{"title":"Bass","description":null,"products":[{"product_id":"horse-lords-interventions-copy","title":"Horse Lords - Interventions","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3850134741\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horselords.bandcamp.com\/album\/interventions\"\u003eInterventions by Horse Lords\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/p\u003e\u003cp\u003eWest African rhythms collide with just intonation guitars, art-fire saxophone, minimalist grooves, and collaged zapdowns on Interventions, the powerful third full-length from Baltimore’s Horse Lords. The band’s Northern Spy debut is also the first Horse Lords album to explore the classic studio-as-weaponry strategies of yore, mapping the quartet’s raw Baltimore lightning onto the experimental musique concrète territory surveyed by elder heads like Faust and This Heat.\u003c\/p\u003e\n\u003cp\u003eFounded at the turn o’ the ‘teens by Andrew Bernstein (saxophone\/percussion), Max Eilbacher (bass\/electronics), Owen Gardner (guitar), and Sam Haberman (drums), Horse Lords quickly established themselves as avant-heavies with the two extended tracks of their powerful self-titled debut (Ehse Records, 2012). Playing custom electric guitars and basses refretted by Gardner, the band’s rolling polyrhythms chime with the strange and distinct harmonies of just intonation inspired by the master La Monte Young and other heroes. Where the earliest Horse Lords releases, also including Hidden Cities (NNA Tapes, 2014) concentrated on linear performance, a trio of Mixtape cassettes (self-released, 2012-2014) pointed the way towards the newest turn in the Horse Lords saga.\u003c\/p\u003e\n\u003cp\u003eChopped and screwed and stomped and smothered and dissolving to bells and then suddenly (as if through a flung-open door) back into some room where Horse Lords is playing at full flight, the three Mixtapes exploded the possibilities of the quartet. Changing contexts like flipping channels on a dadaistic cable box, the series found a whole expanded universe of Horse Lords there for the squonking. Realizing that promise, Interventions is (as they say) a new phase Horse Lords album with Bernstein’s saxophone and the microtonal guitars pinging through the stereo mix with single-minded purpose. Horse Lords is a band, its members serving a range of functions over multiple axes, from the audible (writing and performing music) to the structural (altering their instruments), to the soundscape in between (editing together Interventions’ threaded mini-suites).\u003c\/p\u003e\n\u003cp\u003ePart of the newest wave of smarty-arty-weirdos playing DIY spaces and tea houses and college campuses, Horse Lords’ soaring heaviness achieves a true poise that seems equally primed to make the leap to concert halls and festivals. Making appearances on freeform radio station WFMU and concert recording site NYCTaper, Horse Lords are recognized, too, as a galvanizing live act, powered by the double-drumming of Sam Haberman and Andrew Bernstein. Last year, their Hidden Cities Remix to benefit the local Living Classrooms’ Believe in Music featured the work of influential contemporaries including fellow Baltimore undergroundists Drew Daniel and M.C. Schmidt of Matmos (contributing separately) and Guardian Alien drummer\/lead-brain Greg Fox.\u003c\/p\u003e\n\u003cp\u003eFloating at the boundaries of composition and improvisation, electronics and performance, the underground and the vast improbable 21st century indie mainstream, Horse Lords exist in none of these places and all of them. More accurately, they exist on Interventions, the album you now hold in your proverbial hands, perhaps noticing the reflection of the imaginary room’s light reflecting on the LP cover, ready to cue up as you find yourself in the new beyond of tomorrow’s ecstasies and today’s Horse Lords.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition \"Transparent Pink\" Vinyl","offer_id":44667150074079,"sku":"MLP-NS-075","price":23.99,"currency_code":"USD","in_stock":false},{"title":"LP + Digital","offer_id":44667150106847,"sku":"LP-NS-075","price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667150139615,"sku":"CD-NS-075","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667150172383,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667150205151,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1385902353_10.jpg?v=1703788582"},{"product_id":"amirtha-kidambi-elder-ones-holy-science","title":"Amirtha Kidambi Elder Ones - Holy Science","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1632580698\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/amirthakidambi.bandcamp.com\/album\/holy-science\"\u003eHoly Science by Elder Ones\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAs Ben Ratliff wrote in the New York Times, “the aggressive and sublime first album by the band Elder Ones, Holy Science, is a kind of gauge for how strong and flexible the scene of young musicians in New York’s improvised and experimental music world can be. At the center of it are drones and phonemes. The group’s leader, the 30-year-old composer and singer Amirtha Kidambi, holds forth behind a harmonium, the small keyboard instrument with hand-pumped bellows; it’s commonly used in bhajan, the Indian devotional-singing tradition that was central to her musical experience while growing up in a South Indian family.”\u003c\/p\u003e\n\u003cp\u003eKidambi formally trained in classical music, singing works by avant-gardists including Nono and Stockhausen, but the pull of free jazz and Alice Coltrane drew her toward a different path. The influence of both Alice and John Coltrane is especially apparent on the new album, as is her work with composer and saxophonist Darius Jones, and her study of Carnatic music.\u003c\/p\u003e\n\u003cp\u003eWhile in Darius Jones's a cappella group, Kidambi developed a language for wordless vocals, freeing her from being tied to syntax, a technique she uses through most of Holy Science. The music is anchored by bass-lines and drones on the harmonium, often doubled on the bass by Brandon Lopez. Matt Nelson on the soprano saxophone evokes the sound of the Indian double-reed nadhaswaram, and the playing of John Coltrane and Pharoah Sanders, blending with and harmonizing her voice and the reeds of the harmonium. Drummer Max Jaffe’s ability to seamlessly pivot between complex grooves and timbrally explorative free-playing, completes the equation. Each musician was chosen for their unique improvisatory language on their instrument, ultimately informing Kidambi’s compositional approach.\u003c\/p\u003e\n\u003cp\u003eReflecting on her various influences, Kidambi explained, “I grew up Hindu, but with a pantheist universalist bent, the idea that all religions are different paths to the same God or Truth. Not only is the music of John and Alice Coltrane so influential, they both practiced universalism. Alice's primary guru was the same one that my family followed, and she participated in the bhajan singing tradition. I grew up singing with the harmonium, and I know all the tunes on her Huntington Ashram records. She looms large for me as a figure who blended so many different styles and traditions, uncompromising in her vision and authentic to herself. She was, in a way, a universalist in her music, blending her influences of Stravinsky, gospel, free jazz, the avant-garde, world music, and her spiritual practice into a totally individual sound. I really relate to that way of thinking about music and the universe.”\u003c\/p\u003e\n\u003cp\u003eThe first piece composed in the suite was \"Dvapara Yoga,\" which began as a meditation on the death of Eric Garner. The album title derives from a 19th century text written by Swami Sri Yukteswar Giri, which scientifically explains the yugas, or eons of cosmic time in Hindu mythology. The four movements Sathya-Yuga, Treta-Yuga, Dvapara-Yuga and Kali-Yuga, explore themes of creation, destruction, and rebirth, with the final movement pivoting on the Vishnu Sahasranam Vedic chant, and ending with an apocalyptic reset of the time cycle.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667150762207,"sku":"CD-NS-085","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667150794975,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667150827743,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3849590726_10.jpg?v=1703788592"},{"product_id":"on-fillmore-happiness-of-living","title":"On Fillmore - Happiness of Living","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1293544510\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/onfillmore.bandcamp.com\/album\/happiness-of-living\"\u003eHappiness of Living by On Fillmore\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis is Happiness of Living: the latest musical transmission from On Fillmore, the long-running duo of percussionist Glenn Kotche (Wilco) and bassist Darin Gray (Tweedy). Carved from an ecstatic multi-day session in Rio de Janeiro, these 11 new tracks, which make up their fourth studio album, move effortlessly between pools of celestial vocals, deep cosmic pockets and occasional pop tunes, to create a glowing mood unlike any previous dispatch from On Fillmore.\u003c\/p\u003e\n\u003cp\u003eSculpted from eight hours of sessions made with old and new comrade musicians, including esteemed producer Kassin (Caetano Veloso, Arto Lindsay), On Fillmore has invited others into their deepest creative space for the first time with Happiness of Living. Emerging from something deeper than improvisation, the sessions unfolded in a spirit of openness: like the analog tape loops borrowed from an installation by Sao Paulo artist, Chiara Banfi; or the voice of Brazilian-American singer-songwriter Gabriela Riley; the otherworldly percussion of Mauro Refosco (Atoms for Peace, Red Hot Chili Peppers); or even the words sang by Guillereme Valerio on \"Jornada Inteira”, who is the brother of their Sao Paulo promoter. The synchronicity of those recordings is evident upon listening to Happiness of Living, from the first touch of thumb piano (kalimba) on album opener, \"Pintado.\"\u003c\/p\u003e\n\u003cp\u003eFirst visiting Brazil to perform at the 2005 Perc Pan Festival in Salvador and Rio, On Fillmore had what they describe as \"a musically life-changing experience.\" They arrived, laden with mini-discs and effects pedals, to play music from their then-new album Sleeps With Fishes (Quakebasket, 2004), but it was while watching a performance by +2 collective (Domenico, Moreno, Kassin) that something shifted. A friendship with those musicians took root and grew into an ensemble performance later that year at Museum of Contemporary Art in Chicago which, though unrehearsed, remains one of the duo's favorite shows. It opened the door for what continued to grow into Extended Vacation (Dead Oceans, 2009), and eventually becomes fully formed in Happiness of Living.\u003c\/p\u003e\n\u003cp\u003eOn Fillmore have always embodied a collaborative spirit, most recently serving as the rhythm section for William Tyler’s acclaimed Modern Country (Merge, 2016). On Fillmore formed in 1999 on a plane ride home from performing in London with Jim O’Rourke, and met a few years before while working on O’Rourke’s Eureka (Drag City, 1998). On Fillmore has since remained a band without a geographical home: Gray based in St. Louis and Kotche in Chicago (or wherever Wilco's currently at). Since joining Wilco in early 2001, Kotche has become one of the most acclaimed and in-demand percussionists in the world, occupying a musical space at the intersection of pop and experimental music, orbiting within the worlds of classical commissions as well as rock and roll amphitheaters. Gray has worked with a range of underground music heroes, including Loren Connors, Chris Corsano, and Rob Mazurek, in addition to serving as bassist in Tweedy, with Wilco’s frontman, Jeff Tweedy, and his son Spencer. In cultivating their long-term friendship and musical partnership, Kotche and Gray’s still-unfolding On Fillmore discography showcases a process of exploration that is consistently pushing both musicians beyond the traditional divisions of labor in a bass\/percussion duo.\u003c\/p\u003e\n\u003cp\u003eAfter discovering a new musical place with Extended Vacation in 2009, On Fillmore found themselves with the longing to transform their ongoing musical conversation to a wider specter of possible landscapes. Neither jazz nor Brazilian, not exotica, not free music, nor anything else. If anything, Happiness of Living has On Fillmore in uncharted land. For certain types of music fans, a dream record; the type one might put on and immediately be transported to some place filled with strange creatures and inviting sounds, some place you’ve never been but maybe find you’ve been missing. This is Happiness of Living.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154628831,"sku":"LP-NS-083","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667154694367,"sku":"CD-NS-083","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667154661599,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154727135,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS083_OnFillmore_cover-e1646851449785.jpg?v=1703788630"},{"product_id":"pc-worship-buried-wish","title":"PC Worship - Buried Wish","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1698642337\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/pcworship.bandcamp.com\/album\/buried-wish\"\u003eBuried Wish by PC Worship\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePC Worship's new LP Buried Wish is an off-kilter journey through hook-laden alternative rock, experimental tape manipulation, downer punk riffs and long form improv-based psychedelic instrumentals. As the album weaves through the damaged re appropriation of objectionable sounds, it seeks to explore a contrast between the traditional rock band format + instrumentation with outsider experimentalism by exploring new ideas related to composition and unconventional (often homemade) instrumentation. Buried Wish further embodies PC Worship's dedication to categorical ambiguity as it opens with a prelude written for a horn quartet + tape loops and ends with a pseudo-americana, sludge folk song, while throughout the album, continues the familiar PC aesthetic of unfiltered, subconscious inspiration, fueled by dystopian lyrics, eternal guitar solos and vamped out sonic exploration. Buried Wish was written and recorded by Justin Frye in the basement of a condemned building throughout 2016 in Bushwick, which flooded half way through the process. It was sourced from drawn out solo tracking, upright bass experiments, large ensemble improv sessions and random input from various collaborators over the past year, with contributions from Michael Etten, Jessica Papitto, Shannon Sigley, Mario Maggio, Jordan Bernstein, Pat Spadine, Greg Fox, Marilu Donovan, Kassie Carlson and Adam \"Junkyard\" Markiewicz, among others.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154759903,"sku":"LP-NS-087","price":18.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667154825439,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154792671,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1322230224_10.jpg?v=1703788639"},{"product_id":"cloud-becomes-your-hand-rest-in-fleas","title":"Cloud Becomes Your Hand - Rest In Fleas","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2880046892\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cloudbecomesyourhand.bandcamp.com\/album\/rest-in-fleas\"\u003eRest In Fleas by cloud becomes your hand\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eLike visions from a 3D comic book, color fantasies explode in vivid new sound-­tones on Cloud Becomes Your Hand’s Rest in Fleas. The band’s second album for Northern Spy establishes the Brooklyn sextet as purveyors of googley­-eyed psych-­pop of the highest order, delivered in a kinetically singular dialect of the musical language of fun. Over eight tracks, Cloud Becomes Your Hand affirm their position in the secret lineage that links the pingings of the BBC Radiophonics Workshop to the happy goofing of Syd-­era Pink Floyd (like if the busted gearwork at the end of “Bike” started its own band?), a line that connects the energy dome power of Devo to the collage-­happy Frosted Ambassador wing of the Elephant 6 Recording Company. Feed your head, right? But while the collective destination might be the sweet innocence of marmalade skies, the Cloud irregulars are hardly musical naifs, executing dazzling conceptual and compositional turns that puts them just as much in the family of New York’s uncompromising experimental music scene.\u003c\/p\u003e\n\u003cp\u003eLed by multi­-instrumentalist and composer Stephe (the ph is hard) Cooper, Cloud Becomes Your Hand’s complex art-­pop bursts into being from fragments and scraps, collaboratively sewn together into benevolent smoke­spewing contraptions that spin around drumming drummer Booker Stardrum and Sam Sowyrda’s MIDI-­triggered malletKAT percussion. Along with Hunter Jack (violin) and Weston Minissali (synth\/vocals) comes the addition of bassist Simon Hanes­­–formerly of comrade DIY brain­-exploders Guerilla Toss–whereby the Cloud gang gains some new rhythmo-­melodic heft on their journey to the centre of our mind. Lyrics come courtesy of ongoing collaborations between Cooper, his friends, and some anarcho muse guiding the whole cotton candy ship, and Rest in Fleas sets down on our planet with enough bouncing choruses and surprise left-­turn hooks for the whole happy mutant family.\u003c\/p\u003e\n\u003cp\u003eMuch like Cooper’s songs, Cloud Becomes Your Hand has multiple origins. One is a theatrical stage experiment produced by Cooper and Cloud malletKATer Sam Sowyrda called Living Things-­currently neither active nor disbanded–­­which yielded the stage instruction from which the Cooper drew the Cloud Becomes name. Another origin are Cooper’s subsequent home recording endeavors released on cassette under the Cloud Becomes moniker, including Cloud Becomes Your Hand (2010) and Doggy Paddle (2011) before drafting an ensemble into service for live work. “Like punk rock coming out of a music box,” Stereogum described one such performance. “A joyful journey through a strange land,” said the New Yorker. Rocks or Cakes, the band’s 2014 Northern Spy debut “thrills, buzzes, dives, \u003cand\u003e surprises,” wrote Relix.\u003c\/and\u003e\u003c\/p\u003e\n\u003cp\u003eJust at home at hanging out at Brooklyn avant­-garde institutions like Roulette as on homemade stages in over­-enthusiastic loft installations, Cloud Becomes Your Hand are ready to find the doorway to elsewhere in any environment. Rest in Fleas functions much the same, using sleight of hand and pure charm to lash open a portal to the giddy surreal by any means necessary, from learned technique to spontaneous creation. Along with fellow travelers on the kosmik-­noisenik highway like aggro­-eclectic Northern Spy labelmates Dva and Horse Lords, Cloud Becomes Your Hand continue to fight the good fight by not fighting at all, just emitting only the most colorful of vibrations and letting the air and all available ears do the rest.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667156365535,"sku":"LP-NS-074","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667156431071,"sku":"CD-NS-074","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667156398303,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156463839,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0738448119_10.jpg?v=1703788738"},{"product_id":"craw-1993-1997","title":"Craw - 1993-1997","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2642002888\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/craw.bandcamp.com\/album\/1993-1997\"\u003e1993–1997 by craw\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNorthern Spy reissues the first three records by Cleveland, Ohio, post-hardcore band Craw in a limited-edition vinyl box set, 1993–1997. All out of print for two decades or more, these full-lengths—1993’s self-titled debut, 1994’s Lost Nation Road and 1997’s Map, Monitor, Surge—complete a story that concluded on Bodies for Strontium 90, released in 2002 by Hydra Head Records. The new box set lovingly reintroduces these records in a deluxe package including three remastered double LPs and an exhaustive 100-page page book. The book, designed by the team behind one-of-a-kind visually driven label Aqualamb—who have also overseen visuals for the entire release—includes a wealth of unpublished photos and ephemera, an exhaustive oral history of Craw drawn from newly conducted interviews, and a detailed timeline of band activities, shows and releases, stretching from Craw’s 1988 formation to their 2002 break-up.