{"title":"Classical","description":"","products":[{"product_id":"amirtha-kidambi-elder-ones-holy-science","title":"Amirtha Kidambi Elder Ones - Holy Science","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1632580698\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/amirthakidambi.bandcamp.com\/album\/holy-science\"\u003eHoly Science by Elder Ones\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAs Ben Ratliff wrote in the New York Times, “the aggressive and sublime first album by the band Elder Ones, Holy Science, is a kind of gauge for how strong and flexible the scene of young musicians in New York’s improvised and experimental music world can be. At the center of it are drones and phonemes. The group’s leader, the 30-year-old composer and singer Amirtha Kidambi, holds forth behind a harmonium, the small keyboard instrument with hand-pumped bellows; it’s commonly used in bhajan, the Indian devotional-singing tradition that was central to her musical experience while growing up in a South Indian family.”\u003c\/p\u003e\n\u003cp\u003eKidambi formally trained in classical music, singing works by avant-gardists including Nono and Stockhausen, but the pull of free jazz and Alice Coltrane drew her toward a different path. The influence of both Alice and John Coltrane is especially apparent on the new album, as is her work with composer and saxophonist Darius Jones, and her study of Carnatic music.\u003c\/p\u003e\n\u003cp\u003eWhile in Darius Jones's a cappella group, Kidambi developed a language for wordless vocals, freeing her from being tied to syntax, a technique she uses through most of Holy Science. The music is anchored by bass-lines and drones on the harmonium, often doubled on the bass by Brandon Lopez. Matt Nelson on the soprano saxophone evokes the sound of the Indian double-reed nadhaswaram, and the playing of John Coltrane and Pharoah Sanders, blending with and harmonizing her voice and the reeds of the harmonium. Drummer Max Jaffe’s ability to seamlessly pivot between complex grooves and timbrally explorative free-playing, completes the equation. Each musician was chosen for their unique improvisatory language on their instrument, ultimately informing Kidambi’s compositional approach.\u003c\/p\u003e\n\u003cp\u003eReflecting on her various influences, Kidambi explained, “I grew up Hindu, but with a pantheist universalist bent, the idea that all religions are different paths to the same God or Truth. Not only is the music of John and Alice Coltrane so influential, they both practiced universalism. Alice's primary guru was the same one that my family followed, and she participated in the bhajan singing tradition. I grew up singing with the harmonium, and I know all the tunes on her Huntington Ashram records. She looms large for me as a figure who blended so many different styles and traditions, uncompromising in her vision and authentic to herself. She was, in a way, a universalist in her music, blending her influences of Stravinsky, gospel, free jazz, the avant-garde, world music, and her spiritual practice into a totally individual sound. I really relate to that way of thinking about music and the universe.”\u003c\/p\u003e\n\u003cp\u003eThe first piece composed in the suite was \"Dvapara Yoga,\" which began as a meditation on the death of Eric Garner. The album title derives from a 19th century text written by Swami Sri Yukteswar Giri, which scientifically explains the yugas, or eons of cosmic time in Hindu mythology. The four movements Sathya-Yuga, Treta-Yuga, Dvapara-Yuga and Kali-Yuga, explore themes of creation, destruction, and rebirth, with the final movement pivoting on the Vishnu Sahasranam Vedic chant, and ending with an apocalyptic reset of the time cycle.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667150762207,"sku":"CD-NS-085","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667150794975,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667150827743,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3849590726_10.jpg?v=1703788592"},{"product_id":"arto-lindsay-cuidado-madame","title":"Arto Lindsay - Cuidado Madame","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2674611517\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/artolindsay.bandcamp.com\/album\/cuidado-madame\"\u003eCuidado Madame by Arto lindsay\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• The album is titled after an infamous 1970 Julio Bressane film about oppressed housemaids revolting against and brutally murdering their mistresses. The literal translation is “Careful, Madame.”\u003c\/p\u003e\n\u003cp\u003e• The album is produced by Lindsay. It features Melvin Gibbs, Paul Wilson, Kassa Overall, Patrick Higgins, Ryu Takahashi and Thiago Nassif.\u003c\/p\u003e\n\u003cp\u003e• Candomblé (spiritual rhythms revolving around possession and trance) served as the foundation for the record. The process began with recordings of atabaques in Brazil. Lindsay wrote melodies and lyrics over the rhythms in the studio in Brooklyn.\u003c\/p\u003e\n\u003cp\u003e• The album is an exploration of the cultural nexus of Afro-Brazilian spirituality and western modernity.\u003c\/p\u003e\n\u003cp\u003eWhen people talk about Arto Lindsay’s body of work, they often project a reductive dichotomy. There is Scary Arto and Sexy Arto.\u003c\/p\u003e\n\u003cp\u003eScary Arto’s music is stormy and serrated and ruthless and almost deranged; evoking perhaps the glare and noise of New York City. Sexy Arto’s music is seductive and warm and textured and ethereal; evoking perhaps the dappled sunlight of Brazil. Both musics seem dreamlike. In the sense that there are many kinds of dreams.\u003c\/p\u003e\n\u003cp\u003eIn 2014, Northern Spy issued a unique and conceptually provocative double-disc anthology of Arto’s solo work, called Encyclopedia Of Arto. Disc 1 was a “best of Arto LIndsay” survey of his solo albums. Disc 2 was something much more unusual: many of the same songs from disc one, performed live with Arto's signature haywire noise guitar (Scary Arto) juxtaposed against his lilting, slyly erotic, post-Caetano vocal style (Sexy Arto).\u003c\/p\u003e\n\u003cp\u003eThe choice to marry Sexy and Scary into a single performance was striking and bold. I cannot speak for Arto, but my read of the statement was that it rebuked the notion that his vision is somehow binary. It felt like fresh terrain.\u003c\/p\u003e\n\u003cp\u003eThis brings us to Cuidado Madame, the long awaited new album, where Arto’s mastery is in full bloom. Though the album certainly favors Sexy Arto, its fearlessness makes us let go of our boring, dichotomous ideas. On offer is the full, inimitable Arto Lindsay range of texture, noise, technology, ensemble playing, melody and poetry, sensuality and intellect.\u003c\/p\u003e\n\u003cp\u003eYou will find that you stop analyzing and parsing. You will find that you surrender.\u003c\/p\u003e\n\u003cp\u003eIn the sense that there are many kinds of dreams.\u003c\/p\u003e\n\u003cp\u003e- Chad Clark\u003cbr\u003eBeauty Pill \/ Washington, DC \/ Spring 2017\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154858207,"sku":"LP-NS-090","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667154923743,"sku":"CD-NS-090","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667154956511,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154890975,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1543875685_10.jpg?v=1703788648"},{"product_id":"bobby-kapp-matthew-shipp-cactus","title":"Bobby Kapp \u0026 Matthew Shipp - Cactus","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2781980594\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bobbykappmatthewshipp.bandcamp.com\/album\/cactus\"\u003eCactus by Bobby Kapp \u0026amp; Matthew Shipp\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn Valerie Wilmer’s important socio-political history of the jazz vanguard As Serious As Your Life (Serpent’s Tail Press, 1977), the chapter on pianist Cecil Taylor is subtitled “Eighty-Eight Tuned Drums.” Textually this reference advances the role of the piano in free music as percussive in large part, especially as the chordal and melodic directions taken after Ornette Coleman in the late 1950s often appeared to circumvent the more fixed tonalities of the keyboard. Drummers and pianists have been one core team in this music, going back to the forbears and scions of the modern-jazz era — Buddy Rich and Nat Cole; Art Blakey and Herbie Nichols or Thelonious Monk; Denis Charles, Sunny Murray and Andrew Cyrille with Taylor — whether the pianist may work percussively or sculpt the music temporally and melodically.\u003c\/p\u003e\n\u003cp\u003eDrummer Bobby Kapp (b. Robert Kaplan on April 11, 1942 in Perth Amboy, NJ) and pianist Matthew Shipp (b. December 7, 1960 in Wilmington, DE) are a team that has only recently come together, though their affinity for one another is natural and rewarding. Cactus is their first duo recording, a spontaneous set coming on the heels of 2015’s Themes 4 Transmutation, the latter waxed under the drummer’s leadership and featuring Shipp, reedist Ras Moshe and bassist Tyler Mitchell. While the cognoscenti may be aware of Kapp’s name as a firebrand in the mid-60s New York free music underground, he didn’t record as a leader back then. In recent years, after relocating to Mexico, he’s co-led the standards-rooted Fine Wine Trio with pianist Richard Wyands and bassist Gene Perla, and reunited with alto saxophonist Noah Howard before the latter’s untimely passing.\u003c\/p\u003e\n\u003cp\u003eKapp’s restless energy and streetwise lyricism, yen for the blues and supple templates for unfettered expression took him from New Jersey and Staten Island to Berklee College of Music, where he studied with Alan Dawson, and then Lower Manhattan. There, he played and recorded with alto saxophonists Marion Brown and Noah Howard, pianist Dave Burrell and tenor saxophonists Leandro ‘Gato’ Barbieri and Pharaoh Sanders before eventually settling in an artist’s colony in San Miguel de Allende. Kapp’s sideman recordings in the 1960s are scant, comprising two full LP appearances (Barbieri’s In Search of the Mystery and Howard’s At Judson Hall, both on ESP), two individual LP halves (Brown’s watershed Three for Sheep on Impulse! and Burrell’s High on Douglas), and film footage of Brown’s trio was captured in 1967 by Henry English, but all of this work presents a rolling, massive and fleet economy somewhere between Elvin Jones and Shelly Manne. His more recent outings have been somewhat under the radar, but the aspects that entice—a sure, tempestuous detail—are toned with age, experience and fidelity.\u003c\/p\u003e\n\u003cp\u003eShipp’s piano is the perfect foil for Kapp’s dryly doled-out metric inventions, his sinewy but factual movements through erudite melody, resonant stomps and granular sideways gestures creating fields and objects through which the drummer’s open, supple brushwork and woody rolls float, undercut and weave. Shipp has worked with a wide range of individual, creative drummers—including Newman Taylor Baker, Whit Dickey, Guillermo E. Brown, Susie Ibarra, Marc Edwards and Steve McCall—and says of Kapp that “Bobby is a marvel as he combines the best of old school drumming with a real feel for pulse and breaking the circle that exists in the avant-garde. However, he can open the beat up in a way where you can flow with the wave and never lose the line. His touch is really refined and that adds to the beauty of his sound. I am always looking for ways to make my comping deeper and working with someone who has played with all the people he has deepens my thing. Also, the sound he gets off the cymbals has a resonance that is beyond deep—it’s like swimming in pure vibration.” On Cactus, nine spiny and flowering dialogic arms are presented in gorgeous sound, creating a language that stems from bebop, free improvisation and classicism but are of the present and specific to these two musicians. Rigorous, spontaneous play that feels this good is something to hold onto.\u003c\/p\u003e\n\u003cp\u003e– Clifford Allen\u003c\/p\u003e\n\u003cp\u003e“Practically without parallel — Matthew Shipp is the connection between the past, present and future for jazzheads of all ages.” – Downbeat\u003c\/p\u003e\n\u003cp\u003e“…In the 1960’s, Bobby was a seminal figure in the so-called new music movement in NYC, recording with Gato Barbieri, Archie Shepp, Noah Howard and others.” – Ron J. Pelletier\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667155874015,"sku":"CD-NS-079","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667155841247,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667155906783,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS_079_web_cover-2-e1646851954503.jpg?v=1703788696"},{"product_id":"string-noise-covers","title":"String Noise - Covers","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=475469194\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stringnoise.bandcamp.com\/album\/covers\"\u003eCovers by String Noise\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDeerhoof drummer Greg Saunier recorded and produced String Noise (Conrad Harris and Pauline Kim Harris) in his closet and the results couldn’t be more wondrous! This beautiful homemade lathe cut 7″ record includes four new arrangements by Eric Lyon of The Germs, Minutemen, Brahms and Deerhoof (featuring Greg on percussion). Cover artwork is by none other than Jad Fair. String Noise, New York’s most daring violin duo has built a reputation as relentless contemporary music advocates with a propensity for the most intense and advanced classical music of today. As performers they have championed the work of extreme contemporary composers such as Bernhard Lang, Eric Lyon, and John Zorn. Their first feature album “The Book of Strange Positions” was released on NORTHERN SPY RECORDS in November 2015. Tiny Mix Tapes describes this collection of original works and arrangements by Eric Lyon of Bad Brains, Violent Femmes, Deerhoof, Radiohead, and Black Flag as a “mix of classic punk covers and ZERO APOLOGIES.”\u003c\/p\u003e\n\u003cp\u003eside A\u003cbr\u003e\nLexicon Devil 2:02\u003cbr\u003e\nPanda, Panda, Panda 2:46\u003cbr\u003e\n(featuring Greg Saunier, percussion)\u003c\/p\u003e\n\u003cp\u003eside B\u003cbr\u003e\nWie Melodien zieht es mir 1:36\u003cbr\u003e\nLittle Man With A Gun In His Hand 3:20\u003c\/p\u003e\n\u003cp\u003earrangements by Eric Lyon\u003c\/p\u003e\n\u003cp\u003ecomposers:\u003cbr\u003e\nThe Germs, Deerhoof, Johannes Brahms and Minutemen\u003c\/p\u003e\n\u003cp\u003erecorded and produced by Greg Saunier in his closet in Brooklyn, NY\u003c\/p\u003e\n\u003cp\u003ecover art by Jad Fair\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Lathe Cut Single + Digital","offer_id":44667156103391,"sku":"LP-NS-076","price":14.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156136159,"sku":null,"price":4.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156070623,"sku":"","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-06-at-8.20.23-PM.png?v=1703788716"},{"product_id":"string-noise-the-book-of-strange-positions","title":"String Noise - The Book of Strange Positions","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=175422397\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stringnoise.bandcamp.com\/album\/the-book-of-strange-positions\"\u003eThe Book of Strange Positions by String Noise\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eConrad Harris and Pauline Kim Harris, the husband\/wife violin duo comprising String Noise, have built a reputation as relentless contemporary music advocates with a propensity for the most intense and advanced classical music of today. As performers they have championed the work of extreme contemporary composers such as Bernhard Lang, Eric Lyon, and John Zorn.\u003c\/p\u003e\n\u003cp\u003eThis release goes back to the roots of String Noise. Between 2009-2011, Eric Lyon composed Noise Triptych, the first work written for the as-yet-unnamed duo. Lyon then provided the moniker String Noise, and the duo made their debut at the 2011 Ostrava New Music Days festival. This release presents Noise Triptych, and its follow-up composition, The Book of Strange Positions. Accompanying these works is a set of arrangements of punk rock songs created by Lyon between 2011- 2015.\u003c\/p\u003e\n\u003cp\u003eThe combination of classical music and punk rock might seem surprising, but here it makes sense. Lyon’s recent music has been built on the technique of “articulated noise,” in which most creative decisions are made at random, and the composition process is largely about managing serendipity. While this may seem abstruse, Lyon’s music itself tends to be driving, intense, and immediate, with strong ties to a punk rock sensibility. This pairing presents Lyon’s music in the context of some of its own musical affinities, while presenting familiar punk rock songs from a fresh viewpoint.\u003c\/p\u003e\n\u003cp\u003e“Trailblazing duo…” – Time Out New York\u003c\/p\u003e\n\u003cp\u003e“Formidable display of virtuosity…” – New Music Box\u003c\/p\u003e\n\u003cp\u003e“Lightning fast reflexes and warmly matched sounds….” – New York Times\u003c\/p\u003e\n\u003cp\u003e“They were greeted with a thundering ovation more common for American Idols…” – The Huffington Post\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667156627679,"sku":"CS-NS-072","price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156693215,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156660447,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/StringNoise_square_cover-e1646851916746.jpg?v=1703788749"},{"product_id":"the-necks-vertigo","title":"The Necks - Vertigo","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2107741802\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/vertigo\"\u003eVertigo by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Necks 18th album \u003cem\u003eVertigo\u003c\/em\u003e is an eventful, kaleidoscopic tone poem set against a darkly shimmering background. Slowly but inexorably moving forward, it crosses many frontiers yet remains true to the mission and mood established in the opening stanzas of this cinematic 44 minute journey. A work able to be viewed either as a whole, or two symmetrical halves, \u003cem\u003eVertigo\u003c\/em\u003e sees The Necks once again offer an excursion in sound that reflects both the light and darkness of some preternatural world.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVertigo\u003c\/em\u003e will be released on 30th October in North America by Northern Spy Records. It follows their acclaimed 2013 album Open, described by SPIN as ‘the most beautiful album of the year’.