent experiences and the thrills of self-discovery, whether in the vast urbanity of São Paulo, in the community among New York City’s queer spaces and dancefloors, or in the more abstract place of a self in transition. Pulling from these energies, MIZU loops in techno producer Concrete Husband, who features on “prphtbrd”, to further ornament the dancefloor flirtations.\u003c\/p\u003e\n\u003cp\u003eWhile MIZU was socially transitioning during the creation of ‘Distant Intervals’, she began a physical gender transition in step with the inception of ‘Forest Scenes’. The record parallels this transformation, interrogating the boundaries between the forest and what is before \/ beyond it, building scenes of self-discovery through a kind of ecstasy in the unexplored. The forest is, at least in part, a metaphor for queer spaces, for spaces of self-discovery through community, through encounter. But the spaces of self-discovery, for MIZU, are also very much found within the songs themselves. This marvelous symbolic complexity holds Forest Scenes aloft, above mundane considerations of what is more or less beautiful. What is pastoral, what is modern, what is natural: all these considerations are teased out by MIZU’s compelling production, as she weaves electronic and environmental sounds, and cello both heavily processed and laid bare in a glorious, sweeping dream. But with the headlong dives into deconstructionist experimentation and the pathos, vulnerability, and staggering range of densities through a single instrumental body, MIZU asserts that ‘Forest Scenes’ could not be more her own, as she discovers herself within it.\u003c\/p\u003e\n\u003cp\u003eNotes by Mark Trecka \u003c\/p\u003e\n\u003cp\u003eReleases March 22, 2024\u003c\/p\u003e\n\u003cp\u003eColor-in-color Light Pink \u0026amp; Red Vinyl. Artwork by Daedalus Li.\u003c\/p\u003e\n\u003cp\u003eIncludes digital pre-order of Forest Scenes.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Special Edition LP (With Digital Download)","offer_id":45567681265887,"sku":"LP-NNA-153C","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Cassette (With Digital Download)","offer_id":45567681233119,"sku":"CS-NNA-153","price":11.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (FLAC)","offer_id":45567681298655,"sku":"NNA-153","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567681331423,"sku":"NNA-153C","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/MIZU_Forest_Scenes.jpg?v=1720876935"},{"product_id":"banditos-right-on-ehr054","title":"Banditos - Right On","description":"\u003cp class=\"\"\u003e3rd full length LP from Nashville Powerhouse Americana - Folk troupe, Banditos.\u003c\/p\u003e","brand":"Egghunt Records","offers":[{"title":"Orange Splatter LP + Digital","offer_id":46247146815711,"sku":"MLP-EHR-054C2","price":23.99,"currency_code":"USD","in_stock":true},{"title":"Gold LP + Digital","offer_id":46247146848479,"sku":"MLP-EHR-054C1","price":23.99,"currency_code":"USD","in_stock":true},{"title":"LP + Digital","offer_id":46247146782943,"sku":"LP-EHR-054","price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD (Digipak)","offer_id":46247550648543,"sku":"CD-EHR-056","price":10.99,"currency_code":"USD","in_stock":true},{"title":"WAV Download","offer_id":46247146881247,"sku":"","price":8.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":46247146914015,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2578572937_10.jpg?v=1720892990"},{"product_id":"leya-i-forget-everything","title":"LEYA - I Forget Everything","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReleases November 22, 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmidst relief, memory is a window to something greater. We are at a loss in remembering; we slowly or quickly forget. In moving around, there is a loosening of the gaze and touch that tethers us to ourselves. In trying to get better, we may cease to remember some things.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI Forget Everything marks LEYA’s first return to the studio since 2022’s collaborative mixtape Eyeline, and their first release sans collaborators since 2020’s breakout classical-meets-everything tome Flood Dream. It comes on the heels of a relentless multi-year touring schedule, sandwiched amidst new collaborations with fashion houses, filmmakers, choreographers, and more, a blooming of their beguiling, potentially existent-in-any-context din into newer identities and spaces.