\u003c\/p\u003e\n\u003cp\u003eThanks to the passion of writer and musician Hank Shteamer, who served as project organizer for the set and funded it through Kickstarter, Craw’s music finally receives the reissue it deserves. We hope that 1993–1997 will spur a reexamination of the band’s place in the lineage of aggressive, challenging, radically unorthodox underground rock and metal.\u003c\/p\u003e\n\u003cp\u003eTo celebrate the release of this epic set, Craw are reuniting for two special shows, taking place March 11th, at the Grog Shop in their hometown of Cleveland, Ohio, and March 12th, at Saint Vitus in Brooklyn, New York. All band members that played on the albums included in 1993–1997 will be on hand at each show, participating in career-spanning performances drawn from these releases as well as Bodies for Strontium 90.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"3 CD set + Book + Digital","offer_id":44667156889823,"sku":"SI-NS-070","price":34.99,"currency_code":"USD","in_stock":false},{"title":"3 CD Set + Digital","offer_id":44667156922591,"sku":"CD-NS-070","price":24.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156988127,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156955359,"sku":"","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1785231054_10.jpg?v=1703788772"},{"product_id":"the-necks-vertigo","title":"The Necks - Vertigo","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2107741802\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/vertigo\"\u003eVertigo by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Necks 18th album \u003cem\u003eVertigo\u003c\/em\u003e is an eventful, kaleidoscopic tone poem set against a darkly shimmering background. Slowly but inexorably moving forward, it crosses many frontiers yet remains true to the mission and mood established in the opening stanzas of this cinematic 44 minute journey. A work able to be viewed either as a whole, or two symmetrical halves, \u003cem\u003eVertigo\u003c\/em\u003e sees The Necks once again offer an excursion in sound that reflects both the light and darkness of some preternatural world.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVertigo\u003c\/em\u003e will be released on 30th October in North America by Northern Spy Records. It follows their acclaimed 2013 album Open, described by SPIN as ‘the most beautiful album of the year’.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the sustained improvisations that are their live performances, The Necks’ studio albums take shape by way of intricate crafting brought to bear throughout the entire recording and mixing process. “The discussion this time really began in earnest in the session itself, where we started to pursue the idea of having a drone running from start to finish, off which we could hang ideas,” said bassist Lloyd Swanton “But like all Necks albums we ended up in a very different place from whatever our initial notion of it had been.”\u003c\/p\u003e\n\u003cp\u003eMaintaining a teetering tension between suspension and collapse, \u003cem\u003eVertigo\u003c\/em\u003e draws on a diverse palette of sounds created in the studio by Tony Buck (drums\/percussion\/guitar), Lloyd Swanton (bass) and Chris Abrahams (piano\/keyboards), featuring everything from homemade instruments, extended instrumental techniques and marathon explorations of sonic textures.\u003c\/p\u003e\n\u003cp\u003eOne piece, at the same time two. Monochrome, yet multicoloured. Dark, yet incandescent. Expansive and still. Melancholic and exhilarating. The Necks. \u003cem\u003eVertigo\u003c\/em\u003e.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667157577951,"sku":"LP-NS-067","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667157676255,"sku":"CD-NS-067","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667157610719,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667157643487,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1767889221_10.jpg?v=1703788782"},{"product_id":"cloud-nothings-here-and-nowhere-else-in-windings","title":"Cloud Nothings - Here and Nowhere Else (In Windings)","description":"\u003cp\u003eDYLAN BALDI\u003c\/p\u003e\n\u003cp\u003eI’m writing this little monologue during a quick break from packing all of my belongings into poorly folded cardboard boxes, preparing to move to Western Massachusetts from my lifelong home of Cleveland, Ohio.\u003c\/p\u003e\n\u003cp\u003eThe most labor-intensive thing to file away and pack is, of course, my record collection. But this move has given me a chance to take a look through every one of my albums and think about some patterns in my obsessive collecting. One thing I noticed? No remix records in the bunch. Not even an album with a remix on it, minus a few techno and hip hop singles. The remix seems to be a phenomenon that has passed me by entirely, left me completely immune to its promise of…well…something. The thing is, I’m not really sure what the purpose of a remix is. I never have been, and I certainly can’t say I am now, even after releasing an album full of them under my band’s name.\u003c\/p\u003e\n\u003cp\u003eBut one thing I can be certain of is that there are a lot of records in my collection that were made by friends of mine. People I’ve toured with, people I grew up with, people I met from going to shows in Cleveland and from playing shows in other places around the world. Ever since I started Cloud Nothings my life has been filled with amazing, talented people from every corner of the earth. But some of the most exceptional are from where I’ve been all along: here in Cleveland.\u003c\/p\u003e\n\u003cp\u003eTo be able to release a record like this is an honor, and I hope all of the people featured on this album know I think of it as such. These are not remixes as much as they are completely new songs, using our work only as the most skeletal outline and filling out the body with the utmost individual personality and creativity. And these people are truly individuals – John Elliott wrote his commentary in orange comic sans font for god’s sake.\u003c\/p\u003e\n\u003cp\u003eIt means a lot to have people as gifted as these eight guys give their own treatment to my band’s songs, and it means even more that I can count most of them as friends of mine. I look forward to continuing to learn from them via their music and conversations, and I hope this record can shed some light on aspects of Cloud Nothings that have been hidden and under-utilized on our recorded output so far. And I also hope that Khaki Blazer becomes rich and famous beyond his wildest dreams, because that track made me laugh more than anything else I’ve heard in 2015. And now it’s time to get back to packing.\u003cbr\u003e\nJAYSON GERYCZ\u003c\/p\u003e\n\u003cp\u003eWhen Northern Spy first asked us to make something for “record store day” the last thing I thought we were going to do was have our entire record remixed by our friends. I’m extremely happy that we did so and stoked on final product. I’m not really into the idea of a remix for a rock band, usually they don’t turn out very well and really it just doesn’t seem that necessary. Every time we release an album we end up having one or more of our songs remixed by some random dude. When we first finished Here and Nowhere Else I started brainstorming trying to think of an artist that I would actually be stoked about doing a remix for us. At that time I was (still am) listening to ‘Donato Dozzy plays Bee Mask’ a lot and around that same time I had the privilege to spend some time with and get to know Chris Madak. After being around Chris for one day I was completely blown away with his knowledge and understanding of music, I knew for sure thats the guy Id love to have remix one of our tunes. Asking the other guys to remix the rest of the album just naturally made the most sense, they’re all friends and some of the best jammers around. Those are the kind of people Id trust to bust a remix.\u003c\/p\u003e\n\u003cp\u003eSam Goldberg is a great friend and has been a supporter since Cloud Nothings first started in 2010. I actually remember Sam booking one of our first gigs at his house. I recall the lineup being Cloud Nothings opening for Daniel Higgs and Mark McGuire. Only Sam could do that. Sam’s remix really helps set the pace for this bizarre remix album.\u003c\/p\u003e\n\u003cp\u003ePat Modugno (Khaki Blazer) is one half of the legendary Kent OH based group called Moth Cock, if you don’t know what that is you really ought to study up, they’re every weirdos favorite band. Pat’s Khaki Blazer project is so awesome and if you dig his remix you should scope some of his mix tapes because they are straight fire! https:\/\/soundcloud.com\/khaki-blazer. to say the least it was an honor having Pat bust a remix.\u003c\/p\u003e\n\u003cp\u003eSteve Peffer’s (Factorymen) remix is one of my favorites. I had no clue what to expect from Steve when I asked, but I did know that I like all of his bands. If you don’t know any of Steve’s bands again….study up, because they’re all amazing. We had the privilege of taking one of his bands Pleasure Leftist on tour with us in 2014 and that was a real nice time and they’re a great band. I didn’t know what to expect from his remix but I did know he would deliver something incredible, which he did. If you’re ever in Cleveland make sure you check out his record shop Hausfrau.\u003c\/p\u003e\n\u003cp\u003eI first met Adam Miller around the time when we were first working on Here and Nowhere Else in the basement of my old house on Fowles Rd in Middleburg Heights Ohio. He would come over post up with his synths and jam for hours. He’s another brilliant jammer and runs a sick tape label called overview http:\/\/overviewltd.com\/home . I wasn’t worried at all when asking Adam to do a remix, I knew he’d deliver something awesome.\u003c\/p\u003e\n\u003cp\u003eHaving John Elliott and Drew Veres (Outer Space) remix one of our songs just seemed like it made the most sense. John and Drew both are very close friends of mine and have always showed support for Cloud Nothings especially in the last 3 years. I lived with John on Fowles road and got to hear him and Drew create so much incredible music. After hundreds of hours watching damaged movies and listening to amazing records together I knew for fact that they would create something very fitting. If you don’t know about Spectrum Spools..GET WITH IT!\u003c\/p\u003e\n\u003cp\u003eBen Billington (Quicksails) is an amazing drummer who makes killer electronic music. I was actually listening to his album ‘Silver Balloons in Clusters’ (if you don’t know it check it out) when I was trying to come up with the last couple remixers. Ive seen Ben play psych\/jazz\/noise\/rock so I felt it was pretty safe handing our jams over to him to make a remix. He did such a great job.\u003c\/p\u003e\n\u003cp\u003eJohn Daniel (forest management) is such a kind spirit. John’s minimal drone music is so beautiful and moving. When I first asked John if he was interested he got back to me right away asking what song. I didn’t know John even knew our album at all, but he did and he requested Pattern Walks which was probably the most fitting tune for him to remix. its amazing that he turned our longest and very aggressive tune into a beautiful drone track using Dylan’s guitar and vocals. John was one of the three remixers who knew exactly what track they wanted along with Outer Space and Bee Mask\u003c\/p\u003e\n\u003cp\u003eChris Madak is a complete fucking genius. I have no clue how he makes the music he makes and I don’t understand how he turned I’m Not Part of Me into what it is on the remix album, but I’m certainly glad he did! Every time I’m around him and hear him talk on his ideas and thoughts for music I get inspired even though I don’t fully understand what he’s talking about. Man, I wish I had a noggin thats wired as wild as his. When We Were Eating Unripe Pears will always be one of my favorite records.\u003c\/p\u003e\n\u003cp\u003eIts so cool that all of these jammers are originally from OH, and its even better that I can call them my friends. Ive learned so much from these guys and all the other wild jammers in Cleveland. Cloud Nothings certainly would not be jamming the way we do now if these people weren’t apart of our lives, whether its a recording or spending time together these jammers helped provide necessary influences that helped get us where we are now and I can’t thank them enough. everyone should go listen to all of these artists recordings!\u003c\/p\u003e\n\u003cp\u003eTJ DUKE\u003c\/p\u003e\n\u003cp\u003eA. A violent order is a disorder; and\u003cbr\u003e\nB. A great disorder is an order. These two things are one.\u003cbr\u003e\n-Wallace Stevens\u003c\/p\u003e\n\u003cp\u003eThough seemingly obtuse, this quote from “connoisseur of chaos” puts into focus the reason this record has become so important to me. Since the creation of h.a.n.e. was one of near recklessness and immediacy, when the idea of turning it over to a flock of bona-fide weirdoes and visionaries came in the form of a “remix album”, we immediately began it’s pursuit. Within a couple of weeks the tracks started to surface and the result was astonishing. Each one was thrilling to experience — our music distilled to its elemental state and rebuilt into a genuine expression. It quickly became clear that not only did these tunes stand on their own, but they worked together in unexpected harmony as if they all conspired to create some hallucinatory redaction of our record. I am as proud of this release as anything we have done as a band, and with the help of our friends I think we’ve created a record that pays respect to a few of the artists that have inspired us to open our heads and grow, it’s my sincere hope that it will do the same for the fans of cloud nothings. Enjoy.\u003c\/p\u003e\n\u003cp\u003eSAM GOLDBERG – NOW HERE IN\u003c\/p\u003e\n\u003cp\u003eRemixing music is still really strange to me. For lack of a better way to explain it, to me, it seems like most of the time, remixes fall into two zones. Either it’s a remix to promote and create internet buzz (which seems really prevalent and dark) or remixing artists for the purpose of modifying source material to present in a dance atmosphere, the more purposeful zone.The CN album doesn’t seem to fall into either of those categories… it’s a complete outlier. Also, oddly having total weirdos remix it rather than an indie edm act from the PR world seems makes the release actually something interesting. Hearing some stabby stubby synth club remix of CN would just be too damaged and would likely end up in the worlds overfilled trash bin of unnecessary remixes. None of the acts are really like remix heads, each act is first and foremost an original creative project or being… and I think that’s why this plays less like a “remix” compilation and more like a regular album… a cohesive reflection of an interconnectedness of a group of geographical relatives.\u003c\/p\u003e\n\u003cp\u003eThe song had a few different hooks that I could sink my teeth into. I wanted to at least include a shred of the CN sound that their fans are into, while still presenting something that would come naturally from me. As I listened through the guitar, drums, and bass tracks, I chose the real hard hitting hook that I thought could juxtapose a mellow pad zone that I could create. I wanted to do something kind of simple, that could be used as a transitional piece. I wanted to give them something that could make the album… more album-like. Also, once it started to sink in, I realized that I would try to create something like Cluster meets Lulu… I think I was somewhat successful at that.\u003c\/p\u003e\n\u003cp\u003eKHAKI BLAZER – QUIETER TODAY\u003c\/p\u003e\n\u003cp\u003eMy track was quieter today. I had never heard it until cloud nothing’s drummer Jayson asked me to remix it. I don’t know the other dudes in the band all too well but I got to know Jayson pretty well through various shows in Cleveland. I’m honestly not in to any kind of modern rock band. Im into some stuff from the 60s-70s ,but mostly for the trippy aspect of the music. With that said, I was a little unsure as to how I should remix something that’s sort of uncharted territory for me. I felt even more unqualified when I received the stem tracks. The files were too big to fit on my shitty phone, and I had to load them on to a borrowed lap top. There were like 25 stems all for one song. This blew my mind. I’m used to using sub par gear and have no experience in studios. I don’t even use a mixer. There was a strong feeling that a well crafted project was being handed to an inexperienced scum bag. It was also funny doing a remix of a song that isn’t dance-y or funky. If anything the original song is emotional. That’s something I respect in artists but won’t do myself. As khaki blazer, I work off of dumb and passive vibes. I usually take samples from old recordings from failed projects, funk records, vine ect. Using cloud nothings stems as a sample source was a hilarious change of pace. I added some of my own percussion and synth. Aside from that, I mostly built the track on Jayson’s drums and various vocals that they gave me. It sounds nothing like the original song. I was happy with it. Its really not that different from my own stuff. I think my track is the only one in mono too. I didn’t even know I recorded in mono.\u003c\/p\u003e\n\u003cp\u003eFACTORYMEN – PSYCHIC TRAUMA\u003c\/p\u003e\n\u003cp\u003eCloud Nothings gave me probably their most accessible tune. In essence, a pop song. The reimagining that came out is understandably a challenging listen. It’s the deconstruction of the three waves of a dream. My dreams generally flow in three waves. So that was my approach to this song. A dreamer’s warped deconstruction of a pop song. And since imagination is king and rules or any sense of traditional song structure do not regulate in dreamland, I was able and motivated to let my paranoid subconscious run hogwild with the tune and we’re left with a not untypical dream’s end. A closing without closure.\u003c\/p\u003e\n\u003cp\u003eADAM MILLER – JUST SEE FEAR\u003cbr\u003e\nThe original track is really fast and direct, so I tried to follow a similar pace for my version. besides that, I had no idea what to do for this, since the cloud boys definition of “remix” could mean a million different heady things. I decided to make a track based around loops of the source material, with the end result sounding a lot like the stuff I made when I was staying in middleburg heights all the time. Except instead of weetzie stealing my chair every 5 mins, I had Buster and Bob laid out on my bed. While I continued to work on the track, memories of the house ended up influencing the direction way more than I had anticipated. Thanks to the Fowles crew for their endless hospitality. (weetzie, buster, and bob are cats)\u003c\/p\u003e\n\u003cp\u003eOUTER SPACE – GIVING INTO SEEING\u003cbr\u003e\nJOHN ELLIOTT (OUTER SPACE)\u003c\/p\u003e\n\u003cp\u003eMy immediate thought when hearing the new record was that it hands down their best effort yet. In fact, when I run on my treadmill, which is nearly everyday, I pretty much only listen to this record and “Tri Repetae”.