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the sustained improvisations that are their live performances, The Necks’ studio albums take shape by way of intricate crafting brought to bear throughout the entire recording and mixing process. “The discussion this time really began in earnest in the session itself, where we started to pursue the idea of having a drone running from start to finish, off which we could hang ideas,” said bassist Lloyd Swanton “But like all Necks albums we ended up in a very different place from whatever our initial notion of it had been.”\u003c\/p\u003e\n\u003cp\u003eMaintaining a teetering tension between suspension and collapse, \u003cem\u003eVertigo\u003c\/em\u003e draws on a diverse palette of sounds created in the studio by Tony Buck (drums\/percussion\/guitar), Lloyd Swanton (bass) and Chris Abrahams (piano\/keyboards), featuring everything from homemade instruments, extended instrumental techniques and marathon explorations of sonic textures.\u003c\/p\u003e\n\u003cp\u003eOne piece, at the same time two. Monochrome, yet multicoloured. Dark, yet incandescent. Expansive and still. Melancholic and exhilarating. The Necks. \u003cem\u003eVertigo\u003c\/em\u003e.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667157577951,"sku":"LP-NS-067","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667157676255,"sku":"CD-NS-067","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667157610719,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667157643487,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1767889221_10.jpg?v=1703788782"},{"product_id":"zs-xe","title":"Zs - XE","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4020678438\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zstheband.bandcamp.com\/album\/xe\"\u003eXe by Zs\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eZs is devoid of genre and unclassifiable. Since 2000, founder Sam Hillmer has remained its purveying constant, and with the addition of loose-limbed, meditative percussionist Greg Fox (Liturgy, Guardian Alien, Man Forever), and virtuosic avant-classical guitarist and composer Patrick Higgins, the band has found its epochal lineup. The trio’s vision is crystallized on Xe, Zs’ first full-length featuring the new trio, and first proper since 2010’s critically acclaimed New Slaves.\u003c\/p\u003e\n\u003cp\u003eHillmer, Fox and Higgins—three supremely heavy sages who exchange their pulsating phraseology with a mind-blowingly telepathic bent—in one room, nailing Xe in one miraculous live take, manned by Higgins and noted A-list producer Henry Hirsch (Lenny Kravitz, Madonna, Mick Jagger) at the boards in Hudson, New York’s Future-Past Studios.\u003c\/p\u003e\n\u003cp\u003eThe music on Xe even transcends artistic mediums, influencing renowned visual artist Tauba Auerbach, who believed Zs was examining the same structural concerns as her own work. She created several copies of two 3D printed steel sculptures derived from the mathematical varieties of helix known as the Z helix and S helix which she then arranged and photographed in various configurations for the Xe album art. From these, she also developed an original 3D typeface to construct ZS and XE on the interior of the packaging. The album’s minimalist, esoteric vibes aligned perfectly with Auerbach’s mind-bending and shadowy metallic sculptures. The artist attests to have never worked so hard on a record cover, nor gotten so much out of doing so.\u003c\/p\u003e\n\u003cp\u003eLike a bat out of futuristic and primal hell, Xe clangs and clatters out of the gate with “The Future of Royalty,” setting a sinister tone with a pummeling march of doomed knob-twiddling electro-shocks. Ghostly transmittals burst through cascades of hyper-distorted serrations on brutal synth twister “Wolf Government,” not unlike the cataclysmic solar systems of composer Ben Frost – whom Fox has also collaborated with. There’s the fractured sci-fi percolations of the electro-sax futureworld of “Weakling” and “Corps”. Xe’s jaw-dropping sonic architecture is manifested on the eighteen-minute title track, a controlled, yet chaotic, ecstatic marathon thick with its trademark crafted quiet\/loud heavy repetition, bleeding of tense, throbbing logic that erupt into euphoric explosions.\u003c\/p\u003e\n\u003cp\u003eThere might be no other way to describe Zs than as the deepest of DIY die-hard spiritualists exploring a genre-defying unheard music free of compromise and commercial leanings. Those aesthetics are illuminated on Xe. “The record starts with an explosion of caustic guitar noise and blazing drums and is then followed by a 7-minute desert of noise, finally, 10 to 12 minutes in you get a pulse,” Hillmer says. “No effects, no editing, nothing done in post, just a snap shot of three guys in a room who worked really hard on some music for a long time. That’s what we are bringing, and we really hope people can get into it, BUT! If they can’t, on a certain level, good. It’s alternative music for people who are seeking an alternative, and with this crisp domesticated indie\/EDM work on the rise, there may be more and more people seeking that. If so, y’all know where to find us!”\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667158790367,"sku":"LP-NS-062","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667158888671,"sku":"CD-NS-062","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667158823135,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667158855903,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-11-at-8.24.29-AM.png?v=1703788841"},{"product_id":"thurston-moore-john-moloney-caught-on-tape-full-bleed","title":"Thurston Moore \u0026 John Moloney - Full Bleed","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=934309972\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thurstonmoorejohnmoloney.bandcamp.com\/album\/caught-on-tape-full-bleed\"\u003eCaught on Tape — Full Bleed by Thurston Moore \u0026amp; John Moloney\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eFor their latest spiritual odyssey, Thurston Moore and John Moloney deliver the volcanic and violent maelstrom, Full Bleed. But unlike the helter-skelter out-jazz of Caught on Tape (“Full bore savage highway stuff, the mind exploding with wall melting emotion,” says Moore\/Moloney about that platter), Full Bleed collects nine Herculean sludgefeasts dripping of gnarly metal-damaged heaviosity and punk-jazz skronk-splattered fury, transmitted in an alien language only this duo can convey. “They became songs as they were played,” Moore\/Moloney explain about their writing process. “Composed on the fiery tongue, like how all real cool improv needs to be experienced.” And as far as assigning actual names to the songs? “We titled them to identify them as distinct ‘songs’ because that is what they need to be to survive in this fucked landscape of politician dung patrol. They became snakes.”\u003c\/p\u003e\n\u003cp\u003eWith the pulverizing thumps ‘n’ thwacks and cymbal-crashing annihilation Moloney inflicts on the skins melted to Moore’s hefty metallic wasteoid licks and jazzmongering fuckery heard on opening salvo “Age Limit,” the title track and “Dispute,” it’s apparent Full Bleed is a distinct beast thick with black metal riffer vibes, sans corpsepaint.\u003c\/p\u003e\n\u003cp\u003eFull Bleed penetrates a stratosphere of brutal heaviness and spazzcore jazz traversed by Moore and his fellow figureheads in yesteryear downtown NYC at defunct experimental\/jazz hubs, The Knitting Factory, Tonic and The Cooler. Pedal-hopping, apocalyptic doom metal torture (“Full Bleed”), mangled avant-jazz noise noodlage (“Self-Rule”) and tasty SY-like space rock jammage (“Arguing with a Balloon”) portends two dudes on a mission of absolute devastation. Recorded at Sonelab in Easthampton, Massachusetts with oft-engineering cohort Justin Pizzoferatto and cover art courtesy of Moloney, Full Bleed is the heaviest of spasmodic bliss from two kindred bohemian noise spirits.\u003c\/p\u003e\n\u003cp\u003eA tour in support of Full Bleed may transpire. Or not. “John and I, whether in Caught on Tape, or in any of our other side projects ALWAYS tour,” says Moore. “We are soldiers of the road, warriors of the wing – buses, vans, cars, trains, bicycles — we get to gigs and we plug in whether we are expected to or not. We just may play again in support of this LP if we can find the minutes where the universe allows us to be in the same room at the same time.”\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667159642335,"sku":"LP-NS-059","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667159707871,"sku":"CD-NS-059","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667159675103,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667159740639,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Thurston-Moore-John-Moloney-_E2_80_94-Full-Bleed-cover_E2_80_94web-copy-1-e1646851799215.jpg?v=1703788851"},{"product_id":"fred-frith-and-john-butcher-the-natural-order","title":"Fred Frith \/ John Butcher - The Natural Order","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300632064\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fredfrithandjohnbutcher.bandcamp.com\/album\/the-natural-order\"\u003eThe Natural Order by Fred Frith and John Butcher\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eGuitarist Fred Frith and saxophonist John Butcher are titans within the world of improvised music. Over the last four decades, each of these two men has permanently altered the way in which his instrument is heard: Frith with his (at times literal) deconstruction of the electric guitar, and Butcher with his exploration of the physical properties of sound and extended playing techniques.\u003c\/p\u003e\n\u003cp\u003eThough they’ve played live together a few times, The Natural Order, recorded in 2009 and mixed in 2012, documents Frith and Butcher’s first head-to-head encounter in a recording studio. The album is as pure a document as possible: recorded in a single stretch, with no overdubbing, the 10 tracks appear here in the order of their creation. It captures a single hour of unmediated interaction between two restless, creative spirits determined to make every moment with their respective instruments count. It’s not jazz, it’s not rock, it’s not noise—it’s pure music, the product of two men in one place at one time, unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eFred Frith – guitar\u003cbr\u003eJohn Butcher – saxophones\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667159937247,"sku":"CD-NS-060","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667159871711,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667159904479,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0862332074_10.jpg?v=1703788860"},{"product_id":"rhys-chatham-harmonie-du-soir","title":"Rhys Chatham - Harmonie du Soir","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3809963487\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rhyschatham.bandcamp.com\/album\/harmonie-du-soir\"\u003eHarmonie du soir by Rhys Chatham\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eRhys Chatham’s Harmonie du soir presents three heavenly compositions. The title track is the first major piece written for the configuration of six electric guitars, electric bass and drums since Die Donnergötter (1986). The second is The Dream of Rhonabwy, a piece written for large brass ensemble and percussion, realized in 2012 by a 70-piece brass band called Harmonie de Pontarlier, lead by the French conductor Patrick Erard. The last track on the CD version and bonus download for the vinyl edition is a 2012 studio performance of Drastic Classicism Revisited featuring Rhys Chatham, David Daniell, and Ryan Sawyer. The whole package is presented lovingly, mastered beautifully by James Plotkin, with extensive notes by Mr. Chatham.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667161870559,"sku":"LP-NS-048","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667161936095,"sku":"CD-NS-048","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667161903327,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667161968863,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/71qq92u78L._SL1400_-e1646851774155.jpg?v=1703788955"},{"product_id":"jenks-miller-spirit-signal","title":"Jenks Miller - Spirit Signal","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=107143221\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/northernspyrecords.bandcamp.com\/album\/spirit-signal\"\u003eSpirit Signal by Jenks Miller\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe multifaceted, tireless Jenks Miller (Mount Moriah, Horseback) turns his compositional and guitar-shredding talents to his first widely distributed solo album \u003cem\u003eSpirit Signal\u003c\/em\u003e, an experimental LP totally of-a-moment; each track was conceived, tracked, and mixed in one day. Though the surface characteristics of Jenks Miller’s various projects vary tremendously, they all share a carefully-crafted internal logic and an arresting attention to detail. The sonic pallette on \u003cem\u003eSpirit Signal\u003c\/em\u003e is at times airy and lyrical, at others claustrophobic and raw. Fractured, hypnotic melodies circle each other ominously, organic drones wilt beneath layers of fuzz, and minimal percussion disappears in an avalanche of sky-scraping texture. \u003cem\u003eSpirit Signal\u003c\/em\u003e is an album of contrast and synthesis, the stuff of internal landscapes. The playing here may recall folk guitar titans Neil Young and Richard Thompson and mind-benders like Keiji Haino, Loren Connors and Michael Morely.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667162984671,"sku":"LP-NS-043","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667163050207,"sku":"CD-NS-043","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667163017439,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163082975,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3753903129_16.jpg?v=1703789007"},{"product_id":"black-host-life-in-the-sugar-candle-mines","title":"Black Host - Life in the Sugar Candle Mines","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032543763\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/geraldcleaversblackhost.bandcamp.com\/album\/life-in-the-sugar-candle-mines-2\"\u003eLife in the Sugar Candle Mines by Gerald Cleaver's Black Host\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eSometimes it can be a challenge to rise above the flood of interesting music available in the new-release (let alone reissue) coffers and bring a vibe to the table that’s robust enough to grab one by the throat, offering seamless introspection within past and present. Black Host, a New York quintet nominally led by in-demand drummer Gerald Cleaver, is an improvising ensemble prepared to do just that. Cleaver is joined here by pianist Cooper-Moore, alto saxophonist Darius Jones, bassist Pascal Niggenkemper and guitarist Brandon Seabrook on a program of eight original compositions that blend modern jazz, free music, psych, post-punk and electrified noise with painstaking detail and heady abandon. The historically obsessed might name-check Albert Ayler (especially the groups with pianist Bobby Few and guitarist Henry Vestine), the early ‘70s music of Norwegians Jan Garbarek and Terje Rypdal, or Gary Windo with Carla Bley, but Black Host present dynamic, incisive and utterly contemporary music. \u003cem\u003eLife in the Sugar Candle Mines\u003c\/em\u003e is the group’s first record – hopefully one among several – a reverb-drenched and incisive stew of rhapsodic piano, searing alto and fractured guitar over rhythms that are alternately chunky and airy, rendered with a “live” energy that cuts through the cones on your speakers.\u003c\/p\u003e\n\u003cp\u003eFeatured Artists:\u003c\/p\u003e\n\u003cp\u003eGerald Cleaver (drums, sound design)\u003cbr\u003e\nCooper-Moore (piano, synth)\u003cbr\u003e\nBrandon Seabrook (guitar)\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003eDarius Jones (alto saxophone)\u003cbr\u003e\nPascal Niggenkemper (bass)\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667163345119,"sku":"CD-NS-039","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667163279583,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163312351,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/black-host-cover-square-e1646851699374.jpg?v=1703789025"},{"product_id":"loren-conors-suzanne-langille-i-wish-i-didnt-dream","title":"Loren Connors - I Wish I didn’t Dream","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=133529209\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lorenconnors.bandcamp.com\/album\/i-wish-i-didnt-dream-2\"\u003eI Wish I Didn't Dream by Loren Connors\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cem\u003eI Wish I Didn’t Dream\u003c\/em\u003e, the new album of duets by guitarist Loren Connors and vocalist Suzanne Langille, was cut in just a few hours of studio time. But the pieces started falling into place 15 years earlier on the 10th floor of a nondescript building in the Chelsea section of Manhattan.\u003c\/p\u003e\n\u003cp\u003eIt was there, at the old location of the Brecht Forum, that Connors got to know writer and WFMU DJ Kurt Gottschalk, who was curating a concert series there. On occasion Tom Abbs (now President of Northern Spy Records) would co-program weekend festivals there, sometimes bringing in MP Landis to do live painting during the performances.\u003c\/p\u003e\n\u003cp\u003eFlash forward to the present. Gottschalk was selecting paintings and writing text for a book of Landis’ paintings and the two begin imagining a soundtrack for the book. The obvious choice would be Connors, a painter himself, and Langille, an admirer of Landis’ work. The more they talked about it, the more plausible it seemed. Gottschalk had already produced a Northern Spy release with Connors and Langille (Haunted House, Blue Ghost Blues, NS012, with Andrew Burnes and Neel Murgai) which featured one of Landis’ paintings on the cover.\u003c\/p\u003e\n\u003cp\u003eWithin a few months a session had been booked in the same studio where Blue Ghost Blues was recorded. The process was simple. Slides from Landis’ WD series of paintings were shown on a screen and Connors and Langille responded. There was no advance preparation other than a folder of verses (her own as well as Keats, Denis McCarthy and some nearly lost to history) Langille brought to the session.\u003c\/p\u003e\n\u003cp\u003eThe resulting album, their first duo record in 14 years, is as vulnerable as it is beautiful. Langille sings as if she’s speaking cautiously, Connors’ guitar barely whispers, but at any turn either might erupt in screams. Do they not want to yearn for more, or do they fear their nightmares? Their dreams are a haunting mystery.