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince that period, LEYA (harpist Marilu Donovan and vocalist\/violinist Adam Markiewicz) have sought to return to their basics - detuned harp, hazy strings, and wide-ranging, operatic vocals, all channeled through an unmistakably raw lens - and now begin to reimagine their language, harnessing production experiments that have been percolating in their tangential work in recent years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI Forget Everything is LEYA’s first solo work\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ewith elements of electronic production, albeit nascent, ranging in sheen from home-recorded to high-fidelity, all generated solely from harp, strings, and voice. From the opener, “Eden of Haze,” there is a billowing (literal) hiss of energy that creeps in and remains present. Climbing, almost exaltant-sounding strings are resampled, overlapped and crushed back together, segueing into a troubled-feeling pagan folk song, then falling back into a dissonant, climbing wall of violins, beneath which more resonant chords slowly emerge as the first resampled strings play again until the track abruptly ends. “Corners,” which follows, finds LEYA inhabiting a larger, more luxurious sound, suggestive of something more cinematic, but still characteristically raw. A gothic, Glass-ian pop song, it feels like one they might have written for someone else to sing in the past, but now Markiewicz inhabits the central role. Throughout the release, his words are more audible than in previous records, inching closer to context, but still feel within the elusive slipstream that begets the everythingness of LEYA’s work.\u003cbr\u003e\u003cbr\u003e“Baited,” the fourth song, marks the newest approach on the record. Missing is any live harp, but rather just a short looping sample of the decaying harp chord from the previous song, “Weaving.” This suggestion of Twin-Peaks-meets-Basinski feeling minimalism sounds like a wash between two close chords, panning with a restricted-feeling elasticity, along with periodic but not-quite-metric clicks and hisses. Markiewicz sings quietly and nakedly atop the track, “Walk like heaven but walk like heat.”\u003cbr\u003e\u003cbr\u003eWhile some songs hark back to LEYA’s central, historical sound, they also see new deviations. “Weaving” harnesses the merged violin\/vocal homophony that is characteristic of much of their work, but layered voices and harmonies scale to something wider-feeling, with bubbling strings emerging at the end to form an orchestral wash as a subdued chorus sings beneath. “Fake” is underscored by feathered, pulsing, subdued-yet-chaotic synth reverberations hidden beneath the harp that seem to react to its tones. “Mia” explores an increasingly processed orchestral environment: drifting strings and voices gently warp, decay, and bubble up again.\u003cbr\u003e\u003cbr\u003eI Forget Everything regards a haven scorned. It is a reaction to the inevitability of loss. There is a haven some of us might collectively choose to abandon, an indifference to underestimating violence. Or, conversely, it can regard the necessity of loss and even abandonment. In a small, private world, once imagined and then realized, or stumbled upon with indifference, there is the imminent ebb of movement, and the distortion of memory. It is a threshold.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Digital Download (WAV)","offer_id":46416811360479,"sku":"","price":8.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (MP3)","offer_id":46416811393247,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/CoverImageSquare_IMG_0249.jpg?v=1730066191"},{"product_id":"kyle-hamlett-uno-duo-ithell-without-you","title":"Kyle Hamlett Duo - ithell without you","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1751814141\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/kylehamlettuno.bandcamp.com\/track\/ithell-without-you\"\u003eithell without you by Kyle Hamlett Uno | Duo\u003c\/a\u003e\u003c\/iframe\u003e\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eKyle Hamlett Artist Statement:\u003cbr\u003e\u003cbr\u003e\"\u003cspan\u003eWhen Luke asked me about collaborating on some instrumental music, I was in the midst of trying to wrangle a circular\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eDADGAD riff into shape. While I'm usually fairly quick to find a vocal melody or a cryptic lyric to top a composition, this one seemed to want to remain wordless. I knew Luke could work some strange magic with the harp-like overtones that are so prevalent to the DADGAD tuning, so I suggested we try this piece. The song's title alludes to my having recently been turned on to the amazing work of Ithell Colquhoun, a British surrealist and occultist with Celtic proclivities... and the DADGAD tuning being often referred to as 'the Celtic tuning' (made most known by British guitarist Davy Graham), it seemed like a fun idea and the perfect opportunity to invoke the hand of Ithell.