\u003c\/p\u003e\n\u003cp\u003eI feel like a lot of the people making music in Cleveland are pretty tightly knit. There is a great group of people who have been working for many years and everybody seems to know one another well. The thing that’s great is that it doesn’t really matter what anybody is doing, wether it’s a rock trio or a guy DJ’ing, if you’re striving you end up around the right people. The Cloud Nothings are no exception, and so we didn’t hesitate to morph their music in a way Drew and I would execute it for an Outer Space track. The end result isn’t really far off from what they actually do (at least in our minds). Even since “Attack on Memory” there have been some more motorik and repetitive parts that are really great, we just made a salvia styled time loop of a part we really liked and put some drum machines and electronics on top. We knew they’d like it and we’re pretty happy to be a part of it.\u003c\/p\u003e\n\u003cp\u003eDREW VERES (OUTER SPACE)\u003c\/p\u003e\n\u003cp\u003eWhen Jayson initially asked us about working on this we were pretty excited. John and I both were already big fans of the album, and hadn’t worked on a remix like this before. I couldn’t say what really led us to the final product. We spent time experimenting with different parts of the original before settling on what became the core of the remix.\u003c\/p\u003e\n\u003cp\u003eQUICKSAILS – NO THOUGHTS\u003c\/p\u003e\n\u003cp\u003eCloud Nothings are surrounded in the best company and have luckily found themselves entrenched in a sea of amazing friends all over the world, and especially in their hometown of Cleveland. Northeast Ohio is a hotbed of experimentalism in music, and the Cloud boys are right in there. While it may seem risky to take their rock ‘n’ roll tunes and hand them over to a bunch of “experimental music” guys for remixing, this situation was more of a “family compilation”. I believe every person involved are close friends and love each others music. Its a very special thing, and I’m so glad this happened! No better way to explore new aspects of a band than to deconstruct and examine in new light.\u003c\/p\u003e\n\u003cp\u003eI’ve only been familiar with the Cloud Nothings for a year or so, and haven’t heard much of their recorded music. When the band asked me to remix ‘No Thoughts’, I believe I had only heard the song in a live setting here in Chicago. I listened to the full song once all the way through, and then that was it before going to work on it. It was important for me to approach this remix in a different working method than my usual Quicksails composing style, so I experimented with ‘sampling’. I took a very short few seconds of the bass line, few seconds of guitar, and a few seconds of the lead vocal, and then basically used those few elements to compose the frame of the track. There is an upright piano in my house so I got a bit of that in there as well as a bit of tabla and synthesizer. I thought it ended up sounding pretty psychedelic but also spacious, which was the intention. It was a really fun experience!\u003c\/p\u003e\n\u003cp\u003eFOREST MANAGEMENT – PATTERN WALKS\u003c\/p\u003e\n\u003cp\u003eI wanted to capture the power that I hear in Cloud Nothings’ music. “Pattern Walks” is unique in its duration and sense of space, and there is a certain tone that you don’t hear anywhere else on the record. Dylan’s guitar seemed very fitting for my usual approach in creating drone music, so I used it for the foundation of the remix. It didn’t feel complete, though, and sticking with just the guitar didn’t seem right. I started experimenting with looping Dylan’s vocals, and eventually managed to capture this continuous line of “I thought, I thought, I thought…”. This really completed the remix for me, and on a more profound level, I felt like it highlighted a certain emotional aspect of Dylan’s vocal line, which was an unexpected element. When I listened back to the completed remix I felt a much deeper connection to the song.\u003c\/p\u003e\n\u003cp\u003eBEE MASK – IM NOT PART OF ME\u003c\/p\u003e\n\u003cp\u003eWhen Jayson asked me about remixing something from “Here and Nowhere Else”, “I’m Not Part of Me” was my immediate choice. The decision was an intuitive one on my part (I’m as much a sucker for a bulletproof hook as anyone), but now that I’ve had some time to think, it makes a particular kind of sense. “I’m Not Part of Me” feels like the moment at which the record becomes conscious of itself as such, when, after seven tracks of sustained forward momentum, Cloud Nothings pause to wink at the idea that as they’re performing, they’re inevitably, well, performing — hiding as much as they reveal by virtue of the very nature of the game. The tone of the record, which up to this point has been dominated by bile and pessimism gives way to forcefully declaimed, fake-it-till-you-make-it serenity. Sure it’s affected, but it reflects a striking understanding of the power and inevitability of affectation.\u003c\/p\u003e\n\u003cp\u003eHad it (for example) opened instead of closed the record, “I’m Not Part of Me” would still be a killer song, but in some small way, “Here and Nowhere Else” would be a more average record. By virtue of this performative coming-to-terms showing up at the curtain call, it slyly acts out the way in which the synthesis and aestheticization of experience is always partial and always aspirational. In its own way, it’s meta-songwriting as much as, say, Harry Nilsson or U.S. Maple.\u003c\/p\u003e\n\u003cp\u003eThat Cloud Nothings’ understanding of craft extends beyond the construction of individual songs to the ability to carry off these sorts of subtle formalist tricks is a huge part of what I like about their work, and because my own productions are very much a matter of making records that really aggressively foreground their constructedness and playing around with the ways in which the sensation of inevitability can be produced as an aesthetic effect, I suppose that there was something in “I’m Not Part of Me” that I related to and which showed me a way in when I started working on the remix.\u003c\/p\u003e\n\u003cp\u003eWhere the specific direction in which I took things is concerned, there are a few factors in play. When I do remixes, I’m always conscious of the fact that I’m essentially being asked to do my idea of someone else’s idea of my style. There’s an element of self-parody to it, which is probably a healthy way to look at the situation, because otherwise it would be too easy to turn in the sort of grim, assembly-line version of your schtick that characterizes remixing at its least interesting. So I’m always looking to deliver something a bit over the top and outré, looking for challenges and opportunities that I might not get out of sitting in my studio slogging it out on whatever else I’d have been working on, and looking for the chance to take some aesthetic or technical thing that I’m dealing with in my own work, see how it works in a different context, and inflate it to the point of absurdity.\u003c\/p\u003e\n\u003cp\u003eIn this case, I was hugely stoked to have really comprehensive multitracks of nicely recorded drums and guitars. I don’t often get to work with those sorts of sounds and I specifically requested that I get every individual mic’d element as opposed to submixed stems so I could go nuts making like fifty new versions of every snare hit, for example. When I started in on this remix I’d just had my head totally done in by reading Iannis Xenakis’s “Formalized Music” and had spent the last few months developing a group of probabilistic sequencing patches for use in my own material. One feature of these sequencers is that they have a particular way of controlling and modulating the degree to which a group of otherwise quasi-random processes appear to be correlated, and when you apply this correlation to more conventionally “musical” material, the result is really hilariously unsettling and uncanny. This seemed like the perfect opportunity to push those techniques into totally inappropriate insect-prog territory, and indeed a lot of the finished track was made through painstaking hand-editing of that kind of algorithmic vomit. Not everything made the cut — one working draft had an entire “Owner of a Lonely Heart”-sounding verse, for example — but quite a lot of it did in the end, as you can probably tell.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667158200543,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667158233311,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/cloudremix.jpg?v=1703788813"},{"product_id":"odeath-out-of-hands-we-go","title":"o’death - Out Of Hands We Go","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1614326302\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/odeath.bandcamp.com\/album\/out-of-hands-we-go-2\"\u003eOut Of Hands We Go by o'death\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAs o’death wrapped up production on their third studio album \u003ci\u003eOutside\u003c\/i\u003e at the end of 2010, lead-singer\/guitarist Greg Jamie relocated to Biddeford, Maine, to take over a local music and arts venue and turn it into The Oak and The Ax. Since then, Maine and The Oak and The Ax have become a second home for o’death and eventually the location for the recording of their fourth full-length studio album.\u003c\/p\u003e\n\u003cp\u003eThe band convened in South Portland, ME, to work with lo-fi recording guru, Caleb Mulkerin (Big Blood, Fire On Fire, Cerberus Shoal) and to take advantage of the homey space in Biddeford they had performed in many times since 2011. On Out of Hands We Go, o’death return to a focus on live performances with Jamie’s voice and lyrics planted firmly in the center of the band’s dynamic arrangements, a stark departure from the multi-tracked and meticulously overdubbed \u003ci\u003eOutside\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eGreg Jamie’s strength as a lyricist is his ability to create evocative images and details that come together to form a narrative if the listener is ready to walk the path. \u003ci\u003eOut of Hands We Go\u003c\/i\u003e contains stories of a more personal nature, abandoning horror-film vignettes in favor of heartbreak (“Heal In The Howling,” “Herd,” “Apple Moon,”), defiance (“Roam,” “Wrong Time,” “Wait For Fire”) and ultimately triumph (“All Is Light,” “We Had A Vision”) before culminating in the climactic “Isavelle” that fires on all dramatic cylinders.\u003c\/p\u003e\n\u003cp\u003e“Out Of Hands We Go is raw and primal, with rippling banjo set against a crackling backdrop that doubles both as the sound of old vinyl and the campfire around which songwriter Greg Jamie’s personal demons are exorcised” — Peter Watts, Uncut Magazine\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667160101087,"sku":"LP-NS-058","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667160166623,"sku":"CD-NS-058","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667160133855,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667160199391,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/OOHWG_cover_web1-1024x1024-copy.jpg?v=1703788878"},{"product_id":"pc-worship-social-rust","title":"PC Worship - Social Rust","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3603734172\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pcworship.bandcamp.com\/album\/social-rust-2\"\u003eSocial Rust by PC Worship\u003c\/a\u003e\u003c\/iframe\u003e\u003cp dir=\"ltr\"\u003eSocial Rust, PC Worship’s fourth LP to date and Northern Spy Records debut, may very well be the closest this innovative quartet, led by singer and multi-instrumentalist mastermind Justin Frye, has gotten to the conventional rock formula. But don’t be alarmed—PC Worship has, by no means, abandoned its inherent avant-gardist roots. In fact, Social Rust portends a familial group hell bent on blending its own vision of fully realized songcraft and contagious melodicism into its trademark chaotic din.\u003c\/p\u003e\n\u003cp\u003eFrye first hatched PC Worship as a home-recorded solo project but has since steadily morphed his vision into a collective of studied musicians and improvisers, with Michael Etten, Jordan Bernstein \u0026amp; Shannon Sigley as the core unit and an array of dystopian instrumentalists often showing up to jam on Bongos, circuit bent electronics or any number of horns, all of whom have resided at the Bushwick neo-recital hall “Le Wallet” and, ultimately, forming a full-on, proper band as heard on Social Rust. If you’ve been present at DIY underground shows in Brooklyn and beyond, chances are you’ve been exposed to PC Worship’s shambolic brilliance.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePC Worship stand at the threshold of many worlds, yet they operate at the center of their own pantheon and without abandon. They are crucial eclectics, distinct in sound and consistently adventurous. Like Sun Ra, PC Worship transmit alien, helter-skelter sounds seemingly from another universe—a truly rare trait these days\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eSocial Rust\u003c\/em\u003e, PC Worship is:\u003cbr\u003eJustin Frye – vocals, guitars, tape manipulation and piano\u003cbr\u003eMichael Etten – guitars, sax\u003cbr\u003eJordan Bernstein – bass\u003cbr\u003eShannon Sigley – drums, vocals\u003c\/p\u003e\n\u003cp\u003eWith additional contributions by:\u003cbr\u003ePat Spadine, Mario Maggio, Billy Bratt, Jessica Papitto, Adam Markiewicz, Nathan “Squis” Whipple, Boston Bongo Dan\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667160363231,"sku":"CD-NS-057","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667160297695,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667160330463,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1870655536_16.jpg?v=1703788886"},{"product_id":"deerhoof-ceramic-dog-split-7","title":"Deerhoof \/ Ceramic Dog - Split 7″","description":"\u003cp\u003eA split 7″ deserves a split write-up. So, Northern Spy asked Deerhoof’s Greg Saunier and Ceramic Dog’s Marc Ribot to write something about this record. Turns out there’s some mutual respect here. It’d be weird if there wasn’t. This is a Record Store Day vinyl release and will only be available at fine music retailers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Deerhoof has been making singles where we give instrumental tracks from our records to singers we like. We have no idea what they’ll sing. On tour, we were having a post-show ice cream at Mashti Malones in LA and one of Marc Ribot’s records came on and we realized we have to get him to do one. Every Deerhoof member had already had their favorite from Ribot’s discography since before we ever met each other. Our connection was Ches Smith who was the singer in our favorite hardcore band but moonlighted as a fusion drummer. We toured with Ches\/Shahzad\/Ribot’s band Ceramic Dog and found their sense of humor to be unacceptable. Then i produced Ceramic Dog’s next record. and after that we sent Ribot the instrumental track for one of our songs and before long i had the single you are looking at except that i had to mix it first lest it sound unmixed. Long live Marc Ribot.”\u003c\/em\u003e – Greg Saunier\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Ches was tight with the Deerhoof people from when he lived on the West Coast , and he and Shahzad turned me on to some of their CD’s. I thought – wow, these people are really crazy (plus they not only dig a lot of the same 70’s – 80’s no wave stuff I like, they’ve actually taken it several steps further). Then we did some W coast tour dates together – and it all turned out to be true: they were crazy and great. We dug it so much, we asked Greg to produce our last CD. Long live Deerhoof!”\u003c\/em\u003e – Marc Ribot\u003c\/p\u003e\n\u003cp\u003eTracks\u003cbr\u003eSIDE A: Who Sleeps, Only Dreams (Deerhoof with special guest Marc Ribot)\u003cbr\u003eSIDE B: Hide With Me (Marc Ribot’s Ceramic Dog)\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"MP3 Download","offer_id":44667161346271,"sku":"","price":2.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-12-at-1.26.57-PM.png?v=1703788919"},{"product_id":"rhys-chatham-harmonie-du-soir","title":"Rhys Chatham - Harmonie du Soir","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3809963487\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rhyschatham.bandcamp.com\/album\/harmonie-du-soir\"\u003eHarmonie du soir by Rhys Chatham\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eRhys Chatham’s Harmonie du soir presents three heavenly compositions. The title track is the first major piece written for the configuration of six electric guitars, electric bass and drums since Die Donnergötter (1986). The second is The Dream of Rhonabwy, a piece written for large brass ensemble and percussion, realized in 2012 by a 70-piece brass band called Harmonie de Pontarlier, lead by the French conductor Patrick Erard. The last track on the CD version and bonus download for the vinyl edition is a 2012 studio performance of Drastic Classicism Revisited featuring Rhys Chatham, David Daniell, and Ryan Sawyer. The whole package is presented lovingly, mastered beautifully by James Plotkin, with extensive notes by Mr. Chatham.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667161870559,"sku":"LP-NS-048","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667161936095,"sku":"CD-NS-048","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667161903327,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667161968863,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/71qq92u78L._SL1400_-e1646851774155.jpg?v=1703788955"},{"product_id":"the-necks-open","title":"The Necks - Open","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=898907723\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/open\"\u003eOpen by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Necks are one of the great cult bands of Australia.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOpen\u003c\/em\u003e, the 17th album from The Necks, is to be released on the 29th of October in North America as part of a brand new partnership between The Necks and Northern Spy Records.\u003c\/p\u003e\n\u003cp\u003eFollowing on from their two track LP release, \u003cem\u003eMindset\u003c\/em\u003e (2011), \u003cem\u003eOpen\u003c\/em\u003e sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour.\u003c\/p\u003e\n\u003cp\u003eTrue to its title, \u003cem\u003eOpen\u003c\/em\u003e possesses a stillness, drawing the listener into a spacious soundworld.\u003c\/p\u003e\n\u003cp\u003eBassist Lloyd Swanton elaborates: “\u003cem\u003eMindset\u003c\/em\u003e reached some pretty intense levels at times, and though we never overtly discussed it, I think that on \u003cem\u003eOpen\u003c\/em\u003e by contrast, all three of us were taken by the idea of working in an area of great stillness. After a couple of days’ recording, it was clear that the music was leading us in this direction.”\u003c\/p\u003e\n\u003cp\u003eFrom the opening tones of Tony Buck’s monochord, it is immediately clear that this Necks album is something special. As it unfolds, ethereal arco harmonics, minimalist funk, mesmeric piano riffs, subliminal pulses, twittering electronics, even an arco bass choir are inducted into the process.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOpen\u003c\/em\u003e will be the first of The Necks’ albums released in North America on Northern Spy. “They’re a great label; energetic and imaginative, with some really impressive artists” says Chris Abrahams, “so we’re flattered that they sought us out, and delighted to be working together on growing our music across North America, because the response to our tours there thus far has been incredible.”\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667162067167,"sku":"CD-NS-047","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667162001631,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667162034399,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/51qwJUPbhnL._SL1488_-e1646851760953.jpg?v=1703788963"},{"product_id":"mystical-weapons-crotesque","title":"Mystical Weapons - Crotesque","description":"\u003cp\u003eSean Lennon \u0026amp; Greg Saunier (Mystical Weapons) are joined by multi-instrumentalist extraordinaire Shahzad Ismaily for this one-sided, 19.50 minute art LP with an original illustration by Sean Lennon screen-printed on the B side. The session was originally broadcast on WNYC’s “Spinning on Air” with David Garland in early January 2013, and is now released exclusively for Record Store Day Black Friday 2013 in a one time pressing of 1,500 units.