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667165540575,"sku":"CD-NS-031","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667165507807,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667165573343,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0580569682_10.jpg?v=1703789086"},{"product_id":"zs-score","title":"Zs - Score","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2374516240\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zstheband.bandcamp.com\/album\/score-the-complete-sextet-works-2002-2007\"\u003eScore - The Complete Sextet Works: 2002 - 2007 by Zs\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Complete Sextet Works: 2002-2007\u003c\/p\u003e\n\u003cp\u003eSeptember 2012 New York City band Zs celebrates 10 years of being a band with the release of Score – The Complete Sextet Works: 2002-2007. Zs has been described with a dizzying array of musical vocabularies, and has performed alongside an equally dizzying complement of colleagues and collaborators ranging fromThrobbing Gristle’s Genesis P. Orridge, to Roscoe Mitchell, toChristian Wolf, not to mention hundreds of comrades from the Brooklyn DIY scene, that has been home to Zs’ myriad incarnations and musical and artistic tangents. Belonging nowhere and everywhere, Zs has absorbed the editorial space of Howard Stern andAlex Ross alike. In 10 years of activity, the band has changed in countless ways without ever changing a fierce commitment to inscrutable aesthetics and execution crafted to provoke reflection and challenge assumption in the consumption of music.\u003c\/p\u003e\n\u003cp\u003eWhen Zs first formed the sextet, the band operated as a composers collective who played their own compositions. All members of the band huddled over sheet music on music stands illuminated by floodlights. The band was known for ensemble style rather than individual styles of the players, and developed a particular reputation for a near pathological commitment to unison execution of counter intuitive rhythms at an ear splitting volume, or at a virtually inaudible volume. Additionally, the band wore uniforms, a way of drawing attention away from the people playing in the band, and toward the group responsible for the monolithic rhythms and harmonies Zs spun out relentlessly at early shows. This stands in stark contrast to the emphasis on individual style found in Zs’ recent work. That said, this music is important in the development of Zs as it articulates the formation of the aesthetic and formal vocabulary that would form the underpinning for all future journeys the band would take.\u003c\/p\u003e\n\u003cp\u003eAt present Zs remains committed to constant change in method and stasis in intention – different means, people, and aesthetics, always meant to instigate questioning and challenge preconception. The band is working on writing their 3rd full length record and an EP, both due out in 2013. In the mean season, dive into the early world of Zs with Score – The Complete Sextet Works: 2002-2007.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667167211743,"sku":"CD-NS-027","price":24.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667167146207,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667167178975,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/homepage_large.bf2ea24a.jpg?v=1703789111"},{"product_id":"zs-33","title":"Zs – 33","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241305369\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zstheband.bandcamp.com\/album\/33-2\"\u003e33 by Zs\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAvant heavyweights ZS bring you a rare four-sided vinyl dreamscape of thunderous bass and infectious rhythm with their debut recording for Northern Spy. As you flip the wax from side to side, the picking and popping of this abstract dub will clean your brain and push you to the brink of dance and transcendental bliss. The limited edition double 7” is encased in a silk screened fold out sheath, delicately assembled for the true collector. Recorded at Brooklyn’s Python Patrol and mastered at Pike’s Point, the intentionally dense sounds on these tracks take the conventional wave form and turn it on its ear.\u003c\/p\u003e\n\u003cp\u003eIn the tradition of underground urban abstractions, the music here is quite undefinable. If Mark Rothko were in Tinariwen when ZS were all growing up in DC as high school students in the early nineties, they might have made this record, and opened for Nation of Ulysses. If Ellsworth Kelly had taken up the banjo instead of painting, if Barnet Newman was a gangster rapper, they may have come up with aural musing such as these, but in the end, this music could only come from one group, place and time. The creative cauldron of Brooklyn in 2011 and by no other trio but Sam Hillmer, Ben Greenberg and Ian Antonio. ZS – 33\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Double 7\" + Digital","offer_id":44667169603807,"sku":"SI-NS-016","price":15.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667169636575,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667169669343,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-26-at-9.24.36-AM.png?v=1703789222"},{"product_id":"terry-riley-in-c","title":"Brooklyn Raga Massive - Terry Riley In C","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3593172528\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bkragamassive.bandcamp.com\/album\/terry-riley-in-c-2\"\u003eTerry Riley In C by Brooklyn Raga Massive\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBrooklyn Raga Massive (BRM), a collective of forward thinking musicians rooted in Indian classical music, release Terry Riley In C recorded live in concert with 18 musicians at Joe’s Pub on January 11, 2017. Indian classical music is often a lonely affair involving 3 or 4 musicians at most. Sitarist Neel Murgai identified the canonic minimalist masterpiece as an accessible way for a critical mass of BRM musicians to play together. Terry Riley himself, after listening to an early performance recording, suggested they “use the basic In C form but open it up to solos...based on some of the patterns.” BRM’s arrangement of In C incorporates raga, Indian ornamentation, driving tabla rhythms, improvised solos and an instrumentation of sitar, sarod, bansuri, vocals, tabla, hammered dulcimer, oud, violin, cello, upright bass, dragon mouth trumpet, guitar, cajon, riq and frame drum.\u003c\/p\u003e\n\u003cp\u003eTerry Riley composed In C in 1964, but this release marks the first time it has been performed and recorded by a group featuring so many Indian classical musicians and raga elements. The piece’s basic structure consists of 53 cells of music for any instrumentation, short fragments that each performer repeats, displaces and moves through at their own will. Terry Riley is a long time practitioner of Indian classical vocal music, having studied with Pandit Pran Nath, but he confirmed that “I have never heard an ensemble like this playing In C.” BRM brings the composition full circle with this unique rendition.\u003c\/p\u003e\n\u003cp\u003eBRM performs and presents over 70 concerts annually including an ongoing weekly concert and jam session at venues including Kennedy Center, Lincoln Center, Celebrate Brooklyn, Pioneer Works, MOMA, Rubin Museum and more.Their extensive repertoire includes Terry Riley’s In C, a Coltrane Raga Tribute, Indian classical and original works by various members of the collective. BRM is a 501 c3 Non-profit run by musicians for musicians dedicated to spreading raga inspired music across the globe. This is BRM’s first release with Northern Spy Records, and the first time the group’s work will be available on CD.\u003c\/p\u003e\n\u003cp\u003eProduced by Neel Murgai and Brooklyn Raga Massive\u003cbr\u003e\n\"In C\" Composed by Terry Riley\u003cbr\u003e\nMusic Direction by Neel Murgai\u003c\/p\u003e\n\u003cp\u003eRecorded Live at Joe's Pub at the Public\u003cbr\u003e\nJanuary 11, 2017\u003c\/p\u003e\n\u003cp\u003eMixing and Mastering - Kane Mathis\u003cbr\u003e\nRecording Technician - Milton Ruiz\u003cbr\u003e\nSound Engineer - Jon Shriver\u003c\/p\u003e\n\u003cp\u003ePEOPLE\u003c\/p\u003e\n\u003cp\u003eNeel Murgai - Sitar \u0026amp; Vocal\u003cbr\u003e\nArun Ramamurthy - Violin\u003cbr\u003e\nAndrew Shantz - Vocal\u003cbr\u003e\nJosh Geisler - Bansuri\u003cbr\u003e\nSameer Gupta - Tabla\u003cbr\u003e\nRoshni Samlal - Tabla\u003cbr\u003e\nEric Fraser - Bansuri\u003cbr\u003e\nTimothy Hill - Vocal\u003cbr\u003e\nTrina Basu - Violin\u003cbr\u003e\nKen Shoji - Violin\u003cbr\u003e\nKane Mathis - Oud\u003cbr\u003e\nAdam Malouf - Cello\u003cbr\u003e\nMichael Gam - Bass\u003cbr\u003e\nLauren Crump - Cajon\u003cbr\u003e\nDavid Ellenbogen - Guitar\u003cbr\u003e\nMaz ZT - Hammered Dulcimer\u003cbr\u003e\nVin Scialla - Riq \u0026amp; Frame Drum\u003cbr\u003e\nAaron Shragge - Dragon Mouth Trumpet\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667173667039,"sku":"CD-NS-094","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667173634271,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667173699807,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/BRM-InC-cover-e1646850803826.jpg?v=1703789411"},{"product_id":"aftercaroline","title":"Jason Stein's Locksmith Isidore - After Caroline","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3955205633\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jasonsteinslocksmithisidore.bandcamp.com\/album\/after-caroline\"\u003eAfter Caroline by Jason Stein's Locksmith Isidore\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eJason Stein is a ubiquitous presence on the world class Chicago improvised music scene and beyond. He’s a staunch force with a monogamous passion for his instrument of choice, the darkly sonorous and notoriously difficult bass clarinet. It’s a testament to Stein’s consummate musicianship and versatility that he plays an indispensable role in a raft of über creative outfits including but not limited to, Mike Reed’s Flesh and Bone, Joshua Abrams’ Natural Information Society, drummer Quin Kirchner’s Group, James Falzone’s Renga Ensemble, The Charles Rumback Quintet, Kyle Bruckmann’s Wrack, The Russ Johnson Quartet and an electronics fed collective with drummer Chad Taylor and pianist Paul Giallorenzo, Hearts and Minds. But Stein thrives as a leader also, as witnessed by his critically-acclaimed recent quartet release. However, no other aggregation he works with has quite the road legs, perspective, and intimacy of Locksmith Isidore, his long running trio with bassist Jason Roebke and drummer Mike Pride. Of late, this decade old unit has toured arenas throughout the US opening for comedy star Amy Schumer, who happens to be Stein’s kid sister. Presenting avant jazz in such massive venues as Madison Square Garden and LA’s Forum has cemented Locksmith Isidore’s very special bond, which is more than apparent on their fourth album After Caroline.\u003c\/p\u003e\n\u003cp\u003eStein’s cohorts in Locksmith Isidore are similarly versatile in their playing and experience. New York based drummer Mike Pride’s sock-it-to-ya beats have pushed countless bands. He’s worked with iconoclasts Anthony Braxton and John Zorn, and formatively, hardcore punks Millions of Dead Cops. He’s key to the drive of the locksmith, as is bass ace Jason Roebke. As one of the Chicago scene’s most versatile and in-demand players, Roebke’s sound is at home in all sorts of improvisational music, from the super abstract to swinging jazz.\u003c\/p\u003e\n\u003cp\u003eAfter Caroline displays all this versatility, and then some. The title derives from the fact that Stein’s paternal grandmother Caroline—wife to the locksmith Isidore—passed away the day the album was recorded. The lovely “You Taught Me How To Love”, which features a tensile contrabass solo from Roebke and skippy brushwork from Pride, is a paean to Caroline. This open hearted ballad demonstrates that despite Stein’s hi-energy capabilities elsewhere, he is at base a tempered melodist. With that said, After Caroline opens in a more expressionistic and churning mode on the improv manifesto “As Many Chances As You Need,” during which the three improvisers forcefully negotiate the squirrelly 19\/8 time signature. Though he’s no doubler or dilettante—perhaps because of that—Stein comes at you on his clarinet as if it were a tenor saxophone, and in white-hot, paintstripping moments, his sound recalls the exultant fury of Pharaoh Sanders or Albert Ayler.\u003c\/p\u003e\n\u003cp\u003e“Walden’s Thing” is written for Detroit saxist\/bandleader Donald Walden, with whom Stein studied at the University of Michigan. Stein wryly explains of the tune: “as a strict bebop linguist, Donald would have hated it, but with a smile, which makes me happy.” On another tune, “Eckhardt Park,” Stein pays tribute to his west loop woodshed in Chicago during a time when he could be seen serenading the traffic in front of the Dan Ryan Expressway. He’d hop the fence near his home and strengthen his sound, playing his way AND the highway. Pride’s mallets are particularly pugnacious on “Walden’s Thing” and the abstract tone poem “Ida Like,” which was inspired by Stein’s late great aunt and his four-year-old daughter who share the same name. Roebke’s arco shavings, assorted creaks, strums and pings are a whole other trick bag from his broad willowy swing. The atmospheric concoction conjures Ida, Alice-in-Wonderland-like, picking a lock herself. “Sternum” is further fodder for the textural ingenuity of the trio. Stein lays in back with muted, quizzical longtones, flutter tonguing like a surreptitious rattler, as drum and bass hatch an ominously intriguing soundscape.\u003c\/p\u003e\n\u003cp\u003eStein alone is a pioneering force, pushing the vocabulary for his chosen horn way beyond the norm. Yet he’s heard to finest effect in this trio of quicksilver like-minds who know best how to goad, shape and angle his vision.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667174519007,"sku":"LP-NS-099","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667174551775,"sku":"CD-NS-099","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667174617311,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667174584543,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2876835550_10.jpg?v=1703789460"},{"product_id":"old-rockhounds-never-die","title":"Odetta Hartman - Old Rockhounds Never Die","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2143246411\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/odettahartman.bandcamp.com\/album\/old-rockhounds-never-die\"\u003eOld Rockhounds Never Die by Odetta Hartman\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOdetta Hartman’s second album Old Rockhounds Never Die is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.\u003c\/p\u003e\n\u003cp\u003eDrawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company (“Cowboy Song”), to experiencing the intense natural beauty of Icelandic waterfalls (“Dettifoss”), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.\u003c\/p\u003e\n\u003cp\u003eRaised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colorful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax.\u003c\/p\u003e\n\u003cp\u003eLomax is writ large on Old Rockhounds... at least in spirit anyway. Odetta plays all the instruments on this and her debut 222, which made problematic the changeovers between songs when playing live. Field recordings the singer had collected on her travels were utilized to make such transitions seamless, and so successful was that intermingling of songs and soundscapes that they’ve transitioned into the recording process. It makes for a strangely intimate listen: tingly and a little tipsy: an album for twilight, sitting within the nocturnal hinterland between dusk and somnambulance - candlelit and confidential - a time for stories and secrets.\u003c\/p\u003e\n\u003cp\u003eSo far, so old skool. And yet, Old Rockhounds Never Die also embraces modernity without ever sounding incongruous. The mix of manipulated 21st century beats and the musical traditions of centuries meet at a crossroads and consummate their curiosity without inhibition. It’ll probably not surprise anyone listening to the album then that its a co-production. Odetta writes and performs all the songs while her partner Jack Inslee is in the background bringing the digital dark arts. Experimenting with found sounds \u0026amp; foley, the two have developed a sonic vernacular built around playing around with a-typical instruments. Hartman explains: “Many of the beats on the album were recorded in the kitchen: the snare sound is actually a running faucet, or if you hear these glockenspiel bells that's actually a set of kitchen bowls. Other percussive elements include scissors, a pepper grinder and keys on the radiator.”\u003c\/p\u003e\n\u003cp\u003eHartman was performing in a 10-piece band when she met Jack, who then challenged her to strip everything back and explore her own singular talent. The first fruits of this experiment were borne on the aforementioned, critically acclaimed 222. In 2015, Stereogum said: “Her impulse to mix elements of folk, bluegrass, and Americana with experimental or warped psychedelia is bridged by her strength as a lyricist, and the strength of the record’s producer Jack Inslee.” Old Rockhounds... takes the blueprint and improves upon it, with songs yet more vivid, sensual and cinematic. “Widow’s Peak” in particular is peak Hartman, a spooky tale that came to her like a bolt of lightning one day. It’s a gorgeous lullaby that builds stealthily, then - like a levee of violins rather than water - it bursts forth. That special moment was actually originally a mistake in the studio.\u003c\/p\u003e\n\u003cp\u003e“It was a happy accident,” says Odetta. “We played back all of the test takes together by mistake and fell in love with the wall of sound. I love mistakes in songwriting or recording, because they so often lead to something greater.” The title track, meanwhile, came as a moment of inspiration that seemed to also come from another place. If the singer was the vessel, then luckily Jack was on hand with the tape rolling. Odetta explains:\u003c\/p\u003e\n\u003cp\u003e“Jack and I were working on something else; it was pretty late at night, a couple of whiskey's in, and I was strumming this shitty backpacker guitar. Thankfully Jack ran the tape, because that track is completely improvised; it just came off the bat. You can even hear me laughing at the end! I think the melody is really catchy and I was doing something with my voice that I'd never done before - kind of jumping up the octave in that old country yodelling style.