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eLuke Schneider Artist Statement:\u003cbr\u003e\u003cbr\u003e\"Kyle Hamlett has been a stalwart of Nashville’s experimental\/outsider music scene for 25 years now. in addition to being a phenomenal guitarist and lyricist, and a tireless supporter of local and touring musicians, he is also a dear and loyal friend. personal affections aside, the music I have made with Kyle under the moniker ‘Kyle Hamlett Duo’ over the past handful of years has been some of the most fulfilling and exciting work I have ever been a part of. To be frank, it is long past time for Kyle’s turn to shine in bigger and brighter spotlights beyond Nashville’s humble stages and DIY venues. kyle’s modest personality is often shy of praise and quick to share credit, character traits that do not lend themselves to gobs of attention in a social media landscape that rewards those who are eager to live out loud. When Kyle played me a demo recording of this tune, I was overjoyed and excited to lend a part on pedal steel, and it confirmed my instincts that one of my oldest collaborators would be a perfect artist to partner with as a ‘new face.’\"\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003ereleased September 18, 2024\u003cbr\u003eperformed by Kyle Hamlett Duo\u003cbr\u003eKyle Hamlett (acoustic guitar)\u003cbr\u003eLuke Schneider (pedal steel guitar, piano)\u003cbr\u003erecorded June 2024 at Huge Planet Studios\u003cbr\u003eNashville, TN\u003cbr\u003eengineered by Jake Davis\u003cbr\u003eMixed for stereo and dolby atmos by Jake Davis at Seismic Sound Nashville, TN\u003cbr\u003eMastered by Chuck Johnson\u003cbr\u003ewritten by Hamlett and Schneider\u003c\/div\u003e","brand":"Across the Horizon","offers":[{"title":"WAV Download","offer_id":46418843697375,"sku":"","price":2.0,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":46418843730143,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/ithellwithoutyou.jpg?v=1730137209"},{"product_id":"various-artists-across-the-horizon-vol-1","title":"Various Artists - Across the Horizon, Volume 1","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=105081961\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/northernspyrecords.bandcamp.com\/album\/across-the-horizon-volume-i\"\u003eAcross the Horizon, Volume I by Northern Spy Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cdiv class=\"tralbumData tralbum-about\"\u003eNorthern Spy Records and Bob Holmes of SUSS invited eight innovators from the wide landscape of instrumental music to curate the first volume of the Across the Horizon series, with the mission of exploration, collaboration and discovery.\u003cbr\u003e\u003cbr\u003eMISSION STATEMENT\u003cbr\u003e\u003cbr\u003eThe “Across the Horizon” series sets the goal of bringing together a like-minded community of instrumental pioneers and encouraging them to explore beyond their normal pathways, taking them, and their fans, into previously unexplored territories. By choosing a group of artist\/curators each year and asking them to bring forth their favorite artist peers, we hope to broaden the landscape of instrumental music and emulate the kind of discovery that happens when artists sit down to chat about their influences. Finding connections, shared roots, and new inspiration in the process.\u003cbr\u003e\u003cbr\u003eLINER NOTES\u003cbr\u003e\u003cbr\u003eAcross the Horizon is a bold exploration of where Americana’s roots intersect with the boundless expanse of ambient music. Curated by Bob Holmes and Northern Spy Records, this collection invites you into a realm where sound becomes landscape and music transcends genre, inviting listeners to wander through vast, uncharted\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003espaces of sonic possibility.\u003cbr\u003e\u003cbr\u003eThese artists redefine the boundaries of sound, blending the organic with the ethereal to craft soundscapes that feel both familiar and otherworldly. The performances in this compilation evoke open skies, endless roads, and a sense of drifting between worlds, creating a space where time stretches and bend.\u003cbr\u003e\u003cbr\u003eThe 24 tracks gathered here offer an invitation to lose yourself in the immersive, introspective, and transformative power of music. Here, sound becomes a journey leading you beyond the familiar, into the vast and the unknown. Step into the experience, let the music guide you, and explore the sonic space across the horizon.\u003cbr\u003e\u003cbr\u003e- Bryan Crow, Festival Director, Big Ears Festival\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 3, 2025\u003c\/div\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":47514597097695,"sku":"NS-LP-170-BLACK","price":35.0,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":47514597163231,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":47514597195999,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3423968210_16.jpg?v=1761232817"},{"product_id":"leya-i-remember-nothing","title":"LEYA - I Remember Nothing","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ereleased December 5, 2025\u003c\/span\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Digital Download (WAV)","offer_id":50764298780895,"sku":null,"price":6.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (MP3)","offer_id":50764298813663,"sku":null,"price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/leya.avif?v=1785782401"}],"url":"https:\/\/shop.northern-spy.com\/collections\/instrument-strings.oembed?page=2","provider":"Northern Spy Label Group","version":"1.0","type":"link"}