\u003c\/p\u003e\n\u003cp\u003eSean Lennon’s improvisational collaboration Mystical Weapons is primarily a duo of Sean and Deerhoof drummer Greg Saunier. Here, the duo is expanded with the addition of animator and projectionist Martha Colburn (her projector can be heard on the recording) and multi-instrumentalist Shahzad Ismaily. This version of Mystical Weapons has only performed about three times together and never released a recording.\u003c\/p\u003e\n\u003cp\u003eAs WNYC’s Garland writes, “Both Sean and Shahzad share electric guitars, basses, and keyboards. Martha Colburn handles her films the way a performing DJ handles records: using the projectors like turntables, the images are mixed and manipulated live, with visuals forming an essential component of the Mystical Weapons experience.”\u003c\/p\u003e\n\u003cp\u003eCredits:\u003c\/p\u003e\n\u003cp\u003eSean Lennon: bass, guitar, synthesizer\u003cbr\u003e\nShahzad Ismaily: bass, guitar, synthesizer\u003cbr\u003e\nGreg Saunier: drums\u003cbr\u003e\nMartha Colburn: 16mm projector\u003c\/p\u003e\n\u003cp\u003eRecorded January 31, 2013 for broadcast on WNYC’s Spinning On Air with David Garland\u003c\/p\u003e\n\u003cp\u003eEngineered by Irene Trudel\u003cbr\u003e\nMixed by Greg Saunier\u003cbr\u003e\nOne Time Pressing of 1,500 Units\u003cbr\u003e\nOriginal Artwork by Sean Lennon\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition LP","offer_id":44667162132703,"sku":"LP-NS-049","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-23-at-11.16.42-PM.png?v=1703788971"},{"product_id":"bryan-and-the-haggards-ft-dr-eugene-chadbourne-merles-just-wanna-have-fun","title":"Bryan and the Haggards ft Dr. Eugene Chadbourne - Merles Just Wanna Have Fun","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061637051\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bryanandthehaggards.bandcamp.com\/album\/merles-just-wanna-have-fun\"\u003eMerles Just Wanna Have Fun by Bryan and the Haggards ft Dr. Eugene Chadbourne\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eMerles Just Wanna Have Fun is a ridiculous spirited, lovingly raucous tribute to one of country’s greats, Merle Haggard. As with Willie Nelson, there’s a bit of jazzy sensibility toHaggard’s music. The tunes aren’t mere three-chord rockers, giving a sextet of exceptional musicians like Bryan and the Haggards featuring Dr. Eugene Chadbourne plenty to work with. And as with Nelson (Poncho to his Lefty, or the other way around), Haggard’s songs are full of character, or rebels and patriots and world-weary travelers.\u003c\/p\u003e\n\u003cp\u003e“This was what I was trying to do in 1980, get a jazz band to play country and western and get a record label to pay to record it and put it out. The closest I could get to that was Shockabilly and obviously that was a sidetrack. So listening to this is really gratifying! Let’s see if anybody else likes it!” – Dr. Eugene Chadbourne\u003c\/p\u003e\n\u003cp\u003eEugene Chadbourne – vocals, banjo, dobro\u003cbr\u003e\nBryan Murray – tenor, soprano, balto! saxophones, talzmer¡, nose whistle, recorder, ocarina, vocals.\u003cbr\u003e\nJon Irabagon – C melody, soprano and tenor saxophones, bass clarinet, penny whistle\u003cbr\u003e\nJon Lundbom – guitar, banjo, vocals\u003cbr\u003e\nMoppa Elliott – bass, vocals\u003cbr\u003e\nDanny Fischer – drums, vocals\u003c\/p\u003e\n\u003cp\u003eRecorded at Seizures Palace on July 4, 2012\u003cbr\u003e\nProduced by Kurt Gottschalk\u003cbr\u003e\nEngineered by Jason LaFarge\u003cbr\u003e\nMastered by James Plotkin\u003cbr\u003e\nArtwork by Emma Ball, vectornectar.com\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667162231007,"sku":"CD-NS-046","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667162165471,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667162198239,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/81vWdvdcd3L._SL1200.jpg?v=1703788980"},{"product_id":"arnold-dreyblatt-and-megafaun-appalachian-excitation","title":"Arnold Dreyblatt and Megafaun - Appalachian Excitation","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255461480\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/arnolddreyblattandmegafaun.bandcamp.com\/album\/appalachian-excitation\"\u003eAppalachian Excitation by Arnold Dreyblatt and Megafaun\u003c\/a\u003e\u003c\/iframe\u003e\u003cp dir=\"ltr\"\u003eThe meeting of composer Arnold Dreyblatt and psych-folk trio Megafaun shouldn’t be seen as unlikely just because it’s cross-generational, or even (arguably) cross-genre. Such categorizations have to be set aside before taking in their Appalachian Excitation.\u003c\/p\u003e\n\u003cp\u003eBorn in New York in 1953, Dreyblatt came up under such lauded experimental groundbreakers as Alvin Lucier, Pauline Oliveros and La Monte Young, obtaining a Master’s degree in composition from Wesleyan University. Now based in Berlin, where he is active as a visual artist and as a composer.  His music is based on his own vocabulary of pulse and self-designed instrumentation.\u003c\/p\u003e\n\u003cp\u003eThe North Carolina by way of Wisconsin trio Megafaun (comprised of brothers Brad and Phil Cook and Joe Westerlund) has been working since 1997, when the three met at the H.O.R.D.E. festival. After a decade of crafting their sound, Westerlund contacted Jeff Hunt, owner of the Table of the Elements label, looking to get in touch with Dreyblatt, whose work all three admired. The following year they were able to schedule a week long residency at Salem Art Works in the mountains of upstate New York, where Dreyblatt taught them the just intonation tuning system he’d developed as well as some of the instruments he’d devised. They presented Dreyblatt’s compositions at the 2008 Wire Festival in Chicago and concerts in Boston and NYC.\u003c\/p\u003e\n\u003cp\u003eBusy schedules kept them from working together again until the 2012 Hopscotch Music Festival in Raleigh, North Carolina, just a stretch of mountains south from where they’d developed their joint sound. Excited about the performance, they booked the Pinebox Recording studio in Graham, N.C. to lay down the tracks that make up Appalachian Excitation. They connected again last February to play the Ecstatic Music Festival in New York City.\u003c\/p\u003e\n\u003cp\u003eThe album was recorded live in the studio with no click track and minimal separation, a new experience for the men of Megafaun. It’s “the most rewarding way to record,” said Joe Westerlund. “This record with Arnold marks a step towards Megafaun becoming more of a live-in-the-studio recording band, a more traditional and time-tested method.”\u003c\/p\u003e\n\u003cp\u003eSpeaking from the stage at Merkin Concert Hall during their Ecstatic Music appearance last year, Dreyblatt said such genre transcending collaborations wouldn’t have been possible several decades ago. “We are no longer one-dimensional people,” he announced. Experience the dimensions of Appalachian groove and time-honored minimalism anew with Dreyblatt and Megafaun.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667162788063,"sku":"LP-NS-044","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667162853599,"sku":"CD-NS-044","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667162820831,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667162886367,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/81LOVv1t8XL._SL1200.jpg?v=1703788998"},{"product_id":"black-host-life-in-the-sugar-candle-mines","title":"Black Host - Life in the Sugar Candle Mines","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032543763\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/geraldcleaversblackhost.bandcamp.com\/album\/life-in-the-sugar-candle-mines-2\"\u003eLife in the Sugar Candle Mines by Gerald Cleaver's Black Host\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eSometimes it can be a challenge to rise above the flood of interesting music available in the new-release (let alone reissue) coffers and bring a vibe to the table that’s robust enough to grab one by the throat, offering seamless introspection within past and present. Black Host, a New York quintet nominally led by in-demand drummer Gerald Cleaver, is an improvising ensemble prepared to do just that. Cleaver is joined here by pianist Cooper-Moore, alto saxophonist Darius Jones, bassist Pascal Niggenkemper and guitarist Brandon Seabrook on a program of eight original compositions that blend modern jazz, free music, psych, post-punk and electrified noise with painstaking detail and heady abandon. The historically obsessed might name-check Albert Ayler (especially the groups with pianist Bobby Few and guitarist Henry Vestine), the early ‘70s music of Norwegians Jan Garbarek and Terje Rypdal, or Gary Windo with Carla Bley, but Black Host present dynamic, incisive and utterly contemporary music. \u003cem\u003eLife in the Sugar Candle Mines\u003c\/em\u003e is the group’s first record – hopefully one among several – a reverb-drenched and incisive stew of rhapsodic piano, searing alto and fractured guitar over rhythms that are alternately chunky and airy, rendered with a “live” energy that cuts through the cones on your speakers.\u003c\/p\u003e\n\u003cp\u003eFeatured Artists:\u003c\/p\u003e\n\u003cp\u003eGerald Cleaver (drums, sound design)\u003cbr\u003e\nCooper-Moore (piano, synth)\u003cbr\u003e\nBrandon Seabrook (guitar)\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003eDarius Jones (alto saxophone)\u003cbr\u003e\nPascal Niggenkemper (bass)\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667163345119,"sku":"CD-NS-039","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667163279583,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163312351,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/black-host-cover-square-e1646851699374.jpg?v=1703789025"},{"product_id":"ceramic-dog-your-turn","title":"Marc Ribot's Ceramic Dog - Your Turn","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4244495580\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/marcribotsceramicdog.bandcamp.com\/album\/your-turn-2\"\u003eYour Turn by Marc Ribot's Ceramic Dog\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eSecond records are a bitch (or, if “bitch” is too offensive,”notoriously hard to nail down,” No?) We thought about this one for 2 years – and even tried to make it a few times. Finally we got it right – meaning, we got it to sound wrong exactly like us.If you listen closely, you can hear the rage, hope, disappointment, ritual excess, love and anarchy that were in our personal and collective airspace during those years. There were (and – we hope – will continue to be) several kinds of riots going on (“Lies My Body Told Me,” “Bread and Roses”). And yes, the CD is “political,” (see “Avanti Popolo,” “Ain’t Gonna Let Them Turn Me ‘Round”). But what fun is raging against the machine if you can’t also rage against the bar line and the tonal system (“Take Five,” “Ritual Slaughter” “Your Turn”)? The astute listener will note our wry comment on the contradictions of producing a recording during the collapse of the industry which once paid for recordings to be produced (“We Are the Professionals,” “Masters of the Internet” and the attached manifesto). The very astute listener with really expensive headphones may hear the water pipes in the basement on Rivington and Allen where we recorded about half the tracks (the guitar amp isolation booth looked a lot like a bathroom). Those searching for rigorously applied formal constraints may have to wait. Ceramic Dogs just wanna have fun.\u003c\/p\u003e\n\u003cp\u003ePS: We had a lot of help from our friends – Greg Saunier, JD Foster, Eszter Ballint, Andy Taub, Ryan Kelly, Francois Lardeau, and, last but not least, Mary Ho.\u003c\/p\u003e\n\u003cp\u003eSpecial Guest Artists:\u003cbr\u003e\n*Eszter Balint: vocals (1, 6, 10); melodica (9); organ (10); violin (13)\u003cbr\u003e\n*Arto Lindsay: guitar (10)\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667163803871,"sku":"CD-NS-038","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667163771103,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163738335,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/cover12-e1646851687801.jpg?v=1703789051"},{"product_id":"colin-l-orchestra-col","title":"Colin Langenus - COL","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1144204301\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/colinlangenus.bandcamp.com\/album\/col\"\u003eCOL by Colin Langenus\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eCol is what people call musician Colin Langenus when they know him really well. COL is a 65 minute psychedelic concept record. COL is the 3rd and last part of a trilogy he started some 5 years ago. Along with Infinite Ease and Good God, these records were designed to showcase his mellower pop, jam band, yacht rock side. Now, COL takes it one step further. Colin has made this record for himself. It resembles some of his favorite records growing up like Jimi Hendrix’s Electric Ladyland, The Beatles’White Album, Beastie Boys’ Check Your Head, Ween’s Chocolate and Cheese, or Living Colour’s Times Up – records with multiple genres, real epic journeys, schizophrenic rides. From pop to country to noise to psych to oldies and even a little rapping, he does everything that makes up Col the man on COL the album.\u003c\/p\u003e\n\u003cp\u003eFeatured Artists:\u003c\/p\u003e\n\u003cp\u003eColin Langenus; Allie Klein; Wes Buckley; Max Hodes; Dave Kadden; Casey Glover; David Ramsden; Eli Winograd; Pete Vogl; Sebastian Paulson; Jesse Lent; Brendon Wood; Jonah Rapino; Daren Ho; Matt Mottel; Will Berney; Andy Puls; Dre Skull; David Whiteman; Greg Might; Jonny Corndawg; Kieren Lally; Jimmy Thomson; Greg Fox; Turner Williams; Alex Drewchin\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667166392543,"sku":"CD-NS-030","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667166359775,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667166425311,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1281908737_10.jpg?v=1703789094"},{"product_id":"the-usa-is-a-monster-lost-found","title":"The USA is a Monster - Lost \u0026 Found","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3291170097\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theusaisamonster.bandcamp.com\/album\/lost-and-found-2\"\u003eLost and Found by The Usaisamonster\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eIt’s amazing how many The USA Is a Monster tracks got lost over the years. The band would submit tracks for planned label releases and the shit just never came out. Three of these tracks disappeared under these circumstances. Other tracks were cut from their studio records from lack of space or because they didn’t fit the album’s theme. There is even TV theme song that Tom \u0026amp; Colin recorded after the band broke up in 2009 and never saw the airwaves. The fourteen tracks on Lost and Found are raw and spirited snapshots in time from the noise-prog giants decade long career and really do tell the story of their breathe as a band. For the real Monster fans, they will hopefully fill in the hole that is been in our hearts ever since the band stopped making music.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667167015135,"sku":null,"price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667167047903,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667167080671,"sku":null,"price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0919624244_10.jpg?v=1703789102"},{"product_id":"the-home-of-easy-credit-the-home-of-easy-credit","title":"The Home of Easy Credit - S\/T","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2229842703\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/northernspyrecords.bandcamp.com\/album\/the-home-of-easy-credit\"\u003eThe Home of Easy Credit by The Home of Easy Credit\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Home of Easy Credit is the eponymous debut recording from husband and wife team Louise Dam Eckardt Jensen and Tom Blancarte. Taking their name from a department store sign in a dilapidated section of downtown Houston, Texas (Blancarte’s native state), the duo draw their inspiration from the gradual awareness of the decline of civilization which permeates our culture. Hailing from a remote rural region of Denmark, Jensen uses subtle and not-so-subtle electronics to blend her vocal, saxophone and flute work with Tom Blancarte’s furious bass playing, creating one of the most unique sound worlds in contemporary music. Featuring tortured sonic landscapes that conjure up Stockhausen and Feldman as readily as Björk or Mike Patton, their debut on Northern Spy Records is a meditation on the bleakness of modern America and the western world in general. The album contains a tightly-constructed musical narrative; five short auditory haikus named for permutations of the American Dream posited by Ted Ownby are interspersed between longer, open-form pieces whose titles reference cubicles, the dark side of Frank Lloyd Wright and the books of Michael Pollan and James Howard Kunstler, among other subjects. The Home of Easy Credit paints a musical portrait of a commercialized and homogenized consumer culture that is slowly waking up to realize that it is completely fucked.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667168129247,"sku":"CD-NS-023","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667168096479,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667168162015,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1576182718_10.jpg?v=1703789167"},{"product_id":"extra-life-dream-seeds","title":"Extra Life - Dream Seeds","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1044147528\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/northernspyrecords.bandcamp.com\/album\/dream-seeds\"\u003eDream Seeds by Extra Life\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eExtra Life’s first record for Northern Spy, Dream Seeds marks a dramatically new creative direction in the band’s still-young but prolific career. It is perhaps Extra Life’s most clearly-defined concept album :  seven songs dealing entirely with the twin themes of dreams and children. In a lyrical left turn away from the morbid sexuality and black humor of Made Flesh, these songs look to the subconscious in search of innocence, morality and meaning. According to principal songwriter and elementary school teacher Charlie Looker, the lyrics began with a consecutive series of harrowing dreams involving children, all interconnected by recurring symbols. Claiming to be in some way spiritually reborn, Looker penned the songs while mining these dreams’ buried pasts and even watching in awe as some of their prophesies unfolded in all-too-real life. Alternately brutal and tender, haunted by ghosts of both the dead and the unborn, the songs of Dream Seeds express the violent yet redemptive collision of the Real and Psychic Worlds and an archaic belief in the divine truth of dreams.