\u003c\/p\u003e\n\u003cp\u003e“I re-tracked with a real guitar, wrote different lyrics that were a little more clever, but ultimately you just lose the magic when you try to recreate something so raw like that. Maybe most artists wouldn't start their record with a scratch take of a demo, but for me it just emphasizes that I never take myself too seriously and I always try to have fun.”\u003c\/p\u003e\n\u003cp\u003eIf fun is the operative word, then it should also be noted that Old Rockhounds Never Die is an album featuring a dust-bowl murder ballad called \"Misery\" replete with gunshots. With Odetta Hartman it's always about those beautiful contradictions.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Blue Vinyl + Digital","offer_id":44667175633119,"sku":"LP-NS-100C","price":19.99,"currency_code":"USD","in_stock":true},{"title":"Standard Black Vinyl + Digital","offer_id":44667175665887,"sku":"LP-NS-100","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667175698655,"sku":"CD-NS-100","price":13.99,"currency_code":"USD","in_stock":true},{"title":"WAV Download","offer_id":44667175764191,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667175731423,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a4027255447_10.jpg?v=1703789492"},{"product_id":"images-of-duration","title":"Yarn\/Wire - Images of Duration","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=333507559\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/yarnwire.bandcamp.com\/album\/images-of-duration\"\u003eImages of Duration by Yarn\/Wire\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWritten between 2015 and 2018 for the acclaimed New York percussion and piano quartet, Yarn\/Wire, Alex Mincek’s Images of Duration (In homage to Ellsworth Kelly) is a monumental work by any measure. With a runtime close to one hour, it is not only Mincek’s longest work to date, but also one of his most intriguing. It is scored for two pianos tuned 1\/4 tone apart (441 and 428 Hz, respectively) and a vast array of percussion including tuned gongs, air canisters, waterphone, baby monitor, and white-noise machine alongside more traditional instruments like drums, vibraphone, marimba, and chimes. This instrumentation, while wildly varied, creates an ever-changing landscape that is brutal, disorienting, beautiful, meditative, and jarring - often at the same time. \u003c\/p\u003e\n\u003cp\u003eMincek is interested in how perception changes over time, and the sheer scale of Images of Duration allows for listeners to discover different modes of listening for themselves. The individual movements can function as sonically flat landscapes (like Kelly’s work), but upon deeper listening, the many multiple layers can be teased out and followed, creating an arc across the whole piece. The music traverses movements that range from Oblique’s piano rumble and ebow drones through the sparkling detuned piano passages of Vermillion to violent piano glissandi of Diagonal, all punctuated by massive percussion hits throughout. \u003c\/p\u003e\n\u003cp\u003eImages of Duration (In homage to Ellsworth Kelly) exemplifies Yarn\/Wire’s commitment to the most dynamic and forward-looking chamber music made today. \u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667176485087,"sku":"CD-NS-103","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667176517855,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667176550623,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3265017781_10.jpg?v=1703789501"},{"product_id":"body","title":"The Necks - Body","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=937190826\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/body\"\u003eBody by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAustralia’s greatest cult band, The Necks, has a new piece to offer the world this summer, entitled “Body”. Different again to all previous Necks albums (20 in total), the band has chosen 10 words and phrases that summarize the four richly contrasting episodes of this hour-long, mesmerizing groove. They are as follows: Episodic, Driving, Dynamic, Layered, Celebratory, Soaring, Rocking out, Buoyant, Sustained, Perfectly paced.\u003c\/p\u003e\n\u003cp\u003eThe album uses, yet again, the combination of Chris Abrahams (piano, keyboards) Tony Buck (drums, percussion, and guitar very much to the fore on this one) and Lloyd Swanton (acoustic bass) with Tim Whitten (engineer), who has recorded and\/or mixed the last twelve Necks albums. The Necks hold their own with the best of them when it comes to rhythmic complexity, but they have put much of that to one side for this album in the interests of conjuring their most relentlessly driving album since Hanging Gardens.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667176779999,"sku":"CD-NS-104","price":15.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667176845535,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667176812767,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3079202239_10.jpg?v=1703789511"},{"product_id":"from-untruth","title":"Amirtha Kidambi Elder Ones - From Untruth","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3887533018\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/amirthakidambi.bandcamp.com\/album\/from-untruth\"\u003eFrom Untruth by Elder Ones\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe second release by Amirtha Kidambi's ensemble Elder Ones, From Untruth is comprised of four pieces grappling with issues of power, oppression, capitalism, colonialism, white supremacy, violence and the shifting nature of truth. This music means to give the listener momentary relief from the anxiety and pain caused by living in our current reality.\u003c\/p\u003e\n\u003cp\u003eFrom Untruth builds upon the bedrock foundation of Kidambi's previous compositional and conceptual work with Elder Ones, while forging uncharted territory. After a journey into wordless abstraction on Holy Science (Northern Spy, November 2016), Kidambi felt the urgency of the political moment required a direct and verbal call to action.\u003c\/p\u003e\n\u003cp\u003eThe instrumentation adds a layer of technology as a metaphor for modernity, with Kidambi on analog synthesizer and Max Jaffe's drumming talents extended to electronic Sensory Percussion. The frenzied improvising of Matt Nelson on soprano sax and gravity of Nick Dunston on bass, anchor the music in the tradition of free jazz, while it pushes into new futurist realms. The aesthetic seamlessly reels from modal meditation, atonal expressionism, free improvisation and melodic invention, to unabashed bursts of punk rock energy.\u003c\/p\u003e\n\u003cp\u003eThis is Elder Ones at an unadulterated breaking point; on the edge of a knife that cuts.\u003c\/p\u003e\n\u003cp\u003eAmirtha Kidambi: Compositions, Vocals, Harmonium, Synthesizer\u003cbr\u003e\nMatt Nelson: Soprano Saxophone, Moog\u003cbr\u003e\nNick Dunston: Bass\u003cbr\u003e\nMax Jaffe: Drums, Electronic Sensory Percussion \u003c\/p\u003e\n\u003cp\u003eRecorded at Birdwatcher Studios, Big Indian, NY\u003cbr\u003e\nEngineer: Chris Weiss\u003cbr\u003e\nMixing and Mastering: Matt Mehlan\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667179925727,"sku":"LP-NS-113","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667179892959,"sku":"CD-NS-113","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667179991263,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667179958495,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS113_FromUntruth_cover-e1646850113495.jpg?v=1703789610"},{"product_id":"barn-songs","title":"Fay Victor - Barn Songs","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4278874906\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fayvictor.bandcamp.com\/album\/barn-songs\"\u003eBarn Songs by Fay Victor\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhen Fay Victor found herself struggling to break into New York City’s jazz scene in the ‘90s, the singer and composer took a gamble on moving to Amsterdam to hone her voice and develop her improvisational instincts—a move that transformed Victor from a straight ahead jazz singer into a daring vocal improviser. Over 20 years later, Victor has revisited these Amsterdam compositions for Barn Songs, her tenth album as a bandleader. Recording alongside cellist Marika Hughes and alto saxophonist Darius Jones, the experimental project came to fruition in a tumble-down barn co-owned by Marika Hughes and Tanya Kalmanovitch in the northern foothills of the bucolic Catskills Mountains. The trio turned the building into an organic recording compound for three days, complete with passings birds and squirrels adding naturalistic ambience to the mix. Remarkably, the songs Victor wrote while living another life in another country reveal themselves to be prescient commentary on the modern way we live today.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667183136991,"sku":"CD-NS-121","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667183202527,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667183169759,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/ns121cover-e1646424577820.jpg?v=1703789687"},{"product_id":"the-weather-up-there","title":"Jeremy Cunningham - The Weather Up There","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2015962542\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jeremycunningham.bandcamp.com\/album\/the-weather-up-there\"\u003eThe Weather Up There by Jeremy Cunningham\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eChicago drummer and composer Jeremy Cunningham wrote The Weather Up There in response to the loss of his brother Andrew, who died in a home invasion robbery in 2008. Co-produced by Jeff Parker and Paul Bryan, and engineered by Paul Bryan and John McEntire, this new work confronts the tragedy of violence and examines the acute ripple effect on several people's lives through the lens of memory, response, and collage. Further deepening the textural and emotive impact, Cunningham formed a “drum choir” for these recordings, comprised of close mentors and colleagues Mike Reed, Makaya McCraven, and Mikel Patrick Avery. Cunningham also taps regular collaborators Ben LaMar Gay, Jaimie Branch, Tomeka Reid, Dustin Laurenzi, Matt Ulery, and Josh Johnson.\u003c\/p\u003e\n\u003cp\u003e“Jeremy is a rare drummer who possesses both insane skills and immaculate taste.\u003cbr\u003eHis tunes have that same sensibility— they are layered and sophisticated while\u003cbr\u003eremaining visceral and hummable.” -Yoni Wolf (Why?)\u003c\/p\u003e\n\u003cp\u003e“Jeremy Cunningham’s upcoming record is a testament to his commitment to sound,\u003cbr\u003efeel and creativity that sets him apart from other drummers. I am inspired by his\u003cbr\u003evulnerable and honest approach to music both as a drummer and composer.” -Makaya McCraven\u003c\/p\u003e\n\u003cp\u003e\"I've had the pleasure of watching Jeremy grow into one of the most visionary\u003cbr\u003ecomposer\/bandleaders on the scene today. It was truly an honor for me to work with\u003cbr\u003ehim on 'The Weather Up There'.\" –Jeff Parker\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Tranparent Orange Vinyl + Digital","offer_id":44667183268063,"sku":"LP-NS-122LE3","price":19.99,"currency_code":"USD","in_stock":false},{"title":"Limited Edition Hazy Sky Vinyl + Digital","offer_id":44667183300831,"sku":"LP-NS-122LE2","price":19.99,"currency_code":"USD","in_stock":false},{"title":"Standard Black Vinyl + Digital","offer_id":44667183333599,"sku":"LP-NS-122","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667183366367,"sku":"CD-NS-122","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667183431903,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667183399135,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Jeremy-Cunningham-digital-art-e1646419242572.jpg?v=1703789701"},{"product_id":"thai-elephant-orchestra","title":"Richard Lair \/ Dave Soldier - Thai Elephant Orchestra","description":"\u003cdiv\u003e\n\u003cp\u003eNorthern Spy Records in partnership with Record Store Day have announced that original recordings by the \u003cspan class=\"il\"\u003eThai\u003c\/span\u003e \u003cspan class=\"il\"\u003eElephant\u003c\/span\u003e \u003cspan class=\"il\"\u003eOrchestra\u003c\/span\u003e—an ensemble consisting of \u003cspan class=\"il\"\u003eThai\u003c\/span\u003e \u003cspan class=\"il\"\u003eelephants\u003c\/span\u003e located at a conservation center in Northern \u003cspan class=\"il\"\u003eThailand\u003c\/span\u003e—will be released on vinyl for the first time \u003cstrong\u003eever\u003c\/strong\u003e on July 17th. This year, RSD Drops will take place on June 12 and July 17 at participating stores worldwide.\u003c\/p\u003e\n\u003cp\u003eCo-founded by \u003cspan class=\"il\"\u003eelephant\u003c\/span\u003e conservationist, Richard Lair, and musical artist and a professor of Neuroscience at Columbia University, Dave Soldier, the \u003cspan class=\"il\"\u003eThai\u003c\/span\u003e \u003cspan class=\"il\"\u003eElephant\u003c\/span\u003e \u003cspan class=\"il\"\u003eOrchestra\u003c\/span\u003e are trained to play enormous, specially designed percussion instruments modeled after \u003cspan class=\"il\"\u003eThai\u003c\/span\u003e instruments (such as the \u003ca href=\"https:\/\/www.wikiwand.com\/en\/Ranat_ek\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.wikiwand.com\/en\/Ranat_ek\u0026amp;source=gmail\u0026amp;ust=1617835938196000\u0026amp;usg=AFQjCNGa1sP-thSsBWn0jtIVJT2t39l3Sg\" target=\"_blank\"\u003eranat ek\u003c\/a\u003e). The completely improvised recordings consist of remastered audio of material released on CD via Mulatta Records as well as previously unreleased bonus material, new liner notes by Dave Soldier, and a beautiful package designed by D. Norsen.\u003c\/p\u003e\n\u003cp\u003eThe \u003cspan class=\"il\"\u003eThai\u003c\/span\u003e \u003cspan class=\"il\"\u003eElephant\u003c\/span\u003e \u003cspan class=\"il\"\u003eOrchestra\u003c\/span\u003e have previously been featured on \u003ca href=\"https:\/\/www.npr.org\/2013\/08\/03\/208338182\/the-biggest-thing-out-of-thailand-an-elephant-orchestra\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.npr.org\/2013\/08\/03\/208338182\/the-biggest-thing-out-of-thailand-an-elephant-orchestra\u0026amp;source=gmail\u0026amp;ust=1617835938196000\u0026amp;usg=AFQjCNGIefexmd6I-D08V1AsM-soW2zctA\" target=\"_blank\"\u003eNPR’s All Things Considered\u003c\/a\u003e and \u003ca href=\"https:\/\/www.bbc.com\/news\/magazine-24400364\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.bbc.com\/news\/magazine-24400364\u0026amp;source=gmail\u0026amp;ust=1617835938196000\u0026amp;usg=AFQjCNFe8udsaVswx2VAJqIbVo6B4oB9kw\" target=\"_blank\"\u003eBBC’s World Service\u003c\/a\u003e. Read more about the \u003cspan class=\"il\"\u003eThai\u003c\/span\u003e \u003cspan class=\"il\"\u003eElephant\u003c\/span\u003e Conservation Center \u003ca href=\"https:\/\/www.thailandelephant.org\/\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.thailandelephant.org\/\u0026amp;source=gmail\u0026amp;ust=1617835938196000\u0026amp;usg=AFQjCNFAxhyMSdHl8vINrLDPZlxe7jHdvg\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003cbr\u003e\u003c\/strong\u003eA1. Three Renats, Gong, Thundersheet\u003cbr\u003eA2. Diddley Bow, Two Renats, Khene, Gong, Thundersheet\u003cbr\u003eA3. Renats, Diddley Bow, Bass Drum, Synthesizer, Thundersheet\u003cbr\u003eA4. Reed, Two Renats, Gong, Synthesizer\u003cbr\u003eA5. Two Renats\u003cbr\u003eA6. Diddley Bow, Slit Drums, Harmonica, Khene, Thundersheet, Gong\u003cbr\u003eA7. Pitch Pipe, Renat, Slit Drums, Diddley Bow\u003cbr\u003eB1. Bass Drum, Gong, Thundersheet\u003cbr\u003eB2. Diddley Bow, Slit Drums\u003cbr\u003eB3. Two Harmonicas, Khene, Bass drum, Tom-Tom, Gong, Diddley Bow\u003cbr\u003eB4. Three Renats, Slit Drum\u003cbr\u003eB5. Renat, Two Slit Drums, Gong, Thundersheet\u003c\/p\u003e\n\u003cp\u003eBonus 7” Tracklist\u003cbr\u003eA1. Two Renats, Thundersheet, Bass Drum\u003cbr\u003eB1. \u003cspan class=\"il\"\u003eElephant\u003c\/span\u003e Field Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformers Elephants\u0026gt;\u003cbr\u003e\u003c\/strong\u003eJoJo, Luuk Khang, Luuk Kob, Phangkhawt, Phrathida and Phumpang\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits\u003cbr\u003e\u003c\/strong\u003eMixed by Dave Soldier\u003cbr\u003eProduced by Dave Soldier, Richard Lair, Rory Young, and Linzy Emery\u003cbr\u003eRecorded on location by Rory Young\u003cbr\u003eAssistant recording engineers Maria Banks and Neil Budzinski\u003cbr\u003e\u003cspan class=\"il\"\u003eElephant\u003c\/span\u003e instruments designed by Dave Soldier, Ken Butler, Don Ritter, Richard Lair, and Neepagong, and built with the woodworking and metalworking shops at the \u003cspan class=\"il\"\u003eElephant\u003c\/span\u003e Conservation Center\u003cbr\u003eIllustrations by Jenny Lynn McNuff\u003cbr\u003eReissue design by D.Norsen\u003cbr\u003eRemastered by Chris Weiss\u003cbr\u003ePhotography by Neil Budzinski\u003cbr\u003eLiner notes by Dave Soldier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinks\u003cbr\u003e\u003c\/strong\u003e\u003ca href=\"http:\/\/www.thailandelephant.org\/\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.thailandelephant.org\/\u0026amp;source=gmail\u0026amp;ust=1617835938196000\u0026amp;usg=AFQjCNHptQmVtnd2_KC1qQPuLBgLeGssxQ\" target=\"_blank\"\u003ethailandelephant.org\/\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/northernspyrecs.com\/\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/northernspyrecs.com\/\u0026amp;source=gmail\u0026amp;ust=1617835938196000\u0026amp;usg=AFQjCNHZP2lDA3ut_E-KXduJPlCG67FlvQ\" target=\"_blank\"\u003enorthernspyrecs.com\/\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/recordstoreday.com\/\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/recordstoreday.com\/\u0026amp;source=gmail\u0026amp;ust=1617835938196000\u0026amp;usg=AFQjCNG-lu5mtzd-tP98GEzDiHrXUdTS5Q\" target=\"_blank\"\u003erecordstoreday.