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667168522463,"sku":"LP-NS-022","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667168587999,"sku":"CD-NS-022","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667168555231,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667168620767,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Extra-Life-Dream-Seeds.jpg?v=1703789176"},{"product_id":"donovan-quinn-honky-tonk-medusa","title":"Donovan Quinn - Honky Tonk Medusa","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=936008057\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/donovanquinn.bandcamp.com\/album\/honky-tonk-medusa\"\u003eHonky Tonk Medusa by Donovan Quinn\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eHonky Tonk Medusa is Donovan Quinn’s first album that he’s both recorded and produced since the Skygreen Leopards’ adventurous Life \u0026amp; Love in Sparrow’s Meadow. Along with Quinn’s work on vocals, guitar and synth, the album also employs San Francisco musicians Jason Quever (Papercuts), Michael Tapscott (Odawas), along with his regular rhythm section of Nick Marcantonio and Michael Carreira. Working in reverse order to many current acts, the sound of Honky Tonk Medusa is molded to each individual song; letting the lyrics and spirit of the song dictate the instrumentation and style with the lyrical narrative tying it all together. The story of the album is one of decaying American cities, Internet age entropy, and equal parts romance and loneliness. In addition to the music, the album features artwork by San Francisco artist Joe Roberts and liner notes by Elisa Ambrogio (Magik Markers, 200 Years) \u0026amp; Ben Chasny (Six Organs of Admittance).\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667169308895,"sku":"LP-NS-019","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667169374431,"sku":"CD-NS-019","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667169341663,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667169407199,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/19semi.jpg?v=1703789206"},{"product_id":"charles-gayle-streets","title":"Charles Gayle - Streets","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3110169150\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/charlesgayle.bandcamp.com\/album\/streets-2\"\u003eStreets by Charles Gayle\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cbr\u003eCATALOG #: NS 018\u003cbr\u003eSTREET DATE: February 14th, 2012\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/play.spotify.com\/album\/2VckzfY9mMSt5iDShwhu9b?play=true\u0026amp;utm_source=open.spotify.com\u0026amp;utm_medium=open\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg class=\"wp-image-384 alignleft\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/1488265623_spotify.png\" alt=\"\" width=\"34\" height=\"34\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/itunes.apple.com\/nz\/album\/streets\/id600699281\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg class=\"wp-image-389 alignleft\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/1488265723_apple-1.png\" alt=\"\" width=\"35\" height=\"35\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.amazon.com\/Streets-Charles-Gayle-Trio\/dp\/B006UREQQG\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg class=\"wp-image-386 alignleft\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/1488265661_amazon.png\" alt=\"\" width=\"35\" height=\"35\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/charlesgayle.bandcamp.com\/releases\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg class=\"wp-image-390 alignleft\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/1488265553_bandcamp_v2-1.png\" alt=\"\" width=\"35\" height=\"35\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/play.google.com\/store\/music\/album\/Charles_Gayle_Streets?id=Bl4hog4pbhcmqj53u57qtromfyi\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg class=\"wp-image-388 alignleft\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/1488265803_5345_-_Google_Play.png\" alt=\"\" width=\"35\" height=\"35\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667169505503,"sku":"CD-NS-018","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667169472735,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667169538271,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/charlesgayle_streets.jpg?v=1703789214"},{"product_id":"zs-33","title":"Zs – 33","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241305369\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zstheband.bandcamp.com\/album\/33-2\"\u003e33 by Zs\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAvant heavyweights ZS bring you a rare four-sided vinyl dreamscape of thunderous bass and infectious rhythm with their debut recording for Northern Spy. As you flip the wax from side to side, the picking and popping of this abstract dub will clean your brain and push you to the brink of dance and transcendental bliss. The limited edition double 7” is encased in a silk screened fold out sheath, delicately assembled for the true collector. Recorded at Brooklyn’s Python Patrol and mastered at Pike’s Point, the intentionally dense sounds on these tracks take the conventional wave form and turn it on its ear.\u003c\/p\u003e\n\u003cp\u003eIn the tradition of underground urban abstractions, the music here is quite undefinable. If Mark Rothko were in Tinariwen when ZS were all growing up in DC as high school students in the early nineties, they might have made this record, and opened for Nation of Ulysses. If Ellsworth Kelly had taken up the banjo instead of painting, if Barnet Newman was a gangster rapper, they may have come up with aural musing such as these, but in the end, this music could only come from one group, place and time. The creative cauldron of Brooklyn in 2011 and by no other trio but Sam Hillmer, Ben Greenberg and Ian Antonio. ZS – 33\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Double 7\" + Digital","offer_id":44667169603807,"sku":"SI-NS-016","price":15.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667169636575,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667169669343,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-26-at-9.24.36-AM.png?v=1703789222"},{"product_id":"various-artists-clandestine-cassette-series-one","title":"Clandestine Cassette Series # One","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3850578742\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/northernspyrecords.bandcamp.com\/album\/clandestine-cassette-series-one\"\u003eClandestine Cassette Series # One by Northern Spy Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNorthern Spy Records reveals its first release in a new cassette series entitled “Clandestine.” Limited to 150 copies, pro dubbed on chrome tape cassettes, it’s like a secret dossier passed ‘neath the canopy of a linden tree on a cold autumn day. Four artists offer a release that’s not so much cloak and dagger as uncovering forward directions in music. From the opening drones and understated beats of Messages through the fret-board perambulations of Tom Carter (whose full-length project, Eleven Twenty-Nine, is forthcoming from N-Spy). Side two is no less revealing as psychedelic drone virtuoso Zaimph (Marcia Bassett) shares a side with avant-folk legend Loren Connors during a live encounter at Union Pool with bassist Margarida Garcia (whose artwork also graces the cover).\u003c\/p\u003e\n\u003cp\u003eFeatured Artists:\u003c\/p\u003e\n\u003cp\u003eMessages\u003cbr\u003e\nTom Carter\u003cbr\u003e\nZaimph\u003cbr\u003e\nLoren Connors \u0026amp; Margarida Garcia\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667171406047,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667171438815,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2547454982_16.jpg?v=1703789292"},{"product_id":"colin-l-orchestra-infinite-ease-good-god","title":"Colin L. Orchestra - Infinite Ease \/ Good God","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051093777\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/colinlangenus.bandcamp.com\/album\/infinite-ease-good-god\"\u003eInfinite Ease\/Good God by Colin Langenus\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eIn the tradition of long strange trips across wide open spaces, the Colin L. Orchestra arrived at the offices of Northern-Spy Records via Colin Langenus’ previous project, USAISAMONSTER. He’s exchanged his previous duo for a full-scale rock orchestra of his bestest buds on multiple guitars, drums, violins, keyboards. Their first project, \u003cem\u003eInfinite Ease\/Good God\u003c\/em\u003e, is full-scale indeed, available as a double-CD or a deluxe fully re-mastered for vinyl version of \u003cem\u003eInfinite Ease\u003c\/em\u003e with a digital download of \u003cem\u003eGood God\u003c\/em\u003e. Though three years in the making, they flow as smoothly as an inner tube on a lazy stream on a summer’s afternoon. Three years setting schemes and arranging sleeping dreams have culminated in two lush, flowing albums full of anthems and wee small moments. From the supple bass line that opens, “You Need Sleep,” to crunches of guitar shred melting into velvet strings on their way to a country ditty that would do Graham Parsons proud. Here is a double-pleasure that re-envisions the “jam band” and, at the same time, “indie rock,” meshing together minimalistic repetitive jams, bright melodies, and loose, easy-going vocals all in the sole service of aiding your bliss.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667171832031,"sku":"LP-NS-005","price":18.99,"currency_code":"USD","in_stock":true},{"title":"Double CD + Digital","offer_id":44667171864799,"sku":"CD-NS-005","price":16.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667171799263,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667171897567,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/colinl.jpg?v=1703789309"},{"product_id":"old-time-relijun-songbook-vol-1","title":"Old Time Relijun - Songbook Vol. 1","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1180173878\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/oldtimerelijun.bandcamp.com\/album\/songbook-vol-1\"\u003eSongbook Vol. 1 by Old Time Relijun\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eTo have walked into K dorm at the lefty college out in Olympia, WA in 1995 was to experience an immediate assault on the senses. The slap of the stench of dancers writhing: hippies and scenesters, post-Nirvana poster-childs and riot grrls. And there was a good chance that at the far end of the floor bowing under the weight of bodies, the sons of Uterus and Fire, Old Time Relijun, were in charismatic glory. Their first recorded output, Songbook Vol. I, long out of print, is brought to revival by Brooklyn’s newest indie imprint, Northern Spy Records. Over the course of 7 albums, frontman Arrington de Dionyso (Malaikat Dan Singa) and upright bassist Aaron Hartman (Girls In Trouble) have established an indie rock avant-garde with elements of the naive, the spiritual, international folk sounds and shake your ass funkiness. Yet, nothing since has ever captured the rawness, the train wrecks and crocodile piss recorded by Diana Arens at Dub Narcotic back in those early days. Mastered for the first time, Northern Spy presents this CD digipak release, a classic from its artist, Arrington de Dionyso. Also, for you 7″ aficionados, 4 little gems from the album, Sabertooth Tiger, Mirror, and the 4-track versions of Baby Dragon and Lion Tamer, are a little crown to you to own on their own. The tent’s going up, the bibles are being passed around, it’ll all burn down before the end of the night. Don’t miss out.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667172487391,"sku":"CD-NS-002","price":13.99,"currency_code":"USD","in_stock":false},{"title":"Vinyl Single + Digital","offer_id":44667172520159,"sku":"SI-NS-002","price":10.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667172552927,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667172585695,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2698158203_10.jpg?v=1703789343"},{"product_id":"the-usa-is-a-monster-r-i-p","title":"The Usaisamonster - R.I.P.","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1610355475\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theusaisamonster.bandcamp.com\/album\/r-i-p\"\u003eR.I.P. by The Usaisamonster\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eIt’s been a long journey for Northern Spy artist Colin Langenus and Tom Hohmann, like floating stoned on the back of the turtle that carries the world. Or primal scream therapy. That trip culminates with R.I.P., the group’s final release, and the first of Brooklyn’s newest indie label. A swan song of a group at the top of its form, flowing with ease through psychedelia, stoner rock, prog, Native American mythos, and even political disintegration. R.I.P. was mixed by sludge-riff wunderkind, Max Hodes and features local NYC luminaries such as Jeremy Danneman (Parade of One) and Matt Mottel (Talibam!). Graced by Tom Hohmann’s original cover art and pressed both on high quality vinyl and CD digipack, it will be a small treasure to carry forward for both the band’s fans and those just discovering this fascinating group as they embark on their next journeys.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667172683999,"sku":"LP-NS-001","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667172749535,"sku":"CD-NS-001","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667172782303,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667172716767,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2242879476_16.jpg?v=1703789352"},{"product_id":"horse-lords-mixtape-iv","title":"Horse Lords - Mixtape IV","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=647206295\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horselords.bandcamp.com\/album\/mixtape-iv\"\u003eMixtape IV by Horse Lords\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003eFor its fourth mixtape Horse Lords untwists the coils of its musical DNA into two tracks that wear the political and aesthetic ideals that have always coursed through their music on their sleeves. Their arrangement of composer Julius Eastman's \"Stay On It\" (1973) here finds the band turning the composition's angelically layered waves of vibes, strings, and brass into a hypnotically propulsive party. As translated by the Baltimore band—Andrew Bernstein (saxophone, percussion), Max Eilbacher (bass, electronics) Owen Gardner (guitar, clavinet), Sam Haberman (drums)—this \"Stay On It\" connects the ethereal airiness in Eastman's piece with pulsating dance music, recognizing that minimalism's empty space can be transposed into the spaciousness carved out by rhythm hitting the body.\u003c\/p\u003e\n\u003cp\u003eThe music of Eastman, who passed away in 1990, is currently undergoing a much deserved revival, though his politically irreverent, playfully effusive, and unabashedly beautiful music still sounds ahead of its time. That Horse Lords would turn to him only reinforces the band's ongoing interest in rewiring rock's basic instrumental units, rock band as laboratory. For this experiment, guest artist Abdu Ali turns Eastman's program notes into a spoken-word introduction to the track, establishing the swaggering, joyous mood that follows.\u003c\/p\u003e\n\u003cp\u003eMixtape IV pairs this gorgeously ebullient Eastman interpretation with \"Remember the Future,\" a track that takes the band's latent political leaning and turns them into pithy observation. That's not only because it's a sound and voice collage that includes chanting protestors recorded at the Women's March on Washington on January 21. \"Remember the Future\" takes a Samuel Beckettian I can't go on, I'll go on approach to song storytelling, weaving the voices of a man (Haberman) and a woman' (sound artist Bonnie Jones) into a twenty-minute excursion that bounces from electronic bubbling to an ambient tapestry and on to a galloping groove. Those two voices speak English. And they say things that make sense as individual sentences. They just don't make much sense when heard in their entirety, a verbal exchange that becomes content noise—an impish way for an instrumental band to point out that language can be a great way for people, politicians, corporations, and artists, to say nothing much at all.\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eRecorded and mixed by Horse Lords\u003cbr\u003eMastered by Jeff Carey\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to the following, without whose tireless research and archiving our arrangement of Stay on It would have been impossible: Mary Jane Leach, Renée Levine Packer, Matthew Mendez, Kyle Gann, CCA: Glasgow, John Bewley and the music library at SUNY Buffalo\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667172880607,"sku":"CS-NS-092","price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667172847839,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667172913375,"sku":null,"price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2331347761_10.jpg?v=1703789361"},{"product_id":"yru-still-here","title":"Marc Ribot's Ceramic Dog - YRU Still Here?","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3754020197\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/marcribot.bandcamp.com\/album\/yru-still-here-2\"\u003eYRU Still Here? by Marc Ribot's Ceramic Dog\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e“I got a right to say FUCK YOU!!!” is how the new album from veteran guitarist Marc Ribot’s trio Ceramic Dog starts off, with Ribot howling in anger at corruption, tyranny, life in general, and nothing in particular. If you’ve got a serious case of outrage fatigue, Ceramic Dog’s explosive cocktail of balls-to-the-wall abandon, chameleonic disregard for style constraints, political commentary, and absurdist humor is just the shot in the ass (or kick in the arm?) you might need. In fact, Ceramic Dog’s new album — whose title:YRU Still Here? is directed in equal parts at themselves, the commander in chief, and the listening public -- arrives just in time to remind us that now is a moment when anger is not only necessary, and unavoidable, but also good for houseplants.\u003c\/p\u003e\n\u003cp\u003eYRU Still Here? careens from punk to funk to flamenco to surf to rock ‘n roll — all turned on their heads and smudged, allowing us to imagine an alternate history where punk icons Jello Biafra and Ian MacKaye fronted no-wave lounge bands on alternate Tuesdays at the Teaneck New Jersey Holiday Inn.\u003c\/p\u003e\n\u003cp\u003eThanks in no small part to the fire, brimstone, and dextrous facility summoned by kindred spirits Shahzad Ismaily (Secret Chiefs 3, Will Oldham) on bass and drummer Ches Smith (Xiu Xiu, Secret Chiefs 3, Trevor Dunn’s Trio Convulsant), YRU Still Here? comes to the table armed with more than just sloganeering rhetoric. Alongside his monumental career forging his peerless guitar style with the likes of Tom Waits, John Zorn, the Lounge Lizards, etc, Ribot has also worked for decades as a tenant union, labor, and artist rights activist, where he mastered the agit-prop skills used to such dazzling effect on sure-fire hits such as “Fuck La Migra” and “Muslim\/Jewish Resistance.”\u003c\/p\u003e\n\u003cp\u003e\"Pennsylvania 6 6666\" documents Shahzad’s experiences growing up Muslim and Outrageous in Danville Pennsylvania, where “all the children are insane”: rendering these lamentable memories in a cool vaguely Latinoid jazz style all their own (while providing guffaws for Satanists and Glenn Miller fans)!!! By way of explanation, Ribot comments: “Yes, we too are subject to the post-modern condition, although we actually see it as a kind of psoriasis.”\u003c\/p\u003e\n\u003cp\u003eAs much as it is a rallying cry, though, YRU Still Here? also further consecrates Ribot’s 10 years of music making with Ismaily and Smith. Referring to them as his “musical conscience” and to the band as a “family...although not always in a good way”. Ribot comments wryly: “Even after all the playing I’ve done, there’s something about this group that still manages to shock me.”\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667173961951,"sku":"LP-NS-098","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667173994719,"sku":"CD-NS-098","price":13.99,"currency_code":"USD","in_stock":false},{"title":"WAV Download","offer_id":44667174060255,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667174027487,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a4274010494_10.jpg?v=1703789429"},{"product_id":"zion","title":"Wilder Maker - Zion","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2331120292\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wildermaker.bandcamp.com\/album\/zion\"\u003eZion by Wilder Maker\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eJames Joyce once said that if all of Dublin was destroyed, they ought to be able to rebuild it brick by brick just from reading his novels. Wilder Maker’s Zion is the first chapter in a musical novel that makes the same claim for Brooklyn, NY. Written by guitarist \/ saxophonist \/ singer Gabriel Birnbaum and brought to life with long time collaborators Katie Von Schleicher, Nick Jost (Baroness), Adam Brisbin (Sam Evian, Jolie Holland) and Sean Mullins, Zion is a kaleidoscopic snapshot of years hustling for a break in New York City: waking up at 5 am to pour coffee for the brownstone-owning elite, waiting for a drug dealer on a city bench outside a blurry house party, moving catastrophically from apartment to apartment in the garbage scented heat, glimpsing euphoria through the ritual of taking your place among the anonymous crowd at a music festival, having your heart shattered in front of an audience at a bar, drunkenly contemplating bodega window displays, circling ever closer to something that could either be perfection or the drain, depending on the day.\u003c\/p\u003e\n\u003cp\u003eLast year’s Saddle Creek single \"New Streets\" showcased the band in their poppiest Fleetwood-Mac-channeling mode, breezy summer jams for driving with the windows down, and it got them noticed by NPR, SPIN and Stereogum, but Zion hugely expands their palate of tools. Its influences run from classic 70’s Dylan to blown out free jazz saxophone, from Dr. John’s swampy psychedelia to Ethiopian sounds picked up from Birnbaum’s many years as a member of Debo Band, with hints of Coltrane’s classic quartet and nods to The Velvet Undergound. Zion is an omnivorous record. Its wide-ranging influences have been hinted at throughout Wilder Maker’s adventurous catalogue of self-released material but never explored so fully, or with this kind of wild energy and unclassifiable groove. This is a record to dance to, to cry to, to sing along to, maybe all three at once.\u003c\/p\u003e\n\u003cp\u003eLead vocals are traded casually back and forth by Birnbaum and Von Schleicher, who sing the kind of natural kinship you only get from almost a decade of working together, with Mullins and Jost forming a perfectly locked in core for them to float over, handling the odd-meter twists and turns of “Cocaine Man” and the backbeat strut of “Closer to God” with the same easy skill. Inspired as much by books by Rachel Kushner, Karl Ove Knausgaard, and Frank Stanford, the lyrics examine both dramatic and mundane moments, finding a way to infuse the everyday with as much meaning as the extraordinary, to find a metaphor in sun-bleached soda labels, tentative teenage dancers and halal carts.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667174125791,"sku":"LP-NS-101","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667174191327,"sku":"CD-NS-101","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667174224095,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667174158559,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1608921332_10.jpg?v=1703789440"},{"product_id":"aftercaroline","title":"Jason Stein's Locksmith Isidore - After Caroline","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3955205633\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jasonsteinslocksmithisidore.bandcamp.com\/album\/after-caroline\"\u003eAfter Caroline by Jason Stein's Locksmith Isidore\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eJason Stein is a ubiquitous presence on the world class Chicago improvised music scene and beyond. He’s a staunch force with a monogamous passion for his instrument of choice, the darkly sonorous and notoriously difficult bass clarinet. It’s a testament to Stein’s consummate musicianship and versatility that he plays an indispensable role in a raft of über creative outfits including but not limited to, Mike Reed’s Flesh and Bone, Joshua Abrams’ Natural Information Society, drummer Quin Kirchner’s Group, James Falzone’s Renga Ensemble, The Charles Rumback Quintet, Kyle Bruckmann’s Wrack, The Russ Johnson Quartet and an electronics fed collective with drummer Chad Taylor and pianist Paul Giallorenzo, Hearts and Minds. But Stein thrives as a leader also, as witnessed by his critically-acclaimed recent quartet release. However, no other aggregation he works with has quite the road legs, perspective, and intimacy of Locksmith Isidore, his long running trio with bassist Jason Roebke and drummer Mike Pride. Of late, this decade old unit has toured arenas throughout the US opening for comedy star Amy Schumer, who happens to be Stein’s kid sister. Presenting avant jazz in such massive venues as Madison Square Garden and LA’s Forum has cemented Locksmith Isidore’s very special bond, which is more than apparent on their fourth album After Caroline.\u003c\/p\u003e\n\u003cp\u003eStein’s cohorts in Locksmith Isidore are similarly versatile in their playing and experience. New York based drummer Mike Pride’s sock-it-to-ya beats have pushed countless bands. He’s worked with iconoclasts Anthony Braxton and John Zorn, and formatively, hardcore punks Millions of Dead Cops. He’s key to the drive of the locksmith, as is bass ace Jason Roebke. As one of the Chicago scene’s most versatile and in-demand players, Roebke’s sound is at home in all sorts of improvisational music, from the super abstract to swinging jazz.\u003c\/p\u003e\n\u003cp\u003eAfter Caroline displays all this versatility, and then some. The title derives from the fact that Stein’s paternal grandmother Caroline—wife to the locksmith Isidore—passed away the day the album was recorded. The lovely “You Taught Me How To Love”, which features a tensile contrabass solo from Roebke and skippy brushwork from Pride, is a paean to Caroline. This open hearted ballad demonstrates that despite Stein’s hi-energy capabilities elsewhere, he is at base a tempered melodist. With that said, After Caroline opens in a more expressionistic and churning mode on the improv manifesto “As Many Chances As You Need,” during which the three improvisers forcefully negotiate the squirrelly 19\/8 time signature. Though he’s no doubler or dilettante—perhaps because of that—Stein comes at you on his clarinet as if it were a tenor saxophone, and in white-hot, paintstripping moments, his sound recalls the exultant fury of Pharaoh Sanders or Albert Ayler.\u003c\/p\u003e\n\u003cp\u003e“Walden’s Thing” is written for Detroit saxist\/bandleader Donald Walden, with whom Stein studied at the University of Michigan. Stein wryly explains of the tune: “as a strict bebop linguist, Donald would have hated it, but with a smile, which makes me happy.” On another tune, “Eckhardt Park,” Stein pays tribute to his west loop woodshed in Chicago during a time when he could be seen serenading the traffic in front of the Dan Ryan Expressway. He’d hop the fence near his home and strengthen his sound, playing his way AND the highway. Pride’s mallets are particularly pugnacious on “Walden’s Thing” and the abstract tone poem “Ida Like,” which was inspired by Stein’s late great aunt and his four-year-old daughter who share the same name. Roebke’s arco shavings, assorted creaks, strums and pings are a whole other trick bag from his broad willowy swing. The atmospheric concoction conjures Ida, Alice-in-Wonderland-like, picking a lock herself. “Sternum” is further fodder for the textural ingenuity of the trio. Stein lays in back with muted, quizzical longtones, flutter tonguing like a surreptitious rattler, as drum and bass hatch an ominously intriguing soundscape.\u003c\/p\u003e\n\u003cp\u003eStein alone is a pioneering force, pushing the vocabulary for his chosen horn way beyond the norm. Yet he’s heard to finest effect in this trio of quicksilver like-minds who know best how to goad, shape and angle his vision.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667174519007,"sku":"LP-NS-099","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667174551775,"sku":"CD-NS-099","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667174617311,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667174584543,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2876835550_10.jpg?v=1703789460"},{"product_id":"body","title":"The Necks - Body","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=937190826\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/body\"\u003eBody by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAustralia’s greatest cult band, The Necks, has a new piece to offer the world this summer, entitled “Body”. Different again to all previous Necks albums (20 in total), the band has chosen 10 words and phrases that summarize the four richly contrasting episodes of this hour-long, mesmerizing groove. They are as follows: Episodic, Driving, Dynamic, Layered, Celebratory, Soaring, Rocking out, Buoyant, Sustained, Perfectly paced.\u003c\/p\u003e\n\u003cp\u003eThe album uses, yet again, the combination of Chris Abrahams (piano, keyboards) Tony Buck (drums, percussion, and guitar very much to the fore on this one) and Lloyd Swanton (acoustic bass) with Tim Whitten (engineer), who has recorded and\/or mixed the last twelve Necks albums. The Necks hold their own with the best of them when it comes to rhythmic complexity, but they have put much of that to one side for this album in the interests of conjuring their most relentlessly driving album since Hanging Gardens.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667176779999,"sku":"CD-NS-104","price":15.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667176845535,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667176812767,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3079202239_10.jpg?v=1703789511"},{"product_id":"from-untruth","title":"Amirtha Kidambi Elder Ones - From Untruth","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3887533018\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/amirthakidambi.bandcamp.com\/album\/from-untruth\"\u003eFrom Untruth by Elder Ones\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe second release by Amirtha Kidambi's ensemble Elder Ones, From Untruth is comprised of four pieces grappling with issues of power, oppression, capitalism, colonialism, white supremacy, violence and the shifting nature of truth. This music means to give the listener momentary relief from the anxiety and pain caused by living in our current reality.\u003c\/p\u003e\n\u003cp\u003eFrom Untruth builds upon the bedrock foundation of Kidambi's previous compositional and conceptual work with Elder Ones, while forging uncharted territory. After a journey into wordless abstraction on Holy Science (Northern Spy, November 2016), Kidambi felt the urgency of the political moment required a direct and verbal call to action.\u003c\/p\u003e\n\u003cp\u003eThe instrumentation adds a layer of technology as a metaphor for modernity, with Kidambi on analog synthesizer and Max Jaffe's drumming talents extended to electronic Sensory Percussion. The frenzied improvising of Matt Nelson on soprano sax and gravity of Nick Dunston on bass, anchor the music in the tradition of free jazz, while it pushes into new futurist realms. The aesthetic seamlessly reels from modal meditation, atonal expressionism, free improvisation and melodic invention, to unabashed bursts of punk rock energy.\u003c\/p\u003e\n\u003cp\u003eThis is Elder Ones at an unadulterated breaking point; on the edge of a knife that cuts.\u003c\/p\u003e\n\u003cp\u003eAmirtha Kidambi: Compositions, Vocals, Harmonium, Synthesizer\u003cbr\u003e\nMatt Nelson: Soprano Saxophone, Moog\u003cbr\u003e\nNick Dunston: Bass\u003cbr\u003e\nMax Jaffe: Drums, Electronic Sensory Percussion \u003c\/p\u003e\n\u003cp\u003eRecorded at Birdwatcher Studios, Big Indian, NY\u003cbr\u003e\nEngineer: Chris Weiss\u003cbr\u003e\nMixing and Mastering: Matt Mehlan\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667179925727,"sku":"LP-NS-113","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667179892959,"sku":"CD-NS-113","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667179991263,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667179958495,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS113_FromUntruth_cover-e1646850113495.jpg?v=1703789610"},{"product_id":"the-common-task","title":"Horse Lords - The Common Task","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64953826\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horselords.bandcamp.com\/album\/the-common-task\"\u003eThe Common Task by Horse Lords\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHorse Lords make music for the liberation of mind and body. Propulsive in a way that inspires movement and that’s felt in the gut, the Baltimore quartet’s new album The Common Task points to a utopian, modernist ideal. The group’s use of algorithmic composition techniques, microtonal harmonies, and plentifully deployed polyrhythm aren’t secondary to the music’s danceability and rhapsodic swirl, but integral to the party itself.\u003c\/p\u003e\n\u003cp\u003eThe Common Task is both the most cohesive and farthest-reaching record Horse Lords has released. A mystifying density of ideas collide at each moment, recalling as diverse a cohort as The Ex and Glenn Branca to raucous Saharan guitar music, Albert Ayler, and James Tenney. It integrates experiments that gestated in the group’s cassette-only mixtape series, which saw the band stretching out on extended compositions and more expansive sonic parameters as well as presenting more explicitly political material, while retaining the immediacy of their long players. As evidenced by the album’s title, as well as songs like “Fanfare for Effective Freedom” and “People’s Park,” the band’s penchant for radical politics is especially accentuated on this release. Embedded in the exuberant interplay of guitar and sax, the persistent pulse of bass and drums, are notions of egalitarianism and the subversion of established norms. \u003c\/p\u003e\n\u003cp\u003e“Fanfare for Effective Freedom” augments its slippery 5\/8 groove with keyboard runs that seem pried from a Terry Riley album, an apt reference for musicians interested in ecstatic release and sonic emancipation. “Integral Accident,” an 18-minute piece that occupies the album’s entire b-side that features the first sung vocals on a Horse Lords album, was originally composed for a program focused on the concept of “revolution.” Even more than 2016’s Interventions, now a classic of the underground and praised by the New York Times as “live, shivering with energy,” electronic elements have been fully enmeshed into the band’s template, from synthetic treatment of bagpipes on “The Radiant City” to the dub and reggaeton-inspired drum edits and synth pulses of “People’s Park.” \u003c\/p\u003e\n\u003cp\u003eHorse Lords are the Pied Piper of experimental music and radical thought. Their music is unabashedly fun, and experiencing it in a live context is an experience of collective ecstasy, each body moving to its own notion of what the beat may be. That shared experience, the joy of unified flow and motion, allows the ideas typically understood as “difficult” to be more easily absorbed. By using musical forms that point towards new ways of being, thinking, and organizing, by constantly re-evaluating assumptions and compositional systems, Horse Lords provide a model for society at large. By showing just how joyous it can be to imagine new futures and possibilities, by making us dance and howl with each tectonic shift, they show how dazzling the path towards utopia could be.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition \"Galaxy\" Vinyl","offer_id":44667183464671,"sku":"MLP-NS-124","price":23.99,"currency_code":"USD","in_stock":false},{"title":"Standard Black Vinyl + Digital","offer_id":44667183530207,"sku":"LP-NS-124","price":22.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667183497439,"sku":"CD-NS-124","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667183595743,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667183562975,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Horse-Lords-The-Common-Task-digi-art-e1646419172836.jpg?v=1703789713"},{"product_id":"three","title":"The Necks - Three","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4185856817\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/three\"\u003eThree by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThree, the 21st album from legendary Australian instrumental trio The Necks, is a winding, textural, and visceral musical exploration through three individual, contrasting tracks that each delve into separate tenets of their sound. Three’s variety of tones and structures offer a glimpse into the boundless, immersive sonic universe The Necks have been constructing, through recorded and live performance, for over 30 years: three musicians, three variable songs, highlighting three decades of groundbreaking experimental excellence.\u003c\/p\u003e\n\u003cp\u003eFrom its very first moments, “Bloom” rattles and propels listeners through a dense, mesmerizing soundscape of unceasing intensity. Directly juxtaposing the consuming rattle of the opener, “Lovelock,” dedicated to the memory of Damien Lovelock, former frontman of The Celibate Rifles, is a weightless and atmospheric threnody that ruminates in the quiet and overwhelming moments of grief. The final setting of Three is one of warmth and familiarity. “Further,” is a confident, seductive groove in a quintuple meter, reminiscent of the groups’ work on records like Sex (1989) and Aquatic (1994).\u003c\/p\u003e\n\u003cp\u003eContrasting the style of their celebrated improvisational live act, the group’s studio work is meticulously sculpted from beginning to end. On Three, Chris Abrahams (piano), Lloyd Swanton (bass), Tony Buck (drums\/percussion), and their long-time backend collaborators Tim Whitten (engineer) and Doung Henderson (master) have again scrupulously built music that focuses on the most intricate edges of staggeringly immense, diverse worlds. From strained to still to smoky, each piece of Three marks itself as distinct and its own, but all feel representative of Australia’s greatest cult band, The Necks.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667183628511,"sku":"CD-NS-126","price":15.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667183694047,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667183661279,"sku":"","price":8.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Necks-Three-e1646419021853.jpg?v=1703789724"},{"product_id":"please-advise","title":"Beauty Pill - Please Advise","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1322819076\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/beautypill.bandcamp.com\/album\/please-advise\"\u003ePlease Advise by Beauty Pill\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe title of this record was inspired by our circumstance. Please Advise is a liminal work. A document of a time of uncertainty and fragmentation.\u003c\/p\u003e\n\u003cp\u003eI'm proud of this record, but it's not perfect. I will go one step further: I'm proud of this record because it's not perfect.\u003c\/p\u003e\n\u003cp\u003eAll I wanna do is keep moving. Please Advise meets this criterion. For me, at least.\u003c\/p\u003e\n\u003cp\u003eI hope people find it valuable.\u003c\/p\u003e\n\u003cp\u003eWe named our record PLEASE ADVISE after producer Teo Macero’s famous 1969 memo to Columbia Records about Miles Davis (“Miles just called and said he wants this album to be titled BITCHES BREW. Please advise.”) It’s darkly funny to us now, but I bet it wasn’t funny to Teo then.\u003c\/p\u003e\n\u003cp\u003eI find that memo to be encouraging. Even in working with an artist as brilliant and masterful as Miles Davis, there were moments of uncertainty and maybe even panic. Like “What is this motherfucker doing?” panic.