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667186643167,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667186675935,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/1617735241.0292260647.jpg?v=1703789850"},{"product_id":"olivia-block-aberration-of-light-c62","title":"Olivia Block - Aberration Of Light","description":"\u003cp\u003eWe’re proud to present brand new work from Chicago-based sound artist Olivia Block in the form of “Aberration of Light.” An accomplished composer of electro-acoustic music, Block has premiered her work all over the globe in the form of both solo and collaborative live performances, sound installations at highly-regarded art institutions, and lectures at academic establishments. This conceptually inspired work was originally conceived in 2011 as a four-speaker soundtrack for a collaboration with two expanded cinema artists using manipulated light from film-less 35mm projectors. For NNA’s 82nd release, the artist offers us a 31-minute reworked version of this material for the cassette format. In essence, this piece is as much about the absence of sound as much as the presence of it. Slowly materializing from total silence, Block utilizes acoustic sounds blended with a palette of electronics to create intricately assembled fields of sonic depth. The result is richly ominous without being overtly aggressive, as the compositional arc of the piece follows a swelling, almost respiratory motion of expanding and contracting. The dynamic nature of Aberration of Light is enhanced by Block’s delicate use of white noise as a textural guide, calling attention to the acoustic sounds at its valleys, and overwhelming the listener with ferocity and harshness at its peaks. As the piece progresses, harmonic tonalities begin to emerge, reinforced by the use of clarinet and bass clarinet from fellow Chicagoan musicians James Falzone and Jason Stein, respectively, seamlessly integrating themselves into the mass of electronics. The quieter moments of the piece command deeper listening, to the point where the sounds of one’s own listening environment become indistinguishable from the recording, calling to mind Cage’s ideas on the impossibility of true silence. Block claims to bring an emotional element to her work which can be both heard and felt through the delicate and dynamic nature of the recording, further deepened by a brilliant use of control, precision, power, and patience.\u003c\/p\u003e\n\u003cp\u003eMaterial repeats on both sides of the cassette.\u003c\/p\u003e\n\u003cp\u003eComes with free mp3 download coupon.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567662129375,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567662096607,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567662162143,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA082-COVER-WEB.jpg?v=1714759544"},{"product_id":"patrick-higgins-social-death-mixtape-c63","title":"Patrick Higgins - Social Death Mixtape","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3360206886\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/social-death-mixtape\"\u003e'Social Death Mixtape' by Patrick Higgins\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe use of the word “mixtape” in the title of this release is no coincidence. New York City based composer and performer Patrick Higgins has appointed NNA with a highly original concept in the presentation of New Music – a “mix” or sampling of personal experimentations spanning from 2009 to the present day, intended specifically for the cassette format. Higgins, perhaps best known for his guitar work in avant-garde music group Zs and production work with Future-Past Studios, is able to accurately demonstrate his versatility as both a composer and performer through this diverse collection of recording studies. Very little territory is left uncharted as Higgins makes use of piano, harpsichord, synthesizer, guitar, violin, sampler, computer processing, and even group ensemble to communicate his unique musical vision. Bringing a genuinely modern voice to composition, the artist draws on contemporary pop culture influence (underground art rock, independent pop, noise) along with nods to 60’s minimalism (Riley, Glass, Meredith Monk) and classical Western electro-acoustic composition. The studies on this release range from the highly dissonant to the more consonant as Higgins blends found sound and electro-acoustic texture with harmonic notes, creating further originality by combining elements of improvisation with written score. Pieces like “Pattern Select” blast apart with pointillistic, colorful synth programming that builds its power through the precise use of dissonance, recalling the work of Babbitt, Boulez, and the French pioneers of early musique concrete. The “Curves, Points, Lines” series of tracks demonstrates the inventive studio layering of unorthodox acoustic instrument sounds, as Higgins dissects the intricacies of the various sounds made by the violin and rearranges them into something completely new. “Live At Oberlin” brings the music outside of the studio into the arena of performance, as Higgins lends his abilities to a group improvisation setting, using guitar and laptop to build new sonic worlds together with the Mivos Quartet on string instruments. “Social Death Mixtape” succeeds at showcasing Higgins’ prowess not only as a musician, but as a generally well-rounded artist, whether its as a composer and arranger, instrumentalist, live performer, electronic producer, or studio engineer. The experience of this release is further enhanced by the originality of creating an “audio sketchbook” for the modern composer by tapping into one of the earliest and most classical essences of the cassette tape medium - the “mix.”\u003c\/p\u003e\n\u003cp\u003eComes with free mp3 download coupon.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567662457055,"sku":"CS-NNA-083","price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567662489823,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567662522591,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA083-COVER-WEB.jpg?v=1714759553"},{"product_id":"battle-trance-palace-of-wind-lp","title":"Battle Trance - Palace of Wind","description":"\u003cp\u003ePalace of Wind is a piece that not only transcends genres, but also transcends time and space. Existing in the cracks between contemporary classical music, avant-garde jazz, black metal, ambient, and world music, Palace of Wind is an album-length composition that pushes the four saxophonists to the limit, shedding new light on the saxophone as an ensemble instrument. The players use circular breathing to build continuous, hypnotic waves of sound; multiphonics layer to create intricate textures that seem to come from an ancient time; and blisteringly fast lines seem to liquefy into each other. Unorthodox articulations and unusual fingerings are also part of the vast sonic vocabulary that the members of Battle Trance have painstakingly mastered. However, Palace of Wind isn't merely concerned with demonstrating the virtuosity of the ensemble, nor with impressing or entertaining the listener. Instead, it is meant to be a portal of resonance where there is no separation between the listener and the sound.\u003c\/p\u003e\n\u003cp\u003eBattle Trance had an auspicious inception. One morning, Travis Laplante (Little Women and a trio with bassist Trevor Dunn and drummer Ches Smith) literally awoke with the crystal clear vision that he needed to start an ensemble with three specific individuals: Matthew Nelson, Jeremy Viner, and Patrick Breiner. Laplante was actually unfamiliar with their work as musicians and had only a minimal relationship with them as individuals. He was also aware that a band of four tenor saxophones could be the worst idea ever. In spite of this, Laplante followed through and contacted Nelson, Viner, and Breiner. He gave them very little information beyond his morning experience But no one hesitated - the ensemble formed that evening.\u003c\/p\u003e\n\u003cp\u003eSince many of the techniques used in the piece are nearly impossible to notate in traditional form, Palace of Wind was transmitted via the oral tradition. The rehearsals were much like martial arts training: intricate sounds were rigorously copied and repeated by the ensemble members until they perfected the techniques. Many hours were spent building the sheer strength required to sustain continuous circular breathing for extended periods. Likewise, a steady focus on physicality was required to repeat rapid note patterns for long periods without sacrificing speed. Palace of Wind is such a demanding composition that there is a high risk of physically burning out before the piece concludes, as once it begins there is no opportunity for rest or even a quick drink of water. There was also extensive training in dissolving the distinct individual identities of the players into the greater collective sound: The band did various long-tone exercises, similar to group meditation, the purpose being to blend together into one sound, so that the origin of the collective sound's components is completely impossible to discern - even by the members of the ensemble.\u003c\/p\u003e\n\u003cp\u003ePalace of Wind does embrace both the cerebral nature of composition and the visceral act of performance, but immediately locates itself, the musicians and the audience in a purely spiritual space. It is a new kind of music and therefore modern, and yet it's absolutely primordial, the transformative act of human beings blowing air through tubes and producing something timeless.\u003c\/p\u003e\n\u003cp\u003eMastered by Aron Sanchez.\u003cbr\u003e\nCut by Lupo at Calyx Mastering in Berlin, Germany.\u003c\/p\u003e\n\u003cp\u003eCompact Disc \u0026amp; Digital versions released by \u003ca href=\"http:\/\/newamrecords.com\/battle-trance-palace-of-wind\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNew Amsterdam Records\u003c\/a\u003e (NWAM058)\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567662883039,"sku":"LP-NNA-073","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA073.jpg?v=1714759572"},{"product_id":"wanda-group-ornate-circular","title":"Wanda Group - Ornate Circular","description":"\u003cp\u003eWanda Group valiantly returns for their third release on NNA Tapes. Since the project’s debut “Bass Urine” in 2011, Louis Johnstone seems to have worked diligently to eradicate all traces of traditional “music” from his work, leaving behind only the acousmatic sounds of life itself. The 2013 NNA LP “A Slab About Being Held Captive”, his recent digital releases on his own imprint Umbro G, and most recently the “We All Mutate Around The Mountain” LP on Italy’s Second Sleep label have all been further evidence of this musical deconstruction and deepening journey down the rabbit hole of musique concrete.\u003c\/p\u003e\n\u003cp\u003eWanda Group’s brilliance is demonstrated through the use of juxtaposition of multiple levels. Johnstone’s recurring use of liquid, aqueous sounds are paired with the stifling hiss of room recordings, pitting oceanic vastness and claustrophobic confinement against each other. The muffled sounds of distance clash with magnified texture, giving birth to a palpable dynamic tension. The warm organics of tapping, squeaking, shuffling, scraping, and other sonic by-products of human physicality’s interaction with its surroundings are paired with the eerie coldness and faceless sterility of electronic frequency detritus and mechanical noise pollution. The result of all this constant friction is the atmosphere of anxiety and dread that has become a signature of the Wanda Group sound world.\u003c\/p\u003e\n\u003cp\u003eAlthough “Ornate Circular” seems to be constructed from various tape and field recordings, electronic signal processing, radio interference and digital effects, Wanda Group refuses to make these elements the emphasis of the work or give any clues as to their origin. What Johnstone presents us with instead is purely the creative manipulation of the sounds of earthly existence, void of context or traditional musical structure. His masterful use of layering and composition gives the work a deeply personal expression of abstract sound, perhaps meant for the artist alone to fully know the meaning behind. As humans, it is our nature to want to assign a reality-based narrative to sounds we cannot see the source of, but Wanda Group denies us this through the complete deconstruction and rearrangement of everyday sounds, creating a totality of abstraction which nullifies context altogether.\u003c\/p\u003e\n\u003cp\u003eComes with free digital download coupon.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567663472863,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567663407327,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567663440095,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA086.jpg?v=1714759617"},{"product_id":"jake-meginsky-seven-psychotropic-sinewave-palindromes-cassette-digital","title":"Jake Meginsky - Seven Psychotropic Sinewave Palindromes","description":"\u003cp\u003eBrand new work from Northampton, Massachusetts percussionist and electronic producer Jake Meginsky. Known best for his solo work both under his own name as well as the Vapor Gourds moniker, Meginsky has also been highly active in collaborative groups such as Slaughterhouse Percussion with John Truscinski, and F\/I\/P with guitarist Bill Nace. After last year’s brilliant “Vandals” LP on Open Mouth and Vapor Gourds’ “Incision Objects” LP on Fogged, Meginsky starts 2016 off fresh with “Seven Psychotropic Sinewave Palindromes” for NNA.\u003c\/p\u003e\n\u003cp\u003eBringing new ideas to the realm of electronic minimalism, Meginsky strips down the sound world of this composition to four basic elements – sine waves, square waves, white noise, and an 808 kick drum. While these four sounds may be commonplace in the world of electronic music, the results here are anything but. There is enough diversity in the application of these rudiments that the listener quickly forgets about their inherent limitations, and opens up to a new cohesive listening experience. Using an advanced ear for psychoacoustic phenomenon and microtonal textures, Meginsky goes far beyond merely layering these four sound elements, but instead is able to assign them unique relationships to one another through careful composition, creating a refreshing new style that sits somewhere between musique concrete, techno, noise, footwork, IDM, and contemporary electronic music.\u003c\/p\u003e\n\u003cp\u003eAs an experienced percussionist, Meginsky takes highly advanced concepts of rhythm and tempo and applies them to these digital sound sources. The influence of percussion is further evident through the emphasis on sonic physicality through extreme dynamics, and Meginsky shows a firm understanding of the effect that sound can have on the human body. Powerful bass, hissing high end white noise, and rhythmic mid range textures interact with one another to produce constant movement and a driving directional flow, not to mention palpable physical sensations in the ears and brain. Unlike acoustic percussion, however, the tone and mood of the piece feels alien and inhuman, and any traces of the warmth of humanity are forgone to give way to electronic purity. “Seven Psychotropic Sinewave Palindromes” is proof that an artist restricting themselves to a limited palette can lead to highly creative, original, and unexpected results.\u003c\/p\u003e\n\u003cp\u003eCassette comes packaged with digital download coupon. Material repeats on both sides.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567663702239,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567663669471,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567663735007,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA088-hires.jpg?v=1714759637"},{"product_id":"aj-cornell-tim-darcy-too-significant-to-ignore-cassette-digital","title":"AJ Cornell \u0026 Tim Darcy - Too Significant To Ignore","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1753364653\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/too-significant-to-ignore\"\u003e'Too Significant To Ignore' by AJ Cornell \u0026amp; Tim Darcy\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNNA is pleased to release a special collaboration between two of Montréal, Quebec’s finest. “Too Significant To Ignore” unites Andrea-Jane Cornell, a prolific improviser and former CKUT Radio music programming director, and Tim Darcy, best known as the guitarist\/vocalist for Constellation Records’ four-piece post-punk band Ought. On this recording, the duo concoct a hazy bed of grey, melancholic psychedelia using synthesizers, field recordings, processed accordion, and manipulated objects to serve as a backdrop for Darcy’s contemplative existential spoken word.\u003c\/p\u003e\n\u003cp\u003eRecalling the spirit of wordsmiths and sound-pioneers such as Steven Jesse Bernstein, Ruth White, Allen Ginsberg, and Pauline Oliveros, “Too Significant To Ignore” presents raw poetic meditations that intermingle with psychedelic electronic landscapes. AJ and Tim create a sound world where jarring and narrative vocals interact with sonorous, blue bass tones and forests of synth. Subtle melodies coexist alongside smoldering, buzzing drones, sublime electronics, and indiscernible field recordings, all smudged together to forge a slow-paced swirling mass. A beautifully peaceful sadness is revealed, creating a perfect atmosphere of cosmic dread and a cinematic sensitivity that compliments the unfolding observational dialogue.\u003c\/p\u003e\n\u003cp\u003eDarcy’s vocal delivery comes across as part Ferlinghetti, part Henry Rollins, and part Bill Hicks. His drawled, surrealist lyrics reflect a weariness and an isolation from society. He touches on apathetic voyeurism, city life, regret, self-reflection, human disconnection via accelerated technology, and the bleakness of modern sterility. The delivery and the content of the lyrics impeccably conveys the drab routine and impersonality of day-to-day life, like the disoriented narration of an existential crisis. Using repetition as a weapon, Darcy drills phrases into the listener’s brain, helping the lyrics recede into the music to create an unlikely coherent unity between the meditative bliss and swells of electronic ambiance and dry vocalizations. “Too Significant To Ignore” is a unique and non-referential pairing of electronics and spoken word, yielding an invigorating listen that stands on its own amongst new underground music. AJ and Tim succeed in communicating the confusing psychedelia inherent in the mundanity of modern human existence.\u003c\/p\u003e\n\u003cp\u003eCassette comes packaged with digital download coupon.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567663866079,"sku":"CS-NNA-089","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567663898847,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567663931615,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA089-hires.jpg?v=1714759646"},{"product_id":"battle-trance-blade-of-love","title":"Battle Trance - Blade of Love","description":"\u003cp\u003eTenor saxophone quartet Battle Trance is proud to announce their sophomore album Blade of Love. The follow-up to their widely acclaimed debut Palace of Wind (2014), Blade of Love is an elemental composition that aims to fulfill the tenor saxophone's expansive potential as an ensemble instrument. Working within the intimate intersection of the human body\/breath and the saxophone, Blade of Love is a spiritual and enigmatic work with a deep emotional resonance.Since forming in 2012, the four saxophonists in Battle Trance (Travis Laplante, Patrick Breiner, Matt Nelson, Jeremy Viner) have spent hundreds of hours deepening their musical connection with each other, maturing as an ensemble through relentless touring everywhere from Brooklyn to Los Angeles, Montreal to Vancouver, and most places in between.