\u003c\/p\u003e\n\u003cp\u003eThere's probably no aesthetic connection between Miles Davis and Beauty Pill, but that memo makes me feel better about my own path. It’s okay if sometimes I don’t know what I’m doing. It’s okay if sometimes you don’t know what I’m doing either.\u003c\/p\u003e\n\u003cp\u003eThe paradox of any artist’s life is you need to cultivate confidence AND humility to survive.\u003c\/p\u003e\n\u003cp\u003eBut you know what? That’s the paradox of your life too.\u003c\/p\u003e\n\u003cp\u003eThanks for listening.\u003c\/p\u003e\n\u003cp\u003eChad Clark\u003cbr\u003eWashington, DC\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition \"Bone\" Colored Vinyl + Digital","offer_id":44667183759583,"sku":"LP-NS-128LE2","price":23.99,"currency_code":"USD","in_stock":true},{"title":"Standard Black Vinyl + Digital","offer_id":44667183792351,"sku":"LP-NS-128","price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667183825119,"sku":"CD-NS-128","price":13.99,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital","offer_id":44667183857887,"sku":"CS-NS-128","price":8.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667183923423,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667183890655,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/BeautyPill_PleaseAdvise_5x5_300dpi-SQUARE-e1646418786664.jpg?v=1703789738"},{"product_id":"freedom-exercise","title":"Josh Johnson - Freedom Exercise","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189035354\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/joshjohnsonmusic.bandcamp.com\/album\/freedom-exercise\"\u003eFreedom Exercise by Josh Johnson\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eWhen Chicago-area native Josh Johnson moved to Los Angeles eight years ago, he thought his stay would be temporary. The saxophonist and keyboardist would spend a year or two there: enough time to learn from two of his heroes, Herbie Hancock and Wayne Shorter, but not a complete geographic pivot. After all, for musicians — especially those making improvised, collective music — where you live and what scene you’re part of can have a monumental effect on the kind of art you make. His hometown had a vibrant musical community in which he was already immersed; there was no immediate reason to seek out something new.\u003c\/p\u003e\n\u003cp\u003eBut eight years later, Johnson is still in L.A., where he recorded his debut album Freedom Exercise with three of his closest friends that he describes as “musically omnivorous” — the same quality that inspired him to stay on the West Coast. “A lot of people I've connected with here have opened me up to a lot of things I hadn't imagined,” he says. Johnson’s corner of the L.A. improvised music scene has its epicenter at a long-running Monday night gig helmed by his friend and frequent collaborator (and fellow former Chicagoan) guitarist Jeff Parker at a bar called ETA in Highland Park. There, when he’s not experimenting with Parker — on whose latest album, the critically-acclaimed Suite for Max Brown, he’s featured — Johnson has gotten to know musicians and artists of all stripes. The vibe is intimate and expansive at the same time, much like the album itself: as numerous as Johnson’s influences are, on Freedom Exercise they’re showcased in a way that feels organic, straightforward and unpretentious. Even at its most surprising and complex, the project is ultimately still inviting.\u003c\/p\u003e\n\u003cp\u003e“It brings in a lot of people who don't go to jazz clubs,” he says. “It's a thing that's been very stimulating for me, because it doesn't feel insular.” That diverse community helped him remember that music-making was most fun for him when he resisted genre orthodoxy — like when he was in high school, learning saxophone and jazz while playing keyboards in church, making minimalist electronic music on his parents’ computer, playing in indie bands and listening to hip-hop and Chicago post-rock. Through friends he met at ETA, he became the touring musical director for crooner Leon Bridges; an unlikely assignment as his reputation has grown rapidly in the jazz world thanks to his work alongside Makaya McCraven and Jeremy Cunningham, but one he says has been transformative. “It’s helped me be a better listener in improvised settings,” he says. “Not just playing to play, but really thinking about why, and what something is for.”\u003c\/p\u003e\n\u003cp\u003eThat intentionality is self-evident on Freedom Exercise, a collection of songs tied to that same idea of genreless exploration — jazz, post-rock and electronic music are certainly all inspirations, but none reigns exclusively. The stripped-down, urgent album is built on layers of intertwined, distinct melodies occasionally softened by distortion, delay and reverb. Asymmetrical but still inviting, Johnson’s compositions spotlight his sensitivity and restraint; the synth seamlessly interspersed throughout adds an unexpected dimension. The result is concise — 10 songs, most under five minutes — but still expansive, like an intimate gathering in a sprawling city.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Purple LP","offer_id":44667185692895,"sku":"LP-NS-133-PURP","price":19.99,"currency_code":"USD","in_stock":true},{"title":"Standard Black Vinyl + Digital","offer_id":44667185660127,"sku":"LP-NS-133","price":18.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667185725663,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667185758431,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/JJ_FrontCover-e1646418365682.jpg?v=1703789785"},{"product_id":"hope","title":"Marc Ribot's Ceramic Dog - Hope","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270397148\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/marcribot.bandcamp.com\/album\/hope\"\u003eHope by Marc Ribot's Ceramic Dog\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eWhen these recording sessions began in the last week of May 2020, I hadn’t left my house to go anywhere other than the grocery store in over two months. I hadn’t taken a cab or subway. I’d lost several friends to COVID-19, and was afraid I’d also lose more thanks to the non-response of our would-be dictator\/“president”, whose deliberate embrace of untruth fed tens of thousands of lives to the pandemic, and also reduced what little hope was left for avoiding global warming catastrophe.\u003c\/p\u003e\n\u003cp\u003eI hadn’t seen my partner since February (our plans to fly to each other’s countries shut down) and it would be July before we finally got together. Our difficulties were nothing compared with others. When me and fellow Ceramic Dogs Ches and Shahzad figured out a way to record, we entered the studio separately, sat in separate, isolated rooms from which we couldn’t see each other, communicating through mics and headphones. We were careful to wash our hands: one of us has respiratory issues, so fuck-ups could’ve been bad. We wound up with two record’s worth of material, some released on Bandcamp in October on the EP What I Did on My Long Vacation, and the majority of the music here on this full CD-length recording.\u003c\/p\u003e\n\u003cp\u003eIf\/when people look back on these times, maybe they’ll seem\u003cspan class=\"bcTruncateMore\"\u003e unreal... foreign, alien: the way I, as a child in the 1960’s, looked at the faded footage of the 1930’s as impossibly ancient, even though the family members who had survived those newsreels sat next to me at breakfast. In fact, my 9 year old self was closer to the burning of the Reichstag\u003cbr\u003e\nthan we are now to the release of Nevermind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnyway, when we went into the studio, I thought we’d come up with something that spoke to our times… a message in a bottle to our equally shipwrecked (imaginary) listeners. But once we started, it was so much fun to jam that we forgot the disasters outside. So instead, we “spoke” to each other. And to other times that we couldn’t yet see: like the day, 5 months later, when people all over Brooklyn would dance in the streets for joy.\u003c\/p\u003e\n\u003cp\u003eIt’s almost December now. Things are shutting down again, and I’m quarantined in Europe writing liner notes for a record that will be released in the new year--once more, speaking to another time… perhaps a future?\u003c\/p\u003e\n\u003cp\u003eM Ribot (Nov 2020)\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"2 x LP \"Warp Speed\" Edition","offer_id":44667187003615,"sku":"MLP-NS-139","price":26.99,"currency_code":"USD","in_stock":true},{"title":"2 x LP Standard Black Edition","offer_id":44667187036383,"sku":"LP-NS-139","price":25.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667187069151,"sku":"CD-NS-139","price":9.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667187101919,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667187134687,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Hope-scaled-e1646414141614.jpg?v=1703789861"},{"product_id":"precious-thing","title":"Allegra Krieger - Precious Thing","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=868399209\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/allegrakrieger.bandcamp.com\/album\/precious-thing\"\u003ePrecious Thing by Allegra Krieger\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn Allegra Krieger’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrecious Thing\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the singer-songwriter tries to capture fleeting moments in a world that is sick from itself. With a voice that rings like a windchime signaling a storm coming, Allegra masterfully weaves together ephemeral moments as life barrels by her unforgivingly. From singing about sharing a gaze with a man on the train to Coney Island as the clock strikes 12 on New Years, to taking a loved one off life support, to processing the religious trauma of wine, Krieger portrays the particular pang of being a woman alive in a modern world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn October 2020, Allegra drove across the country to record \u003cem\u003ePrecious Thing\u003c\/em\u003e in Marin, CA with producer Luke Temple(Here We Go Magic, Art Feynman) and musicians Jeremy Harris, Kalia Vandever, Rob Taylor and Jacob Matheus who contributed organs, synths, bass and lap steel. Delightfully mellow but never bleak, \u003cem\u003ePrecious Thing\u003c\/em\u003e is a soundtrack for the daily motions of our lives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Precious Thing,” the album’s title track, reminds us how gorgeous it is that we can get up everyday and do the same thing. “It's watching something leave you,” Allegra says about this song, “wanting to fast forward to the end of the leaving, to move on, become lighter somehow.” In the song “The Circumstance,\" Krieger sings about trying to revel in the consistency that two people have built together, knowing that it can and probably will end. But for now, here is the light from the morning on her lover’s face, a book on a sofa in the apartment they share together, the milk in a coffee “rising like a plume.” The song brings to mind questions of fate and coincidence: loving somebody is a beautiful circumstance, an almost-perfect thing brought together by the chaos of surviving under the capitalist sun. But what if it had been different? What if being alone is better than the loneliness of trying to make something to work?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSomething else that’s central to this album is routine: Allegra’s lyrics celebrate the ebbs and flows of our daily lives, the people who come in and out of them, the hope that one of these days, somebody will stick around. In “Let Go” she sings, “When you woke up did you think of it?\/ Your body\/leaving behind the routine?” This comes up again in the phenomenal closing track, “Walking,” when she sings, “I don’t expect wonder or magic or rain\/Maybe a smile at a stranger passing\/ and maybe one day\/ I’ll see that stranger again.” There is a specific fertile sadness to this song, as she describes days of serving eggs and pouring beers and “the faces and bodies” of lovers fleeting, that is guaranteed to make listeners burst into tears because it will make them think about being alive in one body and wanting something so badly, even if they can’t name what it is.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAt the heart of this album is a young, working woman asking “Do you see this right now? I can’t be the only one.” This is an album about looking, and Krieger fills up each lonely space she enters with her gaze. Krieger asks you to look, to really, really look, so that you can remember something, however small it is, when it’s all gone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– Melissa Lozada-Oliva\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667189395679,"sku":"CD-NS-150","price":13.99,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital","offer_id":44667189428447,"sku":"CS-NS-150","price":10.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667189461215,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667189493983,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/AllegraKrieger_PreciousThing_COVER-FINAL-e1646413422454.jpg?v=1703789958"},{"product_id":"a-better-ghost","title":"Jeremy Cunningham \/ Dustin Laurenzi \/ Paul Bryan - A Better Ghost","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=142619360\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jeremycunningham.bandcamp.com\/album\/a-better-ghost\"\u003eA Better Ghost by Jeremy Cunningham \/ Dustin Laurenzi \/ Paul Bryan\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eDrummer Jeremy Cunningham and saxophonist Dustin Laurenzi have been near-inseparable collaborators for years, working in countless groups together across Chicago’s vibrant jazz community. Their new album A Better Ghost finds them in collaboration with Los Angeles-based bassist\/producer Paul Bryan, and is the product of phone-recorded improvisations and experiments dating back to 2017.  With Laurenzi creating sequences and samples on the OP-1 synthesizer while on the road with Bon Iver, and Cunningham developing drum parts and melodic fragments, the two began finding a distinct direction to take the work, sharpening and editing these snippets into cohesive compositions. \u003c\/p\u003e\n\u003cp\u003eWhile Cunningham and Laurenzi have collaborated this way for years, they decided to add Los Angeles based musician Paul Bryan, the Grammy-winning producer, engineer, and bassist (Jeff Parker, Aimee Mann, Lucinda Williams) who co-produced Cunningham’s Northern Spy debut 2019 LP The Weather Up There to finish these pieces. Adding bass parts and a producer’s ear to these songs, Bryan’s vital contributions were the missing link. “Paul really understood the vision of our music and added so much to what we’d already recorded. At a certain point it was a no-brainer to expand the duo to a trio” says Laurenzi. On A Better Ghost, there’s a euphoric melding of Chicago and LA’s jazz worlds present with features from prolific saxophonist Josh Johnson, legendary drummer Jay Bellerose, and Cunningham’s Resavoir bandmate and leader, trumpeter Will Miller. The resulting tracks are the product of years-long collaborators expanding their deep chemistry. \u003c\/p\u003e\n\u003cp\u003eOn “New Dust,” Laurenzi provides a smooth, natural improvisation, dynamically ebbing over a deep dub groove kept steady with distinct rhythmic assurance from Cunningham, Bellerose, and Bryan. “With What We Have” wakes slowly, focusing on gradual layering of horns that culminates in near-chaos. . The title track highlights the trio’s seamless blending of acoustic and synthesized palettes, featuring a woozy clarinet sample and propellant percussion alongside sci-fi synths and a Pharoah Sanders-inspired saxophone solo. Singer Katie Ernst guests on  “The Way We Remember,” crafting a melody from a poem Cunningham wrote about the passing of his father in 2020. The synths ebb and flow along with Cunningham’s painterly approach at the drums, spreading colors and lines across a languid backdrop of saxophone chords and synth bass.\u003c\/p\u003e\n\u003cp\u003eA Better Ghost is a reflection of how Cunningham, Laurenzi, and Bryan have found a natural musical connection that is unbound by genre and deeply personal. “Playing with Dustin and Paul has strengthened my musical instincts and allowed me to become more patient developing a sound and playing a song. Sometimes you have to just let the thing happen.  Try not to get in the way too much, and let the music breathe.” -Jeremy Cunningham\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition \"Bullion\" Vinyl","offer_id":44667191361759,"sku":"LP-NS-154","price":24.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667191394527,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667191427295,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2681164324_10.jpg?v=1703790024"},{"product_id":"big-time-things","title":"Office Culture - Big Time Things","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4141175327\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/officeculture.bandcamp.com\/album\/big-time-things\"\u003eBig Time Things by Office Culture\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eBig Time Things is a story of crossed wires and missed connections, sleepless nights and scrapped plans. On the third album from Office Culture, the Brooklyn-based band led by pianist-songwriter Winston Cook-Wilson, the magic is in how every element of their texturally rich, emotionally complex music conjures these same visions. The choruses offer humble pledges (“I only want you to be happy”) and uneasy interruptions (“Stop, I feel nervous”); the band swells and sprawls; the arrangements incorporate strings, horns, and backing vocals, suggesting how each moment casts its own shadow.\u003c\/p\u003e\n\u003cp\u003eOffice Culture’s most ambitious project is also their most intimate and thematically focused. Where previous albums introduced a vast cityscape of scenery and characters, Big Time Things zooms into each lonely window, so close that it can be difficult to know what exactly we’re looking at. In Cook-WIlson’s hands, it’s not always easy to differentiate love songs from breakup songs, moments of connection from total isolation, forward momentum or a quickening spiral.\u003c\/p\u003e\n\u003cp\u003eThe music behind his words suggests the full story lies in the blur. Comprising Cook-Wilson alongside drummer Pat Kelly, bassist Charlie Kaplan, and guitarist Ian Wayne, Office Culture have never sounded so dynamic or alive, their music so full of intricate detail and open air. While you can still hear traces of their longtime staples—Joni Mitchell, the Blue Nile, the ECM catalog—Big Time Things expands into new and adventurous territory. Occasionally, it recalls Herbie Hancock’s Headhunters band backing Scott Walker in the 1980s; other times, it feels like D’Angelo’s Voodoo recast as an opera.\u003c\/p\u003e\n\u003cp\u003eAs Cook-Wilson sings about feelings that transcend language (“A Word”) and moods that shift too quietly to be registered (“Suddenly”), he seeks to break from any songwriting tradition, following his thoughts to their open-ended conclusions. This approach leads the band to uncharacteristic moments of dissonance, as in the skronking tightrope of “Line,” and breakthroughs that glide with newfound grace. In “Elegance,” the band rides a tender, catchy groove, stopping and starting on a dime. As they reach a steady climax, Cook-Wilson looks us in the eyes and offers this wisdom:\u003c\/p\u003e\n\u003cp\u003eEverybody’s got a list to check off but\u003cbr\u003eNobody knows what they wrote it for\u003cbr\u003eWell, you don’t have to be like that with me baby\u003cbr\u003eLists never did me any good before\u003c\/p\u003e\n\u003cp\u003eAnd so, he tears up his lists, looks inward, and follows his heart.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667191656671,"sku":"LP-NS-157","price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667191623903,"sku":"CD-NS-157","price":14.