\u003c\/p\u003e\n\u003cp\u003eThe three movements of Blade of Love were composed by Battle Trance leader Travis Laplante in a wooden room with soaring ceilings in the Vermont forest. Blade of Love was recorded after two years of rigorous rehearsals working to perfect the array of extended techniques, both virtuosic and primal, required to bring the challenging piece to life.\u003c\/p\u003e\n\u003cp\u003eBlade of Love's central focus is on the physical and spiritual intersection of the saxophone and the human body. The saxophone is one of the few instruments that literally enters the body of the person playing it, and Blade of Love is a medium for this sacred meeting place, with each member of Battle Trance using the saxophone as a vessel for the human spirit.\u003c\/p\u003e\n\u003cp\u003eSinging has an inherent power, but that power is heightened in the context of Blade of Love.  At times, the four players sing while exhaling through the saxophone tubes, using the instrument's keys to shift the timbre of their voices. Laplante also integrates non-traditional mouth articulations, using the saxophone as a resonant chamber for these inventive sounds.  Laplante explains:\u003c\/p\u003e\n\u003cp\u003e\"There were certain specific sounds that I imagined being in Blade of Love, but I couldn't get close enough to them using traditional saxophone tone — sounds like arrows flying through the air, birds singing or flying overhead, bombs, water running, the wind, the sound of fire, singing in church, making love, killing, waves crashing, fighting for your life, thunder, the sound of rage, howling, crying, laughing, the sound of my last breath… So I began working on different ways for the saxophone to get closer to these sounds, and the resulting techniques became part of the fabric of Blade of Love.\"\u003c\/p\u003e\n\u003cp\u003eTravis Laplante describes composing Blade of Love as \"the most torturous and demanding compositional experience of my life.\" He continues: \"It's painful for me to try to explain what this music 'means,' because in a sense it has no meaning — and at the same time, it means everything.  I just hope Blade of Love will release something in both the listener and the performer's hearts.  It doesn't ask for anything in return.\"\u003c\/p\u003e\n\u003cp\u003eVinyl LP comes packaged with digital download coupon.\u003cbr\u003e\nCompact Disc \u0026amp; Digital versions released by \u003ca href=\"http:\/\/newamrecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNew Amsterdam Records\u003c\/a\u003e (NWAM080)\u003c\/p\u003e\n\u003cp\u003eFrom now until supplies last...\u003c\/p\u003e\n\u003cp\u003eThe first 100 people who pre-order Battle Trance's upcoming vinyl LP \"Blade of Love\" from nnatapes.com will receive a FREE limited edition cassette tape, @ Roulette, featuring a truly hypnotic and beautiful 46-minute Battle Trance live performance, recorded at the Roulette artspace in Brooklyn, NY. This recording wonderfully captures the essence of the tenor saxophone quartet's notoriously intense and moving live performances.\u003c\/p\u003e\n\u003cp\u003e@ Roulette is strictly limited edition with no digital release. It contains full color artwork featuring the art of Daniel Seiders, housed in metallic gold cassette tapes. @ Roulette will not be sold separately, it is only available with the first 100 orders from nnatapes.com and will not be re-pressed.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567664324831,"sku":"LP-NNA-092","price":18.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567664357599,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567664390367,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA092-cover.jpg?v=1714759674"},{"product_id":"die-reihe-housed","title":"die Reihe - Housed","description":"\u003cp\u003eNNA Tapes presents “Housed”, the latest work from die Reihe, the project of New York City based sound artist and engineer Jack Callahan. After years of experimenting with electronic music, composition, and modular systems, the recent work of die Reihe has found Callahan operating on the outermost extremes of conceptual art, the avant garde, and minimalism. Crafting a unique style over the years through a series of live performances and releases on labels such as Ascetic House, Jeff Witscher’s Salon, and his own Bánh Mì Verlag imprint, Callahan has more recently distilled his approach to composition by holding a microscope to various genres of music and focusing on a single element within them. On “Housed”, Callahan turns his lens to this classic style of dance music and investigates one often overlooked component – the chords.\u003c\/p\u003e\n\u003cp\u003eUsing his personal knowledge of and passion for House music, Callahan has extracted the chords from over 250 classic House tracks by 150+ artists, and used them as the building blocks for composition, much like his dissection of Trap music drum fills on his “Trap Studies” cassette (Anòmia, 2015). These rhythmless chords, which range from quick synth stabs, pulsing bass swells, jazzy piano notes, and warm electronic melodies, take on new life when separated from their beat-laden former bodies. Typically used for live DJ mixing to create overlapping seamless segues between tracks, these chords are rarely heard on their own in a club context, and are now liberated by die Reihe to exist as sound alone without being tied to the function of rhythm inherent in dance music.\u003c\/p\u003e\n\u003cp\u003eAs opposed to the more expected approach of using these chords as the raw source material to be manipulated with digital processing, effects, or layering, die Reihe opts out of personal artistic expression and instead assumes the role of “Organizer”, presenting the sounds raw and as-is, in two arbitrary seamless combinations: randomized (Side A), and shortest to longest (Side B). This approach relates in some ways to Cage’s systems of Chance operations, as well as to Kenneth Goldsmith’s ideas on “Uncreativity”, or to more Dadaist procedures such as Assemblage or Duchamp’s “Readymade” works. By keeping the artist’s hand very light and recontextualizing the sounds within music from a highly conceptual standpoint, die Reihe is able to transform the dimly lit kinetic energy of a dance club into the stark white walls of a gallery.\u003c\/p\u003e\n\u003cp\u003eCassette comes packaged with digital download coupon.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Digital Download (WAV)","offer_id":45567664652511,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567664685279,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA093.jpg?v=1714759703"},{"product_id":"max-eilbacher-schizophrenia-as-architecture","title":"Max Eilbacher - Schizophrenia as Architecture","description":"\u003cp\u003eNNA happily presents the latest work from the young Baltimore sound artist Max Eilbacher. Perhaps best known for his work as a bassist with polyrhythmic Krautrockers Horse Lords, as well as the Drainolith live band, Eilbacher has foremost been working for many years in the realm of experimental electronic music. Using self-built systems of modular synthesizers in conjunction with computer music techniques, Eilbacher has created a highly original and personal style of abstract music, as made evident through his brilliant full-lengths of the past few years, including works such as Red Anxiety Tracers (Spectrum Spools) and Subtle Scatter (Fogged). NNA Tapes is now proud to offer Eilbacher’s latest recording “Schizophrenia As Architecture”.\u003c\/p\u003e\n\u003cp\u003eThe four pieces that comprise “Schizophrenia As Architecture” utilize an almost overwhelmingly wide variety of sound sources and techniques in order to create concrète sound worlds with an incredible amount of depth and movement. Constantly shifting, it almost seems as if no two sounds repeat themselves, tirelessly building as the piece unfolds. This compositional restlessness is highly welcomed, as it succeeds in creating a kinetic intensity that often builds to levels of boiling, bubbling insanity that border on the maniacal and absurd, but are anchored by high brow musicianship. Electro-acoustics and field recordings are integrated and layered with such surgeon-like precision that it becomes nearly impossible to distinguish what is ‘electro’ or what is ‘acoustic’ in origin. This technique also produces an unbelievably textured listening experience that tickles and massages the brain, producing high levels of sonic physicality that almost transcend a mere listening experience, becoming an increasingly physical one as the piece moves on. Eilbacher’s personal experience with computer animation and 3D rendering become evident here, creating tactile sensations that seem to reinforce the role of musician as sculptor.\u003c\/p\u003e\n\u003cp\u003ePerhaps the most exciting thing about Eilbacher’s music is his seemingly limitless palette – there is no trace of conceptual limitations, analog vs. digital pretension, or any self-imposed borders – nothing is off limits, even the kitchen sink. Spoken word, sound poetry, field recording, object manipulation, fm synthesis, and digital processing are all eagerly thrown into the fray. The elements of this liberation are bound together by Eilbacher’s greatest strength – his vivid imagination, which succeeds in establishing an original, creative voice that pushes sound abstraction further into uncharted territory.\u003c\/p\u003e\n\u003cp\u003eCassette comes packaged with digital download coupon.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567664881887,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567664849119,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567664816351,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA094.jpg?v=1714759711"},{"product_id":"lea-bertucci","title":"Lea Bertucci - All That Is Solid Melts Into Air","description":"\u003cp\u003e‘All That Is Solid Melts Into Air’ is a collection of new compositions from New York City-based sound artist, performer, and composer Lea Bertucci. As a performer, Bertucci has worked primarily with amplified woodwind instruments, creating enigmatic electro-acoustic interventions of the bass clarinet and saxophone in conjunction with tape collage and electronics. Her latest release on NNA, however, explores her work as a composer, which investigates extended acoustic resonance on classical instruments and their potential to powerfully occupy physical space. The two sides of this cassette contain two different pieces that exist around a common concept – the live performance of extended technique on stringed instruments, and the otherworldly way that the resulting sound exists in the space in which it is created.\u003c\/p\u003e\n\u003cp\u003eThe first piece, “The Cepheid Variations”, is a recent piece for viola, cello, and magnetic tape collage, premiered in January 2015 as the first performance of Bertucci’s 2015 ISSUE Project Room Residency. Born out of an interest in the timbral and acoustic possibilities of harmonics, these pieces combine extended techniques for cello (performed by Leila Bordreuil), viola (performed by Jeanann Dara), combined with live concrete sound generated from magnetic tape, performed by Bertucci herself. Drawing upon the natural acoustics of ISSUE’s 22 Boerum Place theater, “The Cepheid Variations” examines the movement of sound in space through the use of dissonance, wide dynamic fluctuations, and particular sonic textures. Beginning with a pensive, ghostly landscape, the viola and cello explore glassy, fragile frequencies to their most powerful capability. A variety of bowing techniques are utilized by the performers, from slow, meandering pulses to frenetic scraping. Each subtlety in the physical manipulation of the instrument reveals new variations to the overall tension of the piece. The introduction of tape collage expands and adds dimension, introducing new frequencies into the sound field that cleverly juxtaposes the live instrumentation with pre-recorded sonic material.\u003c\/p\u003e\n\u003cp\u003eThe second piece, “Double Bass Crossfade”, positions two double bassists (James Ilgenfritz and Sean Ali) at opposite corners of the Knockdown Center’s 50,000 square foot main room. The instruments are wirelessly amplified, allowing the performers to slowly move across the room over the course of 40 minutes, meeting in the center and then crossing to each other’s original starting positions. Using a custom installed 10-channel sound system, the sounds of the performer’s instruments are dynamically routed from speaker to speaker according to their physical position, creating in their wake a mutable, engulfing sound field. The piece begins with the hypnotic, gentle bowing of the bass in its upper registers, but gains intensity as the piece progresses, finding its most powerful moments with a loud, rumbling low end that showcases the incredible acoustic power of the double bass. Tremendous depth is achieved through the layering of contrasting harmonics from each player, as the two performers engage with each other in focused technique, listening intently and creating a symbiosis through sound. Condensed from the original 10-channels to the stereo field for the purposes of this release, duality is the emphasis of this piece – in the musicians, their physical positioning, and their location in the stereo field. But as they eventually reach the lower ends of the register, the sounds they produce blend and fuse together into one raucous, engulfing whole.\u003c\/p\u003e\n\u003cp\u003eThe two pieces on this cassette demonstrate the incredible amount of dynamic diversity that can be achieved by the phenomenon of vibrating metallic strings. Resonance and frequency are thoroughly explored with thought, care, and dedication. These works reveal a fresh voice in new music, while also championing the pioneers of the 20th century avant-garde – recalling the tonal curiosity of Ligeti, the emotional power and sensitivity of Arvo Part, the strident minimalism of Tony Conrad, and the unflinching violence of George Crumb. Bertucci exhibits a keen and perceptive ear for nuanced acoustic sound, and a passion for focused musical investigation is made evident through her compositions. Stepping aside from the role of performer, ‘All That Is Solid Melts Into Air’ shows us a different side of Bertucci’s repertoire – that of the writer and composer. This album reinforces her talents not only as a player, but as an imaginative explorer of music’s more cerebral and metaphysical outer limits.\u003c\/p\u003e\n\u003cp\u003eCassette comes packaged with digital download coupon.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Bertucci’s compositions are stark, resonant, and certainly something to behold” – Ad Hoc\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Bertucci uses strings (and tape\/amplification) to mirror the vibrations of breath, making near-hypnotic rhythms that seem circular even as they are continuously changing” – Tiny Mix Tapes\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“One gets the sense that Bertucci arrives at her work not with an idea to impose, but a question to develop.” – Pitchfork\u003c\/em\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567665307871,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567665275103,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567665340639,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA097-HiRes.jpg?v=1714759732"},{"product_id":"patrick-higgins-josh-modney-evrly-mvsic","title":"Patrick Higgins \u0026 Josh Modney","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1787015233\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nnatapes.bandcamp.com\/album\/evrly-mvsic\"\u003e'EVRLY MVSIC' by Patrick Higgins \u0026amp; Josh Modney\u003c\/a\u003e\u003c\/iframe\u003e\u003cp class=\"p1\"\u003eWe’re very proud to have the innovative composer and performer Patrick Higgins return to NNA Tapes, this time in a duo format with acclaimed violinist Josh Modney. On 2015’s ‘Social Death Mixtape,’ we witnessed Higgins’ talents as a composer, creating intricate electroacoustic compositions with a variety of performers. On ‘EVRLY MVSIC’ however, we hear Higgins as a skilled performer on his primary instrument, the guitar. Josh Modney comes from a similar background, having established himself as a prominent figure in New York City’s New Music circuit, with work ranging from the chamber music group International Contemporary Ensemble (ICE), to composer-performer collective Wet Ink Ensemble. Having shared the stage together for the past 5 years both as improvisers and as chamber musicians, the foundation of ’EVRLY MVSIC’ is built on a long term musical connection between Modney and Higgins, a bond that is made evident throughout these recordings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn ‘EVRLY MVSIC,’ the two performers have taken the concept of “Early Music” \u003cspan class=\"s1\"\u003eas a stimulus to inspire performances of acoustic improvisation that aim at a compositional tightness, creating a musical framework based more around the feeling, rather than the sound, of Medieval struggle. Tightly coiled around highly virtuosic and austere interactions, Higgins and Modney harness the essence of Early Music both in sentiment as well as gesture, using guitar and violin in unorthodox ways that sometimes recall the sounds of early stringed instruments such as the oud and viol. Each instrument inherently carries the capacity for both classical beauty and textural violence, both of which are employed with tasteful skill and execution. Improvisation in this project is neither free nor, strictly speaking, structured. Instead, it is aimed at an emergent form in the instant, looking toward song structure in the most novel and ancient sense. Noise and extended technique are used to create a lyrical aching quality, while melody is used to create unsettling noise. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThroughout the album, EVRLY MVSIC displays a linear progression of material, building over the course of three \"Partitas.” The first two utilize an arcane, sparse musical language of plucked sounds strangely reminiscent of Renaissance lute music, advancing to a lushly harmonized set of microtonal, cantabile pieces that explore the full expressive range of violin and acoustic guitar. What furthermore adds to the uniqueness of this album, however, is the third Partita, which introduces electric guitar and real-time electronic processing on both instruments to culminate in an expansive, relentlessly energetic display of refreshing new sounds. The original acoustic palette of guitar and violin is retained, but vastly expanded upon, injecting a dense, unpredictable modern edge into the archaic atmosphere. ‘EVRLY MVSIC’ presents an incredibly original fusion between ancient European musical history and distinctly American experimentalism, hinged on the nexus between improvisation and chamber music, and fueled by a deeply personal musical alliance.\u003c\/span\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567666421983,"sku":"CS-NNA-103","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567666487519,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567666454751,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA103.jpg?v=1714759820"},{"product_id":"ahnnu-special-forces","title":"Ahnnu - Special Forces","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722172805\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ahnnu.bandcamp.com\/album\/special-forces\"\u003e'Special Forces' by Ahnnu\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eWe’re delighted to welcome Los Angeles-based producer Ahnnu, aka Leland Jackson, back to NNA Tapes to share his brilliant new full-length album ‘Special Forces.’ Over the years, Jackson has made his mark on the world of electronic music production not only with his innovative works as Ahnnu, but with his footwork\/dance alias Cakedog as well. Following up the 2013 NNA release ‘Battered Sphinx,’ and more recently 2015’s ‘Perception’ on Leaving Records, Ahnnu returns to push his sound collage expeditions further into the deep beyond by excavating fragments and ethos from music history’s past and infusing them with the electronic frequencies of a future landscape.\u003c\/p\u003e\n\u003cp\u003e‘Special Forces’ manifests as series of thematic, stripped-down electronic works, brought to life through the thoughtful arrangement of dynamic new sounds in combinations that produce maximum effects from minimal presence. This less-is-more approach conjures a distinct array of moods and emotions through pure sound, gaining power through repetition and the subtle compositional shifts that disrupt them. Rhythm and melody often interlock as one through forward-thinking sequencing, prompting delicate hypnosis through complex syncopation. More than ever, Ahnnu operates within a highly unique sound palette unlike anything else happening in contemporary music. Though unlike his previous work, there are very few samples on ‘Special Forces’ - Jackson instead opts to turn the sampling process on himself, extracting and manipulating fragments of his own personal experiments with electronic synthesis and patch creation, reanimating them as he would with the traditional sampling of field recordings or other music. Ahnnu’s roots in left-field beatmaking are retained on these recordings, and his originality lies in his use of the production techniques and processes of hip-hop, dance music, and street artforms to produce high brow experimental works.\u003c\/p\u003e\n\u003cp\u003eThe resulting tracks often evoke a jagged science fiction - the calibration of starship bridge equipment, extra terrestrial cafe ambiance, snippets of robotic conversational clamor on a sandcrawler Uber ride, or the gripping tension of radar blips while tracking the enemy through a VR headset. Jackson’s work with dance music as Cakedog shines through at moments in tracks like “Latro” and “War Stage,” with subtle melodic House-style chords and traditional kicks and hi-hats permeating the mix. Above all, ’Special Forces’ seems to trace the lineage of early electronic music through its most formative stages, carrying the essence of the fervent discovery of new, exciting sounds through the embracing of technology. The album also seems to draw inspiration from ideologies such as Debussy’s “tone poems” and Satie’s “wallpaper music,” up through the original tenements of Ambient music established by Eno, Fripp, and other pioneers. The sounds of cold mechanics and electricity are given life through innovative production, effective composition, and gestural phrasing, while retaining the life and vivacity of the expressionist tendencies of jazz and classical music. This is music that sounds as though it could be familiar throughout the cosmos, but remains as-of-yet undiscovered in the current third dimensional time\/space of our earthly realm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl LP comes packaged with digital download coupon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP + Tee Shirt (With Digital Download)","offer_id":45567666847967,"sku":null,"price":35.0,"currency_code":"USD","in_stock":false},{"title":"12\" LP (With Digital Download)","offer_id":45567666815199,"sku":"LP-NNA-107","price":18.5,"currency_code":"USD","in_stock":true},{"title":"WAV Download","offer_id":46446296957151,"sku":null,"price":8.99,"currency_code":"USD","in_stock":false},{"title":"MP3 Download","offer_id":46446296989919,"sku":null,"price":8.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA107-digital-border.jpg?v=1714759859"},{"product_id":"lea-bertucci-metal-aether","title":"Lea Bertucci - Metal Aether","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3523225868\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leabertucci.bandcamp.com\/album\/metal-aether\"\u003e'Metal Aether' by Lea Bertucci\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eWe’re excited to welcome New York City-based composer and performer Lea Bertucci back to NNA for a brand new full-length LP, ‘Metal Aether.’ Lea’s early 2017 cassette release ‘All That Is Solid Melts Into Air’ focused on her role as a composer, with a hand-picked selection of talented musicians performing her minimal compositions. ‘Metal Aether’ instead showcases her role as a performer, revealing four pieces that represent approximately 3 years of ideas and gestures for alto saxophone and magnetic tape. Expanding on 2014’s ‘Light Silence, Dark Speech’ as well as 2015’s ‘Axis\/Atlas,’ ‘Metal Aether’ develops a language of extended technique for alto saxophone that is based on a spectral, psychoacoustic, and non-linguistic approach to the instrument.\u003c\/p\u003e\n\u003cp\u003eMuch like the recordings of her previous NNA release, ‘Metal Aether’ continues to explore Lea’s acute interest in the nature of acoustics and the harmonic accumulation of sound, with it’s four pieces having been recorded in Le Havre, France in a former military base, and in New York City, at ISSUE Project Room. With her horn, Lea produces pulsing minimalist patterns, transcendent drones, and upper register squalls that envelop these spaces in waves of overtones, microtones, and psychoacoustic effects. Tracks like “Accumulations” explore evocative, ancient-sounding melodic figures, while tracks like “Sustain and Dissolve” relish in the microtonal relationships between overlapping sustained notes. Aside from the saxophone, Bertucci further interacts with physical space by fortifying these pieces with manipulated field recordings from diverse locations, ranging from Mayan pyramids to NYC subways. Other instruments such as prepared piano and vibraphone can be heard on this album, processed through tape to unite melody and texture together as one. Lea displays a firm grasp of the inherent possibilities of sound manipulation to maximize her music’s power through the recording process itself, mixing conflicting fidelities to achieve a deeper, more organic form of expression.\u003c\/p\u003e\n\u003cp\u003eThroughout 2017, Lea fully dedicated her creative efforts toward exploring and informing her music through a variety of disciplines. In addition to recording ‘Metal Aether,’ she wrote and performed during multiple residencies, toured rigorously throughout North America and Europe, organized site-specific sonic events with the SITE:SOUND series, and published her first book “The Tonebook,” a collection of graphic scores by 17 avant-garde composers. Through these endeavors, Lea immerses herself in the essential principles of true musicianship: study, performance, curation, literature, and experimentation. It is with these tools that she connects herself with sound in all of it’s forms - live, recorded, situational, natural, and unnatural. All of these elements come together to inform the pieces found on this album, creating a sophisticated, multi-faceted, and highly personal body of work. ‘Metal Aether’ feels like the defining statement from an artist in elevated control of their form - a summary of concepts, ideas, and emotions given life from one’s mind and heart. Lea demonstrates the desirable ability to use her art to sincerely communicate in a language of one’s own personal invention, utilizing music and sound for their most meaningful and human purposes.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"'Metal Aether'\/'Resonant Field' 2xLP","offer_id":45567666946271,"sku":"LP-NNA-108-1","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Limited Edition 12\" LP (With Digital Download)","offer_id":45567666880735,"sku":"LP-NNA-108","price":22.0,"currency_code":"USD","in_stock":false},{"title":"CD (With Digital Download)","offer_id":45567666913503,"sku":"CD-NNA-108","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":46555104608479,"sku":null,"price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (320 MP3)","offer_id":45567666979039,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA108-digital-border.jpg?v=1714759871"},{"product_id":"subtle-degrees-a-dance-that-empties","title":"Subtle Degrees - A Dance That Empties","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eA Dance That Empties\u003c\/strong\u003e\u003c\/em\u003e is \u003cstrong\u003eTravis Laplante\u003c\/strong\u003e's latest album-length composition, written for \u003cstrong\u003eSubtle Degrees\u003c\/strong\u003e, a new two-musician ensemble consisting of Laplante (tenor saxophone) and \u003cstrong\u003eGerald Cleaver\u003c\/strong\u003e (drums). The duo's uncategorizable sound evokes everything from contemporary classical music, avant garde jazz, minimalism, technical metal, and sacred world music. Laplante is also the founder\/composer of saxophone quartet \u003ca href=\"http:\/\/nnatapes.com\/artist\/battle-trance\"\u003eBattle Trance\u003c\/a\u003e and the ensemble Little Women.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Dance That Empties\u003c\/em\u003e is the culmination of a very long musical relationship. In 2001, when he was only 18 years old, Laplante played a concert at New York’s Knitting Factory, then a pre-eminent mecca for adventurous music of all kinds. Cleaver was in the audience, and came up to Laplante afterwards, handed him his phone number and said they should play together sometime. They soon did, “and I felt a very intimate and spiritual connection with Gerald that feels more alive than ever today,” Laplante says. “I’ve learned a tremendous amount from Gerald and have long considered him one of my favorite living improvisers.”\u003c\/p\u003e\n\u003cp\u003eThe two have performed together various times over the ensuing 17 years, but Laplante never felt he was quite ready to record with Cleaver. “It got to the point where I took a multiple-year break from playing with him because I felt like I didn’t have enough to bring to the table,” says Laplante. “I needed to practice so I could have more to give to our musical relationship.” Then, in the fall of 2016, Laplante received a commission to compose a piece to be performed at Roulette in Brooklyn the following spring. “I knew that this was the perfect opportunity to return to this relationship with Gerald.” And so Laplante began composing an epic-scale work with Cleaver’s rhythmic virtuosity in mind.\u003c\/p\u003e\n\u003cp\u003eInspired by the longer durational forms of spiritual ceremonies, \u003cem\u003eA Dance That Empties\u003c\/em\u003e is a continuous journey that unfolds over 43 minutes, with musical motifs that foreshadow, recur, and evolve. The piece refines sonic territory that Laplante has pioneered in his celebrated saxophone quartet Battle Trance, as well as his solo saxophone work, utilizing long passages of circular breathing and other extended techniques to create specific and yet ineffable emotional and sonic resonances. \u003cem\u003eA Dance That Empties\u003c\/em\u003e, as the title implies, adds the distinctly new element of complex rhythmic pulses precisely and expressively executed by Cleaver, that compel listeners to lose themselves in the hypnotically repetitive yet subtly shifting grooves.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eA Dance That Empties\u003c\/em\u003e, Laplante and Cleaver throw themselves into unknown territory, delving further into the devotional intensity that has long distinguished both their work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTravis Laplante\u003c\/strong\u003e on \u003cstrong\u003eSubtle Degrees\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Playing in this duo with Gerald is by far the most exposing musical experience I've ever had. I think it feels so raw and vulnerable because it has a similar nakedness to playing solo, while at the same time I'm completely relying on and needing to stay connected with Gerald, no matter what. It requires 100% trust in another person, as well as myself. Our respective parts in A Dance That Empties are so meticulously interwoven that it can potentially be disastrous if one of us makes even a tiny mistake. It feels like the riskiest piece I've ever written in terms of the psychological, emotional, physical and sensory demands.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl LP comes packaged with digital download coupon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567667011807,"sku":"LP-NNA-109","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA109-cover-border.png?v=1714759881"},{"product_id":"tigue-strange-paradise","title":"Tigue - Strange Paradise","description":"\u003cp\u003e\u003cstrong\u003eTigue\u003c\/strong\u003e is a group of three percussionists with a fluid musical identity. Praised for their energetic and focused performances, the members of Tigue (Matt Evans, Amy Garapic and Carson Moody) have played together since they were practically children — continuously making their own blend of instrumental minimalism while simultaneously performing in collaborative projects. \u003cem\u003eStrange Paradise\u003c\/em\u003e sees them building worlds as a unit, pushing each other to transcend the limits and expectations of their percussive instrumentation in the construction of long-form, radiant hypnotic soundscapes the group describes as “rendered in ecstatic complexity.”\u003c\/p\u003e\n\u003cp\u003eAs a result, \u003cem\u003eStrange Paradise\u003c\/em\u003e is a luminous, abstract, non-narrative world that funnels inspiration from patterns, objects, and relationships. Built on an intricate patchwork of tones where instrumental lines and textures shift in and out of alignment to produce a vibrating landscape, Strange Paradise is designed for a mode of “extended listening” — asking listeners to explore slow gradations of change between rhythm and texture. The album creates a sound environment that envelopes the listener but continually defies expectation — shapeshifting at each point it seems understood. Though the music floats from the serene to the uncanny, \u003cem\u003eStrange Paradise\u003c\/em\u003e is perhaps most notable for providing a distinct sensation of interconnectedness.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStrange Paradise\u003c\/em\u003e was produced by Tigue \u0026amp; Seth Manchester, and recorded at Machines with Magnets in Pawtucket, RI and Brooklyn, NY. The album was engineered and mixed by Seth Manchester, and mastered by Heba Kadry at Timeless Mastering. Special guests on “Triangle” include: Benedict Kupstas (guitar); Seth Manchester (guitar); Tristan Kasten-Krause (bass); Trevor Wilson (Wurlitzer); and Eliot Krimsky (OP1).\u003c\/p\u003e\n\u003cp\u003eAlbum art by Devra Freelander and Gregory Wikstrom.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl LP comes packaged with digital download coupon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"12\" LP (With Digital Download)","offer_id":45567667241183,"sku":"LP-NNA-112","price":20.0,"currency_code":"USD","in_stock":true},{"title":"WAV Download","offer_id":46457126256863,"sku":null,"price":8.99,"currency_code":"USD","in_stock":false},{"title":"MP3 Download","offer_id":46457126289631,"sku":null,"price":8.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA112-digital-border.jpg?v=1714759901"},{"product_id":"leya-the-fool","title":"LEYA - The Fool","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=620090240\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leya.bandcamp.com\/album\/the-fool\"\u003eThe Fool by LEYA\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNNA is honored to present ‘\u003cstrong\u003eThe Fool\u003c\/strong\u003e,’ the debut album from NYC-based duo \u003cstrong\u003eLEYA\u003c\/strong\u003e. Violinist \u003cstrong\u003eAdam Markiewicz\u003c\/strong\u003e (The Dreebs) and harpist \u003cstrong\u003eMarilu Donovan\u003c\/strong\u003e have succeeded in creating an incredibly original sound for their project. They combine modernity and antiquity with their chosen instruments by taking ideas from contemporary pop and experimental music, and seamlessly integrating them into classical instrumentation and moods. Utilizing a combination of normal and detuned intervals together with ethereal layered vocals, the resulting sound of LEYA is unmistakable and haunting. It is both ancient and singular in tone, but remains open to the influences and ideas of the modern day underground in it’s structural simplicity.\u003c\/p\u003e\n\u003cp\u003eLEYA aims to deconstruct the traditional connotations of the harp and violin by luxuriating in the deviant juxtaposition of ugliness vs. beauty. These two stringed instruments are most commonly associated with classical beauty, but by altering their sound through unorthodox tunings, extended techniques, amplification, and effects, Donovan and Markiewicz are able to mine the depths of their darker, more unsettling capacities. The tuning system created for Donovan’s harp is specific to the project, and was discovered by chance. Rather than being driven by scientific or conceptual intentions, this tuning is chosen based on it’s sound alone, giving LEYA a defined identity that embraces human instinct and imperfection.