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667191689439,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667191722207,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS157-digital-art.jpg?v=1703790044"},{"product_id":"travel","title":"The Necks - Travel","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3267812022\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/travel\"\u003eTravel by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eTravel, the 19th studio album by Australian improvisational trio The Necks, documents their recent practice of starting each day in the studio with a 20-minute trio improvisation. The recordings offer some of their most ecstatic and captivating music cut to tape.\u003c\/p\u003e\n\u003cp\u003eAs bassist Lloyd Swanton puts it: “It’s a really nice communal activity to bring us together in focus each day, and some lovely music has resulted from it.” Although a straight “live” improvisation has never been recorded in the studio by the band, these tracks (save for some light overdubs and post-production) feel closest to their 30 years of celebrated live performances.\u003c\/p\u003e\n\u003cp\u003eIn 2017 Stephen O’Malley’s Ideologic Organ label released the band’s lauded Unfold, which first offered up this uncharacteristic studio work: four sub-20-minute pieces - instead of the typical 60+ minute arc for which the band is known - along with an obfuscated track list which leaves play order to the listener’s hand. The album quickly sold out, and persists as a treasure in collections or as a high-priced ‘Want’ on Discogs.\u003c\/p\u003e\n\u003cp\u003eTravel marks a return to this double-LP format, offered in a beautiful gatefold package that features photography by Traianos Pakioufakis and impeccable mastering by Doug Henderson. \u003c\/p\u003e\n\u003cp\u003eProduced by The Necks\u003c\/p\u003e\n\u003cp\u003eRecorded by Tim Whitten, Studios 301, Alexandria, Australia\u003c\/p\u003e\n\u003cp\u003eMixed by Tim Whitten, Forbes Street Studios, Woolloomooloo, Australia\u003c\/p\u003e\n\u003cp\u003eMastered by Douglas Henderson, micro-moose-berlin, Germany\u003c\/p\u003e\n\u003cp\u003ePhotographs and design by Traianos Pakioufakis\u003c\/p\u003e\n\u003cp\u003eThanks to Jordan Verzar, Regina Greene, Lee Paterson\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Double LP + Digital","offer_id":44667192082655,"sku":"LP-NS-158","price":34.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667192115423,"sku":"CD-NS-158","price":15.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667192148191,"sku":"","price":14.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667192180959,"sku":"","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1007617714_10.jpg?v=1703790077"},{"product_id":"in-time","title":"Peter Manheim - In Time","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1128762641\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/petermanheim.bandcamp.com\/album\/in-time\"\u003eIn Time by Peter Manheim\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003ePeter Manheim thrives on collaboration. The New York-based drummer has spent most of his career as a sideman, backing up many jazz artists like Tony Glausi as well as being a member of the acclaimed International Anthem-signed experimental group Resavoir led by trumpeter Will Miller. But on his solo debut, an EP called 'In Time', Manheim steps out on his own as a songwriter, producer, and multi-instrumentalist all while bringing his most trusted collaborators into the fold to flesh out his deep, lush, and mesmerizing vision. Across six instrumental tracks, he traverses disparate moods, as well as harsh and welcoming textures, combining solo-centric jazz playing with glitchy and enveloping electronic arrangements.\u003c\/p\u003e\n\u003cp\u003e'In Time' began in 2020 as an experiment for Manheim to attempt to write music that would make him want to dance. One of the earliest ideas that came from this personal goal is the opener “Peace Groove.” Inspired by playing artist Elliot Bergman’s “peace bells,” melted-down guns and bullets turned into instruments, Manheim started out with a percussion groove, adding synth, and live drums. While he loved creating loops and putting in new layers in isolation, he realized this music would benefit from bringing in other people. “I wanted to showcase my friends’ playing,” Manheim says. “I’ve gotten to work with and know so many incredible people who happen to be some of my favorite musicians. I wanted to show the world what makes them so great on this record. ” The resulting track is a hypnotizing, breezy, and rhythmically dense jam featuring saxophonist Tim Bennett, flute player Alex Cummings, and bassist Dan Stein.\u003c\/p\u003e\n\u003cp\u003eWhile Manheim is primarily known for his work as a jazz drummer, this EP showcases his globe-trotting tastes: everything from J-Dilla-inspired beat-making, all types of Brazilian music, and Chicago footwork is translated into something wholly original and immersive. The searching and smooth “A Lonely Road” is anchored by Whitney and Resavoir trumpeter Will Miller, “Faded” ventures out in rock territory with a blistering solo from guitarist Conrad Reeves, and “Lost Dayz” features solely Manheim’s tasteful drum programming and synth playing. In Time was mixed by Manheim and Dan Pierson and its six tracks feature a wealth of collaborators. Even with the freewheeling and collaborative arrangements, everything here feels intentional and tasteful.\u003c\/p\u003e\n\u003cp\u003eLike the EP itself, the title 'In Time' reveals new meaning the more you dive in. It’s a sly nod to the patience required for an accomplished player to finally make their own music under their name as well as the spark that always eventually comes from working with friends. 'In Time' is a document of a virtuosic drummer taking a leap and reinventing himself as an absorbing and adventurous songwriter.\u003cbr\u003e\ncredits\u003cbr\u003e\nreleased April 7, 2023\u003c\/p\u003e\n\u003cp\u003eProduced by Peter Manheim\u003cbr\u003e\nMixed by Dan Pierson and Peter Manheim\u003cbr\u003e\nMastered by Dave Cooley\u003cbr\u003e\nArtwork by Rich Stein\u003c\/p\u003e\n\u003cp\u003e1. Peace Groove:\u003c\/p\u003e\n\u003cp\u003ePeter Manheim - Percussion, Drums, Keys\u003cbr\u003e\nTim Bennett - Alto Saxophone\u003cbr\u003e\nAlex Cummings - Flutes\u003cbr\u003e\nDan Stein - Bass\u003c\/p\u003e\n\u003cp\u003e2. A Lonely Road:\u003c\/p\u003e\n\u003cp\u003ePeter Manheim - Percussion, Drums, Keys\u003cbr\u003e\nWill Miller - Trumpets, Keys\u003cbr\u003e\nAlex Cummings - Flutes, Hulusi\u003cbr\u003e\nDan Pierson - Keys\u003cbr\u003e\nT@NE - Tenor Saxophone\u003cbr\u003e\nDan Stein - Bass\u003c\/p\u003e\n\u003cp\u003e3. The Gate:\u003c\/p\u003e\n\u003cp\u003ePeter Manheim - Drum Programming, Percussion, Keys\u003cbr\u003e\nDe'Sean Jones - Saxophones, Flutes\u003c\/p\u003e\n\u003cp\u003e4. Lost Dayz\u003c\/p\u003e\n\u003cp\u003ePeter Manheim - Drum Programming, Keys\u003c\/p\u003e\n\u003cp\u003e5. In Time\u003c\/p\u003e\n\u003cp\u003ePeter Manheim - Keys, Percussion, Claps\u003cbr\u003e\nMamadou Fantastic (Modou Sarr Mbengue) - Talking Drums, Claps\u003cbr\u003e\nEric Burns - Guitar\u003cbr\u003e\nDan Pierson - Synth Organ\u003c\/p\u003e\n\u003cp\u003e6. Faded\u003c\/p\u003e\n\u003cp\u003ePeter Manheim - Drum Programming, Percussion, Drums, Keys\u003cbr\u003e\nConrad Reeves - Guitar\u003cbr\u003e\nDan Pierson - Keys\u003cbr\u003e\nAlex Cummings - Saxophones\u003cbr\u003e\nDan Stein - Bass\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Flexi Disc + Digital","offer_id":44667194179807,"sku":"NS-149-Flex","price":10.0,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667194212575,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667194245343,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a4206363948_16.jpg?v=1703790097"},{"product_id":"fluxkit-vancouver-its-suite-but-sacred","title":"Darius Jones - fLuXkit Vancouver (i̶t̶s̶ suite but sacred)","description":"\u003cp\u003eDarius Jones has created a recognizable voice as a critically acclaimed saxophonist and composer by embracing individuality and innovation in the tradition of Black music.\u003c\/p\u003e\n\u003cp\u003e“Jones makes his point by showing, not just telling. His compositions are so intensely honed and performed they seem to talk, moan, and cry about intimate experience in ways we might expect to find in novels, not instrumental records.” – Daniel Felsenthal, Pitchfork\u003c\/p\u003e\n\u003cp\u003eCommissioned by Western Front, an artist-run centre in Vancouver, Canada, with a legacy of continuing support for multidisciplinary exchange, experimentation, and the avant-garde. This project was developed by Darius Jones across a succession of residencies at Western Front in 2019 and 2022.\u003c\/p\u003e\n\u003cp\u003eRecorded in June 2022 at Western Front’s Grand Luxe Hall in Vancouver, Canada, fLuXkit Vancouver (i̶t̶s̶ suite but sacred) is the first collaborative release with Brooklyn-based Northern Spy and Helsinki-based We Jazz Records.\u003c\/p\u003e\n\u003cp\u003eAs Harmony Holiday writes in her liner notes, included with this release: “The playing here is gorgeous, but what stands out most is the rigor of the compositions, which feel like tributes to Sun Ra’s call that ‘only the impossible happens.’ Their mood is expansive, gleeful, wistful, sometimes frantic, but so coherent and poised at every turn that all you can do while listening is marvel at this fluency in the language of will and won’t that lives here alone.”\u003cbr\u003ecredits\u003cbr\u003ereleases September 29, 2023\u003c\/p\u003e\n\u003cp\u003eEnsemble Personnel:\u003c\/p\u003e\n\u003cp\u003eDarius Jones (alto saxophone, composer)\u003cbr\u003eGerald Cleaver (drums)\u003cbr\u003eJesse Zubot (violin)\u003cbr\u003eJosh Zubot (violin)\u003cbr\u003ePeggy Lee (cello)\u003cbr\u003eJames Meger (bass)\u003cbr\u003eDesign by Matti Nives.\u003c\/p\u003e\n\u003cp\u003eLiner Notes by Harmony Holiday.\u003c\/p\u003e\n\u003cp\u003eCover art: Occ6 (2016) by Stan Douglas\u003c\/p\u003e\n\u003cp\u003eProduced by Darius Jones.\u003c\/p\u003e\n\u003cp\u003eRecorded in the Grand Luxe Hall, Western Front on June 25, 2022.\u003cbr\u003eRecording engineer: Sheldon Zaharko, Zed Productions.\u003cbr\u003eMixing engineers: Jesse Zubot and Sheldon Zaharko at The Deep Bay Bunker and Zed Productions.\u003cbr\u003eMastering engineer: Matt Mehlan at The Stuudio.\u003cbr\u003efLuXkit Vancouver (i̶t̶s̶ suite but sacred) was commissioned by Western Front.\u003c\/p\u003e\n\u003cp\u003eAdditional development support was provided by Coastal Jazz and Blues Society, and Prof. Kevin McNeilly of the University of British Columbia and the International Institute for Critical Studies in Improvisation.\u003c\/p\u003e\n\u003cp\u003eAdditional support from Robert D. Bielecki Foundation.\u003c\/p\u003e\n\u003cp\u003eA special thank you to Aram Bajakian, Ben Wilson, and Susan Gibb for all your hard work and belief in my art. Your support on so many levels helped and inspired me greatly throughout this entire process. To the whole Vancouver community, my heart is full from the love and support you have shown me over so many years. This one is for all of you!\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Splatter Vinyl + Digital","offer_id":44667195228383,"sku":"LP-NS-163-COLOR","price":29.0,"currency_code":"USD","in_stock":true},{"title":"LP + Digital","offer_id":44667195261151,"sku":"LP-NS-163","price":27.0,"currency_code":"USD","in_stock":true},{"title":"CD+Digital","offer_id":46159561457887,"sku":"CD-NS-163","price":15.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667195293919,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667195326687,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3463292076_10.jpg?v=1720899590"},{"product_id":"moonshine","title":"Elephante - Moonshine","description":"\u003cp\u003eMaurice Louca's Moonshine shines brightly with a live, raw, collective sound. The Elephantine band is incredible: Double drummers Tommaso Cappellato \u0026amp; Ozun Usta; Piero Bittolo Bon on alto, Daniel Gahrton on baritone and Isak Hedtjarn on clarinet; Rasmus Svale Kjærgård Lund on tuba; Rosa Brunell on bass; Els Vandeweyer on vibraphone; Louca on guitar\/lap steel\/synth. As Asher Gamedze puts it in his essay below: \"Abstract territories of freedom, always grounded, expansive, multiple, internally differentiated, and elephantine.\"\u003c\/p\u003e\n\u003cp\u003eExcerpts from “Not by Its Own Light”, written by Asher Gamedze\u003c\/p\u003e\n\u003cp\u003e....sounds like the additional level of consciousness that a drinking session seems to open up once it enters the early hours....\u003c\/p\u003e\n\u003cp\u003e....a mood reminiscent of a babalas (South African term for hangover) made more intense by electronic mutterings of worlds gone by and worlds to come....\u003c\/p\u003e\n\u003cp\u003e....To my ear and feeling there is a sense of fatigue but also of determined resolve like a wedding band who has been playing for hours, and whose morale has been lubricated by libations funded by the festive pockets of the party guests....\u003c\/p\u003e\n\u003cp\u003e....Moonshine grew out of Elephantine in a collective and organic way. Apart from the drummers, the process of recording the ensemble’s debut album was the first time Maurice had met and played with all the other musicians. Through recording the first record and touring it, they got to know each other quite well (‘family’ is the word Maurice uses to describe their relationships), and the group of musicians became a band.... \u003c\/p\u003e\n\u003cp\u003eall music composed, arranged and produced by Maurice Louca\u003c\/p\u003e\n\u003cp\u003eRosa Brunello - double bass\u003cbr\u003e\nTommaso Cappellato - drums\u003cbr\u003e\nÖzün Usta - drums\u003cbr\u003e\nPiero Bittolo Bon - alto sax \/ electronics\u003cbr\u003e\nRasmus Svale Kjærgård Lund - tuba\u003cbr\u003e\nEls Vandeweyer - vibraphone\u003cbr\u003e\nDaniel Gahrton - baritone sax\u003cbr\u003e\nIsak Hedtjärn - clarinet\u003cbr\u003e\nMaurice Louca - guitar \/ lap steel \/ synthesizer\u003c\/p\u003e\n\u003cp\u003erecorded at Morphine Raum, Berlin \/ November 2021\u003cbr\u003e\nrecording engineers - Emanuele Baratto and Rabih Beaini\u003cbr\u003e\nmixed at Morphine Raum \/ April 2022\u003cbr\u003e\nmixing engineers - Rabih Beaini and Emanuele Baratto\u003cbr\u003e\nmastering engineer - Heba Kadry\u003cbr\u003e\ndrawing and design - Lena Czerniawska\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667197063391,"sku":"CD-NS-162","price":15.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667197096159,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667197128927,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3589203618_10.jpg?v=1720899599"},{"product_id":"co-la-daydream-repeater-lp","title":"Co La - Daydream Repeater","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=917318201\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/daydream-repeater\"\u003e'Daydream Repeater' by Co La\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eIt's time to welcome in the era of New Exotica with \"Daydream Repeater\", the debut LP by Co La, gentleman and purveyor of all things avant-luxury. Matthew Papich designs a new sonic territory, creating something that nods to Jamaican Rocksteady and 50's American Pop in spirit, but ultimately presents an elegant re-purposing of those parts into fresh, smart, electronic music. For all seeking an attitude adjustment in the era of austerity, try burning one for Co La's cultivated luxury sound - you may find an emerging solidarity slipping into your ears. In other words - if you're too wise to live straight, you better grip this sound sooner than later. Mastered by Lupo at Dubplates \u0026amp; Mastering in Berlin.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComes with free mp3 download coupon.\u003c\/em\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567648825567,"sku":"LP-NNA-038","price":9.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567648858335,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567648891103,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA038.jpg?v=1714759213"},{"product_id":"ryan-power-i-dont-want-to-die-lp","title":"Ryan Power - I Don't Want To Die","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3872736901\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ryanpower.bandcamp.com\/album\/i-don-t-want-to-die\"\u003e'I Don’t Want To Die' by Ryan Power\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAfter self-releasing four previous full-length albums, it's finally time for the long-overdue debut vinyl offering from Burlington, VT songwriter and producer Ryan Power. \"I Don't Want To Die\" is a collection of constantly shifting, well-constructed and unique pop songs, teeming with existentialism and groove. Content-wise, this is perhaps not your average pop record. Ryan's candidly personal lyrics meditate on the fear of death, hypochondria, soul discrepancies, depression, and the lustful mind, while still remaining remarkably emotional, accessible, and catchy. His silvery vocals meld fluidly with imaginative electronic production, evoking elements of late-70's soft pop, disco, prog and art rock, synth pop, and smooth r\u0026amp;b funk. Power's talent for songwriting works perfectly in conjunction with the depth of his knowledge of music – \"I Don't Want To Die\" is complex and technical, yet so charming that you only notice it almost as an afterthought, when you're trying to wrap your head around the song that's been bouncing around inside it all day. These songs are strange and personal, but they're also universal. They sound sexy and lonesome, like a dying light bulb flickering on the greatest love-making session of your life. People with problems, shake your bum-bum.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComes with free mp3 download coupon.\u003c\/em\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Digital Download (WAV)","offer_id":45567649775839,"sku":"","price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (320 MP3)","offer_id":45567649808607,"sku":"","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA044.jpg?v=1714759262"},{"product_id":"co-la-soft-power-memento-c32","title":"Co La - Soft Power Memento","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3962949846\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/soft-power-memento\"\u003e'Soft Power Memento' by Co La\u003c\/a\u003e\u003c\/iframe\u003e\u003cp bis_size='{\"x\":12,\"y\":9,\"w\":565,\"h\":195,\"abs_x\":393,\"abs_y\":289}'\u003eEmbody Problematic Behavior. These are the three words that Co La uses to describe \"Soft Power Memento,\" his follow-up EP to 2011's \"Daydream Repeater\" debut LP on NNA. Something to mull over while immersing yourself in Co La's vivid and constantly-evolving world of sound. The spectrum of source material is widened and focused, with an emphasis on acoustic instrumentation and jazz palettes, all diced up and run through the New Anything sound system. Concréte percussive molecules are tenderly arranged and teamed up with clear, heavy bass to retain the danceability and groove that Baltimore is inherently known for. The result is a vibrant, lively, and undeniably innovative collection from one of electronic music's most tuned-in producers. Program repeats on both sides. Compact disc version available from \u003ca href=\"http:\/\/handsinthedarkrecords.com\" bis_size='{\"x\":396,\"y\":187,\"w\":176,\"h\":16,\"abs_x\":777,\"abs_y\":467}' target=\"_blank\"\u003eHands In The Dark Records\u003c\/a\u003e.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Digital Download (WAV)","offer_id":45567649841375,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567649874143,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA045-COVER-WEB.jpg?v=1714759270"}],"url":"https:\/\/shop.northern-spy.com\/collections\/instrument-bass.oembed","provider":"Northern Spy Label Group","version":"1.0","type":"link"}