\u003c\/p\u003e\n\u003cp\u003eThe duo achieves a deeper contrast by seeking to write pop songs with simple, transparent forms. The song structures are left open and sparse in the spirit of creating clear and simple sonic terrain that is meant to grab the listener emotionally, rather than forcing them to analyze the material. The staccato harp pluckings are complemented by long, sustained notes and chords from the violin, creating a dynamic foundation of strings for the vocals to fill in the cracks and crevices. In this sense, the dual vocals are used almost as a textural element or third instrument, where the way the words actually sound takes precedence over the lyrical content. The slow, drawn-out compositional pace of these songs brings them closer to “ambient” territory, enhancing the evocative qualities of the instruments while floating carefully between eerie dissonance and the angelic higher stratospheres of transcendent beauty.\u003c\/p\u003e\n\u003cp\u003eThe latter half of ‘The Fool’ brings in a series of guest collaborators from the modern American experimental underground, showing the range of experience and influence that informs LEYA’s sound. Eartheater, PC Worship, and Sunk Heaven each contribute their own signature style to the tracks, but also adapt remarkably well to LEYA’s sound world, due to the open, yet firmly distinct, sonic identity established by Markiewicz and Donovan. In this sense, the power of ‘The Fool’ lies not only in it’s elegant simplicity, but in it’s ability to employ classically expressive atmosphere to suspend the listener in a blissful state of confusion, where the feeling of sound itself is more important than where it comes from.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by James Plotkin.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIllustration by Jennifer May Reiland.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCassette comes packaged with digital download coupon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567667273951,"sku":"CS-NNA-113","price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":46452044103903,"sku":null,"price":8.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (320 MP3)","offer_id":46452044136671,"sku":null,"price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA113-digital-border-e1648054427926.png?v=1714759909"},{"product_id":"tsembla-the-hole-in-the-landscape","title":"Tsembla - The Hole In The Landscape","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=289023272\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/tsembla.bandcamp.com\/album\/the-hole-in-the-landscape-2\"\u003e'The Hole in the Landscape' by Tsembla\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNNA is thrilled to present ‘The Hole In The Landscape,’ the latest full-length album by \u003cstrong\u003eTsembla\u003c\/strong\u003e. Based in Turku, Finland, Tsembla is the solo alias of musician Marja Ahti, a frequent collaborator of the Kemialliset Ystävät musical collective and one half of the electro-acoustic duo Ahti \u0026amp; Ahti. As Tsembla, Ahti creates vivid, imaginative compositions of sound and rhythm using electronics and treated samples of recorded acoustic instruments, objects, voices, feedback, and environmental sounds. Following up the 2015 LP ‘Terror \u0026amp; Healing’ on the New Images label, Tsembla’s fourth full-length album ’The Hole In The Landscape’ combines melodic and rhythmic narrative with rough-edged sound collage, creating a sense of gravitation, forward movement and friction by contrasting weightlessness with density. At the heart of Tsembla’s compositions lies a distinctive and diverse palette of sounds, electronically processed and filtered to create a signature sound and feel with a unique sonic personality.\u003c\/p\u003e\n\u003cp\u003eAcross the album’s eight tracks, a tension between electronic synthesis and sampled acoustic sounds creates an inventive mixture of colorful playfulness and meditative starkness. Tsembla’s roots can be traced back to musique concrete, early electronic music, and other rhythmic electronic subgenres, but the final product is in a class of its own. The simplistic yet elegant use of melody is implemented thoughtfully to carry the delicate layers of electronics and samples along their voyage, uniting them into an abstracted whole. The frenetic, psychedelic density of Kemialliset Ystävät can be heard in these tracks, though Ahti’s solo approach is more restrained and deliberate. Sounds are given enough space from each other to exist harmoniously alongside one another, with a tasteful amount of layering that allows the listener to focus on intentional clusters of brilliantly juxtaposed sounds, without feeling overwhelmed or bombarded. A distinct influence of music from all across the globe can be heard, beyond the usual western scales and instrumentation; woodwinds, strings, percussion and ancient sounds from all corners of the earth are electronically synthesized to create unpredictable textural twists and turns. These incredibly dynamic resulting textures stimulate the brain in unexpected ways, and the metaphor of sonic texture for organic geological formations can be both heard and felt in the exquisite detail that Ahti is able to conjure in these compositions.\u003c\/p\u003e\n\u003cp\u003eAs a thematic starting point, ‘The Hole In The Landscape’ takes the deep time of geological processes in contrast to the fleeting lifespan of the human mind and heart - the light fluctuations and deep dents of personal or collective thought and emotion, from the perspective of the slow formation of mountains built by shells, dead organisms or fossilized bacteria, and then carried away by wind or water. The idea of a hole in a landscape can manifest as a hollow desert rock formation, or a sense of personal or collective loss. In either case, there is an absence surrounded by presence. Loss carves a gap in our mental landscape, but simultaneously transforms what is left and infuses it with new meaning. In step with these thematic properties, Ahti successfully implements her personalized sound to remind us that the unpredictable natural processes of the universe’s activity cannot be contained or controlled. However, through the instrument of creativity, we can take time in our brief earthly human existence to appreciate the aesthetic beauty and artful juxtapositions that are created as a result of this mystifying chaos, reminding us that absence can tell as much of a story as presence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl LP comes packaged with digital download coupon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Limited Edition 12\" LP (With Digital Download)","offer_id":45567667372255,"sku":"LP-NNA-110","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (WAV)","offer_id":45567667405023,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567667437791,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NNA110-digital-border.png?v=1714759920"},{"product_id":"the-cradle-the-glare-of-success","title":"The Cradle - The Glare Of Success","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345956341\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thecradle.bandcamp.com\/album\/the-glare-of-success\"\u003eThe Glare of Success by The Cradle\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eWe are very happy to present \u003ca href=\"http:\/\/nnatapes.com\/artist\/the-cradle\"\u003e\u003cstrong\u003eThe Cradle\u003c\/strong\u003e\u003c\/a\u003e’s return to NNA Tapes with a brand new album, ‘The Glare Of Success.’ Taking a highly exploratory approach to a follow-up album, New York City-based musician and songwriter \u003cstrong\u003ePaco Cathcart\u003c\/strong\u003e dissects his 2018 NNA debut full-length \u003ca href=\"http:\/\/nnatapes.com\/available-releases\/the-cradle-bag-of-holding\"\u003e\u003cstrong\u003e‘Bag Of Holding,’\u003c\/strong\u003e\u003c\/a\u003e creatively stripping it’s orchestral and vocal components apart and collaging them back together into the building blocks of ten new songs that reflect Cathcart's proclivity for acoustic\/electric sonic contrasts, as well as his abiding interest in reggae rhythms and dub production processes. Cathcart displays his adaptability by pulling a complete musical 180 that retains the brilliant and imaginative atmosphere The Cradle has cultivated, free from the constraints of style or genre.\u003c\/p\u003e\n\u003cp\u003eWhere ‘Bag Of Holding’ favored a delicate, contemplative folk-based atmosphere, ‘The Glare Of Success’ amplifies the energy levels, creating a grooving, highly rhythmic experimental dance counterpart, overall propelled by vibe as opposed to the emotion and sentiment of its predecessor. These new songs continue to showcase Cathcart’s comfort and ingenuity not only in traditional songwriting, but behind the boards as well, by demonstrating his chops in the editing and mixing process. The majority of sounds on ‘The Glare Of Success’ are taken from friend and collaborator Sammy Weissberg’s acoustic instrumental arrangements (violin, viola, cello, clarinet, flute, double bass and horns), as well as the isolated vocal contributions from Palberta (Ani Ivry-Block, Lily Konigsberg, and Nina Ryser), manipulated and recontextualized by Cathcart through a unique form of musical recycling.\u003c\/p\u003e\n\u003cp\u003eSome songs, such as “Day’s End Dub,” retain the pop song structure of The Cradle’s previous work, with the addition of all new vocals and lyrics placed into fresh musical settings. Other songs, such as “Dub Of Holding,” are entirely instrumental, inserting traditional reggae instrumentation such as hi-hats, melodica, kalimba, bells, percussion, and thick electric bass lines. The sound fidelity itself feels genuinely analog and organically hand-played, linking it further to the dub tradition, the influence this album wears on its sleeve. ‘The Glare Of Success’ emphasizes, in equal parts, Cathcart’s musical versatility, limitless imagination, and the tremendous depth of his influences and inspirations. Each new work from The Cradle reveals itself as another piece of a much larger story, and is a shining example of the freedom that Cathcart possesses in the creation of his art.\u003c\/p\u003e\n\u003cp\u003eRecorded Fall 2017 at 107 St. James Place, BK, NY.\u003cbr\u003eSamples culled mostly from the \u003cstrong\u003eWeissberg\u003c\/strong\u003e-arranged instrumental and \u003cstrong\u003ePalberta\u003c\/strong\u003e-vocal contributions to the \u003cem\u003eBag of Holding\u003c\/em\u003e album by Ani, Lily, Nina, Jasper, Kana, Jake, Sammy, and Nathan.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette + Vinyl LP (with Digital Download)","offer_id":45567668519135,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true},{"title":"Cassette (With Digital Download)","offer_id":45567668486367,"sku":"CS-NNA-118","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567668551903,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567668584671,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/The_Cradle_The_Glare_of_Success.jpg?v=1720878125"},{"product_id":"eyeline","title":"LEYA - Eyeline","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2172055542\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leya.bandcamp.com\/album\/eyeline\"\u003eEyeline by LEYA\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cem\u003eEyeline\u003c\/em\u003e, the new mixtape from LEYA — violinist and vocalist Adam Markiewicz and harpist Marilu Donovan — began to take shape last November while the duo was on tour. It was recorded mostly at home with friends, including Actress, Julie Byrne, Deli Girls, Okay Kaya, claire rousay, Sunk Heaven, and Martha Skye Murphy. LEYA describe the mixtape as the origin of sight, “like seeing the one who is watching.” Eyeline is an imperfect parade for charmed constellations — an ethereal blend of neofolk and neoclassical darkwave.\u003c\/p\u003e\n\u003cp\u003eLEYA works with and against the grain of tradition, mining intensity though alternate tunings, strange harmonies, and dreamstate operatic vocals. The resulting experience is one of beauty but spans many imperfect worlds.\u003c\/p\u003e\n\u003cp\u003eLEYA has released a steady volume of work in several years. Their two albums via NNA Tapes, \u003cem\u003eThe Fool\u003c\/em\u003e (2018) and its critically acclaimed follow-up \u003cem\u003eFlood Dream\u003c\/em\u003e (2020), exist alongside a wide range of collaborations. In 2018, the group wrote and performed a full-length soundtrack to I Love You, an erotic film directed by Brooke Candy and produced by PornHub that also features the duo as actors. 2019’s Angel Lust, a collaborative EP with Eartheater, followed courtesy of experimental label PAN. In 2020, they dropped a number of shorter releases including “Antigone,” a collaborative single with American black metal band Liturgy, a remix of their \u003cem\u003eFlood Dream\u003c\/em\u003e track “Wave” by British electronic musician Actress, another remix of the album’s penultimate track “First Way” by the venerable Drew McDowall (Coil, Psychic TV), and a collaboration with Deli Girls for their new album BOSS called “barrier to love.” Composer\/Filmmaker Christina Vantzou delivered a final mashup remix of \u003cem\u003eFlood Dream\u003c\/em\u003e’s “Mary” and “ABBA” in May 2021. The duo provided live scoring for a Hood by Air fashion show curated by Surf Gang member Babyxsosa in June 2021. From their releases LEYA have earned acclaim from Bandcamp Daily, Brooklyn Vegan, Consequence, Document Journal, Esquire, FACT, The FADER, i-D, PAPER, Noisey, Pitchfork, Spin, and The New York Times, among many other media outlets.\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567678349535,"sku":"CS-NNA-145","price":11.99,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV)","offer_id":45567678283999,"sku":"","price":8.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (320 MP3)","offer_id":45567678316767,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/LEYA_Eyeline.jpg?v=1720877117"},{"product_id":"issei-herr","title":"MIZU - Distant Intervals","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2943329005\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/iammizu.bandcamp.com\/album\/distant-intervals\"\u003eDistant Intervals by MIZU\u003c\/a\u003e\u003c\/iframe\u003e\u003cp class=\"tralbumData tralbum-about\"\u003eDistant Intervals, the full-length debut from Brooklyn cellist and composer MIZU (fka Issei Herr), is an exploration of memory, dreams, and the infinite possibilities within imagined worlds. Centered around themes of becoming and transformation, the music encompasses the liminal spaces between our past, present, and future selves - our ever-changing relation to personal memories, the ideals and dreams we have for our futures, and the distance and idealism of these infinite versions of self.\u003c\/p\u003e\n\u003cp\u003eComposed and performed primarily through the vast sound-world of the cello, the album is built through layers of overdubbed improvisations, self-recorded entirely in MIZU’s bedroom closet. There is an element of newfound wonder throughout the album’s nine parts; the sounds of a single cello, an instrument she has known intimately since childhood, are augmented and transformed through the infinite possibilities of digital production and manipulation - layered and processed audio samples, tape loops, and synth ornamentation. Combining up to a hundred layers of overdubbed cello and processed samples, the resulting sound world is lush, vast, and orchestral in scope. A closing feature by rising vocal star Maria BC transforms and elevates Issei’s string-centered sound world into a\u003cspan class=\"bcTruncateEllipsis\"\u003e...\u003c\/span\u003e  \u003ca\u003emore\u003c\/a\u003e\u003c\/p\u003e\n\u003cp id=\"license\" class=\"info license\"\u003e\n\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Cassette (With Digital Download)","offer_id":45567680774367,"sku":"CS-NNA-150","price":11.99,"currency_code":"USD","in_stock":false},{"title":"Digital Download (WAV) + PDF Poster","offer_id":45567680807135,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download (mp3) + PDF Poster","offer_id":45567680839903,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/MIZU_Distant_Intervals.jpg?v=1720877021"},{"product_id":"mizu-forest-scenes","title":"MIZU - Forest Scenes","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061572486\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/iammizu.bandcamp.com\/album\/forest-scenes\"\u003eForest Scenes by MIZU\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cspan data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\"\u003e\u003c\/span\u003eThere is a philosophical quality to MIZU’s second full-length, ‘Forest Scenes’. Through layers of gorgeous, yearning cello, pulsating electronics, and hyperreal field recordings, MIZU evokes a sense of depth by interrogating systems and exploring unknown territories both physical and cerebral. By way of its daring experimentalism, ‘Forest Scenes’ is patently modern and brilliantly ontological.\u003c\/p\u003e\n\u003cp\u003eProceeding from Robert Schumann’s ‘Waldszenen’ in name and, to some extent, concept, MIZU began work on ‘Forest Scenes’ immediately after completing ‘Distant Intervals’, conceiving and writing the record over the course of two inspired weeks in São Paulo, Brazil in Summer 2022 and completing it over the following year in New York. While ‘Distant Intervals’ engaged and inverted the classical idioms in which MIZU was reared, ‘Forest Scenes’ lunges even further away from that world. It is in no small way an acknowledgment of transcendent experiences and the thrills of self-discovery, whether in the vast urbanity of São Paulo, in the community among New York City’s queer spaces and dancefloors, or in the more abstract place of a self in transition. Pulling from these energies, MIZU loops in techno producer Concrete Husband, who features on “prphtbrd”, to further ornament the dancefloor flirtations.\u003c\/p\u003e\n\u003cp\u003eWhile MIZU was socially transitioning during the creation of ‘Distant Intervals’, she began a physical gender transition in step with the inception of ‘Forest Scenes’. The record parallels this transformation, interrogating the boundaries between the forest and what is before \/ beyond it, building scenes of self-discovery through a kind of ecstasy in the unexplored. The forest is, at least in part, a metaphor for queer spaces, for spaces of self-discovery through community, through encounter. 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